CrawlerChunky In truth, there is barely enough story here to make a film.

Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Ava-Grace Willis Story: It's very simple but honestly that is fine.

Taha Avalos The best films of this genre always show a path and provide a takeaway for being a better person.

Jeff S A wistful film, although Mr. Hart doesn't allow you to wallow in that. He is above all himself, 'sh*t happens', and he and the director lay it out as honestly as can be done from a single subject's perspective. It certainly gave me more perspective on Husker Du, I did not listen to them very much in their 1980s heyday. I was less interested in the diary of a band breakup aspect, Mr. Hart is refreshingly not bitter about it. Mr. Bechard has a very good feel and sympathy with his interview subjects, I can see that commonality between his Replacements documentary and this one. This film about Grant Hart is a very worthwhile journey to follow along, in my opinion.

Rob Kelleher In this wonderful documentary, Gorman Bechard presents us with an intimate and candid portrait of the inimitable Grant Hart. This film subverts the traditional format of the rock documentary and in doing so gives us a compelling, engaging and at times haunting look at an indie rock legend.Having Grant as the sole narrator of his own story was a great idea, as he is such an intelligent and articulate storyteller. Having others reflect on his career and influence would only serve to distract from what this film is trying to achieve. His story brims with wit, sadness, honesty and told through that slightly sardonic tongue of his we are given a real glimpse of the man who has given us such achingly gorgeous, rousing music through Husker Du, Nova Mob and his own highly eclectic solo career. Throughout the movie, Hart touches upon his days in Husker Du, his friendship with William S Burroughs , his passion for collage art, his heroin addiction and his family. We are also given a heartbreaking tour of his 'house' that really resonates emotionally when the narrative arrives at the this point in his story. The location settings throughout the interviews are really interesting, and touch upon various points of his life and career. There is also some wonderful archival footage from the Husker Du/Nova Mob days( the footage of Nova Mob performing 'The Main" is absolute GOLD), as well as 2 hours of extra interview footage on the DVD that is worth the price of admission alone.An often misunderstood artist, who it seems gets misrepresented in his former songwriter partners more well documented history, 'Every Everything' is a must watch because it attempts to set the record straight without resorting to clichés, resentment and he said/she said bullshit dramatics.Its hard not to sometimes view Grant as a somewhat tragic and sad figure, but this film is as uncompromising and forward thinking as its subject.

kevin whitehead Work is a drag! It's some weeks since I made the trip to London, the Raindance Festival and the premiere of this film. A pilgrimage really – not to pay homage, more to pay respect to the songwriter, singer, sometimes maligned drummer for Hüsker Dü and star of this show, Grant Hart.The film would have worked for me, pretty much regardless. Personal history, band biography, plenty of concert footage and archive interviews (slight overuse of the 'Makes No Sense' recording, but that's fine and great if you're not familiar with it). For a fan, what's not to like? But it's much more than that. The basic construct of 'just Grant' works (as director Gorman Bechard thought it would) because Grant Hart is interesting, clearly creative and, if I'm honest, a little sad. There are many nice moments: a look at him doing his collage art (and stalking around the second-hand shop to pick up the old magazines he tears up to make them), a bit of insight into the creation of Hüsker's album covers (enough for the film, but would have loved more), Grant talking drum kits and drumming. Funny stuff too: about the collage art Grant's asked 'what would you call that?' – '150 bucks' (I think that was his price); the Husker Du impresses Black Flag story told in a Tarantino-esque animated sequence where the spurting blood red of Kill Bill's manga sequence (or may be the green tide of Great Rock'n'Roll Swindle vomit?) is replaced by the splatter of blue paint arse prints; the 'pumpkin band'! Grant also brings the necessary pathos to raise the film above the average – a bit like 'The Story of Anvil' but, like their respective musical output, less obvious. So we hear about Bob (of course), the period when he 'invested' in his blood stream, the relationship with his estranged son and the destructive fire at the family home. All have affected him, but it's the tour through his home that isn't there (completely destroyed? too damaged to be filmed?) that is perhaps the most poignant. The motivation for his slightly nutty and initially bewildering narrative is anybody's guess (this was apparently Grant's idea; was it a metaphor for his life, career?), but it's cleverly employed by the film maker, returning to it from time to time to provide a thread that holds the film together.When Gorman Bechard's Kickstarter fund for a film about Grant Hart was launched, a contribution was a personal opportunity to pay back for everything Grant has given - because as many people know, he deserves more recognition. Gorman's ambition here was brave and his film should do this for Grant because he has delivered something special, and so has Grant - in spades.And the talk of hours of unused footage means that this package can deliver even more. Something to look forward to I hope.

FolkerUK This movie gives an amazing insight into the life and mind of ex Husker Du drummer/singer Grant Hart. Hart is in pretty much every frame of the movie but is never dull or boring. He's a fascinating complex character and his music used shows what an underrated and talented songwriter he is. Filling a movie with one subject like this could be problematic at times but the director gives us the feel of actually sitting with Grant, you feel a connection with him and at times his honesty really knocks you back. I would recommend this movie to anyone with a love of great rock music or an interest into the workings of a true artist.