Animenter There are women in the film, but none has anything you could call a personality.

Gurlyndrobb While it doesn't offer any answers, it both thrills and makes you think.

Ortiz Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

Isbel A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

happyreflex Lars von Trier is a genius when he actually makes a film, as he did with Element of Crime and Europa, two visually stunning films that I absolutely love. But here, von Trier does not so much tell a story as tell a story about people writing a story and then give us all-too-brief segments of that story. If von Trier had just filmed the story about the doctor who tries to cure a plague but instead ends up spreading it, we would have had another masterpiece. Indeed, the segments that tell this story are wonderful. But to get to these gems, which make up perhaps 5 percent of the movie, we have to wade through intolerable stretches of 16mm excrement. Lars and his friend think up this idea, visit this place, talk to Udo Kier, frustrate and infuriate the viewer with impossibly boring stretches of cinema verité. The experience was painful. In fact, I'll deduct some credit for pain and suffering.

c_mari Lars Von Trier seems to be able to make just two kind of movie: awful ones and excellent ones. Epidemic has been scheduled in order to obtain money for another movie - Lars intended to ask money for two different movies and to use almost all of the money to realize the first one (Europe), leaving few dollars to realize the second one (Epidemic). Epidemic has no script, no actors and almost no director. It's just a funny joke. It can be amusing if you are really involved with Lars, Niels, and his wife, otherwise it makes no sense. I rate one star just because it is not possible to write "rating does not apply". If you are interested in Lars Von Trier visual and poetic art, try to consider before the more recent (and in some way, more "accessible") works like "Breaking the Waves", "Dancer in the Dark", and "Dogville". "Europa" can be the following step and, if you like it, maybe "Idioterne" and "Forbrydelsens element" can be the following one. The TV series "Riget" I and II are really enjoyable and are an all-audience product - Lars said it made them just for money. Obviously, they're not a mixture of "E.R." and "Twin Peaks", as someone said. The style of "Epidemic" is very similar to that of "Riget", but the plot is meaningless. From a certain point of view, "Epidemic" is like an home made movie: it can be funny according to the ones who made it, and maybe it can be appreciated by their friends, but shouldn't be programmed on the big screen (...unless someone has given you some money to make it...)

Jim Ramsden Look, I know a substantial proportion of the American population get a little hot under the collar when funny-talking foreigners start criticising the American government and way of life, but hey - when you're the only country in the world inclined to and capable of dictation of world policy, you gotta take it on the chin. While Von Trier even makes me wince sometimes (the end credits to Dogville for instance), it's his point of view and is worthy of thought. He isn't here to lick your derrière clean for you - if you can't take a little criticism of the homeland, I'd steer clear of any imported movies for a while. Anyhoo, when truly disrespectful films like Titanic break records and reap awards with nary a raised eyebrow, it's double standards to expect non-US films to walk the line you'd like. Von Trier is a genius film-maker... you may not agree with his politics, but you cannot doubt his talent.

fo.lianesp I like Von Trier's films and this one and "The Idiots" seem to me the ones in which he achieves through both the way they are shot and the plot in itself, a high quality of personal artistic expression.Concentrating on "Epidemic", I think the contrast between the black and white parts and the "story" is intriguing and effective, visually disturbing and helping to create the symbolic meaning the viewer could take from this movie.To me, beyond more evident interpretations about predestination, Dreyer-like bad and evil explanations, I believe Von Trier -with the help of, for instance, bleak houses, rundown sourroundings and disease- tries to tell us that the world we're living is infected by a growing disease, living its marks in EACH ONE OF US, making Europe in general a dull and heartless place to live, a world killing us very slowly and with it our soul, our sensibility and our ability to feel. Like the final song : "we all fall down".Against the complacency and cynism of much of the cultural expression nowadays, I think Von Trier's work is an exemple. That is why I recommend "Epidemic" to IMDB users.