Fearless

1993 "Some people are afraid of nothing."
7.1| 2h2m| R| en
Details

After a terrible air disaster, survivor Max Klein emerges a changed person. Unable to connect to his former life or to wife Laura, he feels godlike and invulnerable. When psychologist Bill Perlman is unable to help Max, he has Max meet another survivor, Carla Rodrigo, who is wracked with grief and guilt since her baby died in the crash which she and Max survived.

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Reviews

NekoHomey Purely Joyful Movie!
Ketrivie It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.
Catangro After playing with our expectations, this turns out to be a very different sort of film.
Wyatt There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
Teo The movie tells the story of the survivor of an air plane accident that has actually taken place in Sioux City. Jeff Bridges was never better than here and he captured me with his amazing performance. What I liked the most in the film is that it made me think that the battles we give every day in our lives, in order to face our problems, are battles we just have to give, because that's what life is about. A must see!
gbcc-gabriel Like many people, I started watching "Fearless" without great anxiety or grand expectations. I had heard it was a good movie and that Jeff Bridges' performance was somewhat memorable in contrast to his other work.What I got however, was a beautiful film about the understanding of our own inner fears, whether they are justified or not, and by extension, our established concepts of life and death.Although I'm not giving away direct spoilers, some of the analysis might prove to show minor aspects of the narrative.We start off moments after the tragic plane crash and we are soon shown that Max, our lead character, is not reacting to his near death experience the way we would normally expect. He seems calm and not very interested in giving interviews or even getting medical attention.As the narrative progresses, we notice how other survivors deal with their horrific experience and it becomes clearer that, when people endure through such an overwhelming experience, their own psychological reactions are not really alike. That is, people's own personal experiences and fears shape how their minds are going to process such an unusual and traumatic incident. This notion is very well constructed throughout the film due to some fantastic acting, specially on Rosie Perez's part, and great writing. Indeed, the supporting cast is very well written and the characters around Max are three dimensional and pose interesting ideas all trough the film.Even still, what makes this film great and unforgettable is the constant existential debate of what it truly means to be living, backed by, in my opinion, Jeff Bridges's greatest performance yet. After surviving the plane crash, Max loses the sense of fear as he comes to the conclusion that life and death are, ultimately, out of our control. With that said, is there necessity for rational fear or any instinct of preservation?The ending serves as an interpretation of the answer to this question. It only helps that the final crash scene is one of the most memorable and emotional scenes I have ever seen. We are shown how terrifying and destructive the sight of a disaster can be. The final scene works almost as a film in its own right by showing how people try to cope with the fact that death is imminent, and at the same time beautifully showing Max's transition into the mind state he was in through the entire film up until the end.It is hard to understand how such a film is not more broadly known and praised. Perhaps a more thorough study of the marketing process or the box office context could serve as an answer, but not an excuse. Jeff Bridges is sensational and delivers a dominant performance. He truly is one of the most underrated actors of his generation. After seeing this film, I doubt many would disagree with me. In the end, Peter Weir's "Fearless" stands on its own as one of the great movies from the 90's, even if not many people are aware of it.
FlashCallahan After a terrible air disaster, survivor Max Klein emerges a changed person.Unable to connect to his former life or to wife, he feels godlike and immortal.When psychologist Bill Perlman is unable to help, he has Max meet another survivor, Carla Rodrigo, who is racked with grief and guilt since her baby died in the crash....This is one of those movies that had massive plaudits when first released, but vanished without a trace, (you can't even get it on DVD here in the UK).And I ask myself why? It's one of the best films no ones heard of in the nineties, and it may even have a career best performance from Bridges and the rest of the cast.It's a difficult subject matter to deal with, people trying to come to terms with loss, whereas one man, is doing everything in his power to prove everyone that something enigmatic, even sublime, happened to him on the plane.The film would be perfect if it had the same power in the third act, like it did in the first two, but sadly, it runs a little out of steam.The scenes on the plane are very intense and genuinely terrifying, but somewhat peaceful thanks to Bridges calming influence.The film is asking lots of questions throughout, but if you go that little much deeper, rather than look at it at face value, it gets a little lost also (there are some scenes, that are indicating that Bridges is really dead, and in purgatory, which can be confusing at times).But all in all, if you ever come across this movie, you must take some time out to see i, it's an amazing movie with an amazing message, it just loses it's way a little in the last 30 mins.
Bones Eijnar After watching FEARLESS I clearly made up my mind about actor Jeff Bridges; he is utterly brilliant. This film is carried by his performance as a man who survives a plane crash and his the following life he lives in which his complete sense of existence is changed. The film finds mystery and tragedy and goes searching in religious places for answers that we draw out of the main character. Director Peter Weir lingers on Bridges and his inner self, and the many tender scenes that he goes through are very carefully achieved, never slipping into sentiment or boring clichés. Throughout you really don't know whether Bridges is crazy, spiritual, dead or alive - he's yearning in something that everybody around him really don't see to understand. FEARLESS is a great film with many low-key scenes that tells a story thoroughly and thoughtfully, but it always escalates into joyous wonder, and that's where director Weir and Bridges truly captured me as a viewer. It's like that dark corridor towards the light in the magnificent ending scene.