ManiakJiggy This is How Movies Should Be Made

Boobirt Stylish but barely mediocre overall

Lucybespro It is a performances centric movie

Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

jacobs-greenwood Directed by William K. Howard, with a screenplay by Lenore J. Coffee that was based on the novel by W.E. Woodward, this mystery drama is clever enough to hold one's interest until the final act, when the law goes out the window and incredulity reigns. It was actually the third film (ever and) from that year to team William Powell and Myrna Loy, who plays the title role.Evelyn Prentice (Loy) is the wife of a successful and well known, workaholic defense attorney, John (Powell), who specializes in helping women, like Mrs. Nancy Harrison (Rosalind Russell, who appears briefly as one such woman, in her screen debut), avoid conviction. When Mrs. Harrison insists on showing Prentice gratitude for her acquittal, Evelyn gets the wrong idea, which leads her into a brief if initially innocent situation with a conniving poet named Larry Kennard (Harvey Stephens). Thanks to Evelyn's interfering and visiting friend Amy Drexel (Una Merkel), Prentice gets wind of his wife's discontent and suspicions; he plans a 6 month 'reconciliation' European cruise for he, his wife, and their precocious 7 year old Dorothy (Cora Sue Collins). But Kennard learns of this through the society papers and with Evelyn's letters to him, whose meaning could be misinterpreted, he attempts to blackmail her for $15,000. She sees a gun in his desk drawer and demands her letters. Downstairs, Lennard's jealous girlfriend Judith Wilson (Isabel Jewell) hears a shot ring out, but fails to see Evelyn, holding a handkerchief to her mouth, escaping down the front stairs. Ms. Wilson is accused of killing Kennard. Evelyn, who has a "too be explained" cut on her mouth, insists that they cancel their cruise so that her husband might defend Ms. Wilson.An unbelievable trial ensues, one without much credibility to begin with that gets even more implausible, breaking all legal procedure and protocol, as it proceeds; Frank Conroy plays District Attorney Farley. Edward Brophy plays a brief, yet memorable role as Prentice's assistant Eddie Delaney; Jessie Ralph plays an even briefer role as Mrs. Blake, a witness to Evelyn's exit who keeps quiet in hopes of some future remuneration. Herman Bing appears uncredited as an antiques dealer named Klein, the scene that makes Brophy's role memorable. Billy Gilbert appears uncredited as a café owner, Samuel Hinds as a party guest.Remade as Stronger than Desire (1939) with Virginia Bruce, Walter Pidgeon, Lee Bowman, and Ann Dvorak.

jjnxn-1 Very episodic, overwrought drama with Myrna Loy succumbing to the overacting bug at times and Bill Powell rather stiff. They were always a great team but seem off their game here perhaps the mediocrity of the script failed to inspire their best work. The best performances come from the supporting players. Isabel Jewell is good as a wronged woman but without question Una Merkel steals the picture single handedly saving this from total soap opera with her terrific wisecracking. Rosalind Russell made her film debut here but is wasted as a devious society harlot. Even with its brief running time the film trudges along at a deadly dull pace making it seem interminable. The ending is too precious for words.

CindyH I disagree with planktonrules's review for a variety of reasons. While it is true that this was obviously not a grand film, it is still worthy of a casual peek. After all, Loy and Powell fans will always appreciate seeing them together on the screen, even if it is not perfection.The plot does sound interesting. John Prentice (William Powell) is an affluent lawyer who not only neglects his wife Evelyn (Myrna Loy) but has an affair with a client. In the mean time lonely Evelyn meets an apparently charming Lawrence Kennard who, unbeknownst to her, has only one motive: money.Evelyn Prentice innocently corresponds with Mr. Kennard who uses the letters as leverage for his blackmail. While the letters are innocuous, the wording can be understood as either confirming an affair or only confirming a friendship. Naturally Mr. Kennard plans are to use them to confirm a non-existent affair.When John wishes to reconcile with his wife, Evelyn notifies Mr. Kennard that their friendship is over. Infuriated, Mr. Kennard says he wants money in exchange for the letters; an amount that Evelyn cannot possibly pay. Grabbing a gun from an open drawer, Evelyn demands the letters. When he refuses, a gun shot is heard and Evelyn is seen leaving Mr. Kennard's apartment.Guilt ridden after hearing that a woman has been accused of Kennard's murder, Evelyn asks her husband to take her case and even more twists are to come.Unlike what planktonrules claims, it is entirely believable for that day in age. While overdone, perhaps, the plot is neat and does work.I don't give it a terribly high grade, but I do feel that the acting was very well done, the plot was clear and the ending was satisfying. That makes it a sufficient film, deserving any time spent viewing it.

Clothes-Off Despite the presence of stars Myrna Loy and William Powell (not to mention Rosalind Russell in her brief film debut), supporting player Isabel Jewell's performance is easily the most memorable in this drama. Powell plays a prominent lawyer, and Jewell plays a potential client, one who can't afford his serves as much as the glamorous socialite played by Russell. The legendary Loy has some fine scenes, but she really isn't given much of a chance to change her somber demeanor throughout the picture. There isn't really much action in this film, just a few well-placed confrontations and plot devices to keep up a modest amount of suspense, plenty enough to hold ones interest in a short running time. Films of this era didn't have to rely on spectacle or sensation to be good, and this is one example.