EVA

2011 "You cannot program what you feel"
6.6| 1h34m| PG-13| en
Details

In 2041, humans live side-by-side with robots and androids. A well-known cybernetic engineer, Alex Garel, returns to his hometown to create a new model of robot child.

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Reviews

TaryBiggBall It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.
Gutsycurene Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.
AnhartLinkin This story has more twists and turns than a second-rate soap opera.
Melanie Bouvet The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.
dien The moment I saw the trailer I knew where the writer and director were going with this. I knew how it would end and what the big reveal would be. Yet I liked the visual and I wanted to see a non-Hollywood film, so I gave it a try. Boy, was this a painful experience.First of all, we learn nothing about the characters from the beginning or even in what year the film's taking place. If I don't know who the characters are and there are not even hints about their relations, why should I be invested? Why should I care? Imagine you walk into a store and a cashier looks at you for 20 seconds. Is that supposed to mean something? Should I care? No, because it's not someone you met before. The moment you turn around that cashier will be forgotten. And that's just what is going on in this film. From the very beginning there's nothing but long shots of people looking at each other. It might mean something to the characters, and it probably does, but that means nothing to the viewers watching the film. There is a scene where the main character is looking at a woman for 20 or 30 seconds. We don't know who she is, what their history is and their relationship. We don't even know whether there is one. By the time I learnt anything about the characters, I was not interested anymore.Then there are long exterior shots. Do we really need to see someone drive a long way on an icy road, parking their car, turning off the engine, getting out of the car, locking the door and walking to a building? All that in about 3 minutes of time? What is it supposed to accomplish? Or long shots of the town the film is taking place in? OK, it's nice and covered in snow. What else did you need to say about it that you repeated the shot several times? I won't spoil the big twist, but if you've ever seen a film regarding creation of androids, you'll know it by the time the trailer finishes.The acting is OK, but the main male lead is just dull and irritatingly boring. I couldn't stand him. The rest of the cast do their jobs well, but they are basically forgettable. And yes, that includes the character of Eva.I couldn't wait for the film to end. It's tedious, painfully slow and unoriginal. It's got pretty visuals, but that's about it.I respect independent filmmakers for their efforts and not so rarely they succeed. But this film just felt like a Hollywood production that's trying to pretend it's artsy by having long slow camera movements. A bit faster pace would have helped this time.
ma-cortes Set in 2041, Alex Garel (Daniel Bruhl) is a famous scientific who after 10 years goes to back to his home town to work in his old university . There the shy genius is employed by his former university professor (Anne Canovas) to design robot soft ware . Later on , Alex meets his brother David (Alberto Ammann) , his wife Lana (Marta Etura) and Eva (Claudia Vega) , Alex's 10-years-old niece . Meantime , Alex is assisted by a servant-robot (Luis Homar as the sympathetic android Max) . Looking for inspiration , Alex asks help Eva to be the example the new robot , and to survey her behavior during the time they spend together . The cutest girl Eva fascinates him and he soon begins research so that a robot can take on her personality , making emotional tests and watching attitude to configure its existence . This Sci-Fi film contains fantasy , drama , a tragic love story , thought-provoking issues and is pretty interesting . This is an exciting film though relies heavily on the programmer-Eva , Brother-Brother Relationship and the loving triangle is regularly developed . A movie about childhood , robots , love , it has more than its share of beauty , mysteries and wonders . This good picture takes parts here and there from ¨A.I.¨ by Steven Spielberg , ¨Metropolis¨ by Fritz Land and ¨I Robot¨ written by Isaac Asimov . Good performances from Daniel Bruhl as a well-known robot programmer , his friend played by Anne Canovas who brings him a project to create a new line of robot child and special mention to the girl Clara Lago as the muse of the new robot . Furthermore Alex's former lover and David's current wife well played by Marta Etura along with her husband finely performed by Albert Ammann . In addition , the veteran Luis Homar as likable android Max . Mesmerizing , miraculous and state-of-art special effects , spiced with mechanical cats , horse-robots and other marvelous artifacts . Glamorous and luxurious Cinematography by Arnau Valls Colomer , being filmed on location in Panticosa, Huesca, Aragón, Barcelona, Cataluña, Spain , La Chaux-de-Fonds, Canton Neuchâtel, Switzerland and final scene in Tenerife, Canary Islands . Emotive and sensitive Original Music by Evgueni Galperine and co-composer Sacha Galperine . The motion picture was elegantly directed by Kike Maillo at his best and being hist first film , formerly making various shorts . The 26th Annual Goya Awards (Premios Goyas), presented by the Spanish Academy of Cinematographic Arts and Sciences, it is "Spain's main national film awards, considered by many in Spain, and internationally, to be the Spanish equivalent of the American Academy Awards¨ gave a deserved Goya to New Director , Kike Maillo , for this above average film titled ¨Eva¨ . Rating : Good , worthwhile watching .
lasttimeisaw A Febiofest screening of this 12 Goya Awards nominated film (with 3 minor wins, includes a BEST SUPPORTING ACTOR win for Lluís Homar, an interesting pick, and a NEW DIRECTOR win for Kike Maíllo), a so-called robot drama has its own glossy moments with a snazzy demeanor of the artificial intelligence simulation gambits (from an engrossing opening credit, an extremely cute robot cat, an efficient robo-servant, Mr. Homar it is, with an adjustable intelligence range). But a prototype of sentimental love triangle gives away its cheeky bathos, eventually all the zeal gathered in the first half falls flat, noticeably with an unexplained motivation of Adam's escape from the previous scientific project. So all the rekindled chemistry is just as willful and affected as some TV-drama schlock.How the director tackles with the intriguing human Vs. machine topic? A father-daughter affinity is equivocally evocative and claimed to be the best the whole team behind could conspire. With a cutting-edge technology advance located in the unknown future, the film itself is clearly outdated with a least-favored 1990's narcissism in its histrionic screenplay. The opening sequence has betrayed the imminent repercussion in an unwise way, the so-called secrecy of the film has been hinted several times and brainily doubted in a bathtub scene, which could be the only spark in the plot. The cast is doing well considering nothing extraordinary is laid there, with regard to Homar's winning, a career-achievement accomplishment is the only reasonable speculation by far.A tangible moment arrives when David Bowie's Space Oddity which is thrillingly fitting for the whole scenery being played during a bar scene, after that, the film leaps into an abyss of sloppiness and bereft of novelty and it's a point of no return.
karlos-alastruey I watched this film today at the movie theater. The film is beautifully acted and directed. I am very glad to see that in Spain we have new filmmakers able to work within the film industry and still make a great film in the cinematographic sense."Eva" is far more profound than the trailer or the publicity may suggest. It is a deep reflection on human nature and identity. But, and here comes the surprise, it is not a so-called intellectual film.The film is very well done, and it is an example of a new wave of European cinema that is producing great films without necessarily big fireworks. Keep doing the good job, Kike.