Linbeymusol Wonderful character development!

CheerupSilver Very Cool!!!

Exoticalot People are voting emotionally.

Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Robert B Edmondson Most reviewers have gotten it right as far as the acting and style on this movie, so I won't add much as far as that goes.If you watch this one more than once, it should be obvious that the story is not about two roommates, but one woman struggling with body dysmorphia.The character's name is Jill, but she looks like Jennifer. The Jennifer personality may have been her original personality, or it may have been created as a defense mechanism to hide all the feelings of confidence and self worth, while loading up the other personality with guilt, regret, and self loathing. This was created during or after her marriage to an emotionally abusive partner who, as it is depicted in the extremely twisted and weird reality sex show sequence, would constantly tell her how disgusting and unattractive she was. This created Jill. The personality that binge eats.This is made clear through several key scenes. The two scenes where Jill and Jennifer are both in the presence of someone else (waking up with Rob, and on the curb with the police), Jennifer goes unnoticed and does not speak or even move. She is not acknowledged by anyone but Jill.Then, in the scene where Jill opens her front door and the woman snaps cell phone photos of her, the photos are shown later to actually be photos of Jennifer. Despite that the woman's name is actually Jill, Jill is the one who does not exist in physical form. The appearance of Jill is a mental manifestation of her body dysmorphia.Then finally in the last scene, when Jill injects the talent agent with that nasty Draino stuff she concocted, she leans over, and once again, you can see in the reflection that it's Jennifer.

M. Qtips (M_Qtips) This intimate look at the burgeoning relationship between two formerly platonic female friends is as much a warm love letter to the city of Los Angeles, seen through the lens of its delightful culinary traditions, as it is a tale is of finding love right where you least expect it — at home, in the kitchen... and the bedroom. From the opening, where roommate Jennifer awkwardly tries to compliment friend and roommate Jill ("You're not fat"), to the soulful kiss they openly share at the end, the evolution of these two reluctant partners' relationship as they fall inexorably into each others' arms is a heartwarming tale you'll remember at least though dinner.Director Patrick Kineally, who has at least seen a music video, prods the story along like a pirate with a cutlass prodding you off the plank with amusing cut scenes featuring off-the- wall tertiary characters, like the nosy across-the-hall neighbor with her nonstop cavalcade of charmingly inappropriate, overdone gifts, or the handsome boyfriend with an apparent heart of gold who lives only to spread love as far and wide as he can.The ultimate affect is a dizzying series of vignettes showcasing the growing connection of these two women, a tour-de-farce grounded in the the ingenious device of one's love of cooking without eating and the other's of eating without cooking, as it spins towards a glorious, triumphal act of love and conciliation as warm, beautiful, and crazy as the City of Angels itself.Tear open a bag of Doritos and watch it with someone you love.

in1984 6.25 of 10. Are they roommates or just 2 versions of the same person happening within a psychotic aspiring model with a tendency to binge on eating, sex, and self abuse? Either way, you get 2 similar looking actresses, a slender model and a plump mess, playing the lead rolls.As simply horror and gore, it doesn't pick up until the latter part of the film. The first half is essentially dedicated to setting up the characters and their/her various disorders/psychoses. That does set up a mystery angle to it and make the film more enjoyable and less predictable as to where it's going.It's rare to get so much character depth, plot, gross-out scenes, horror, and hot ass shots in the same film. Worth a watch even though it makes a mistake at the end with not really completing the story and going with more of a setup for a sequel.

kosmasp Which is really a shame. Because the movie or rather the idea behind the movie has a lot of potential. There are glimpses of genius hidden here somewhere. Unfortunately they are very well hidden and can actually not be found. And that's because the movie indulges in hammering its point home. I don't think you always have to be subtle, but you also have to be respectful to the viewers and their intelligence.The acting has its ups and downs too. The social commentary drowns in that as it does in the editing (or rather lack of it at times). Of course some would argue that it's necessary to have a scene go on for a very long time, so that the dread of a situation is felt by the viewer. And I would agree to that but just to a point. Because if you have scenes after scenes, that are telling the same story/point, you're way beyond proving a point, you're into boring territory to put it mildly. A shame, but maybe also a learning process for the next one