Teringer An Exercise In Nonsense

Sammy-Jo Cervantes There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Billie Morin This movie feels like it was made purely to piss off people who want good shows

Taha Avalos The best films of this genre always show a path and provide a takeaway for being a better person.

boblipton A policeman spots a fire in a home He tries the windows, but they are locked. He runs to the nearest fire station. Will they be able to save the residents.It's a very impressive movie for 1901, shot in five scenes. Each of the sequences begins with a life-threatening situation: can the policeman get into the house and help the occupants? Can the fire brigade get the equipment on the street? Can they get to the house in time? .... and so forth. The camera placement is simple and the editing is, by modern standards, simple. Time is linear within the movie; cross-cutting has not yet shown up. Even so, it plays very well, even today.James Williamson, who directed and produced and, presumably edited this movie, was born in 1855 and came into film-making not through photography, but because he ran a chemist shop -- where he presumably developed film -- and expanded into selling photographic equipment, in Hove, quite near George A. Smith's St Ann's Well Pleasure Garden. Besides shooting and directing his own films, he patented a couple of devices useful for film production, founded a company to produce photographic equipment that was active at least until the Second World War, and lived until 1933.

He_who_lurks If you've ever heard (or seen) Edwin S. Porter's "The Life of an American Fireman" from 1903 then you should know that this earlier drama from Williamson clearly inspired Porter's film. Not only does it tell a story that would've excited audiences, it also takes 5 minutes to do so which is, undeniably, long for its time. Because of this, I'm giving it a 7.The story is very simple: the typical rescue of a family from a burning building premise. The film uses 5 scenes to tell it: the first scene is when the cop discovers the burning building, the second the firemen leave to go to the rescue, the third a shot of the racing firemen, the fourth scene is the rescue of the man, and the continuation of the events continue in the last scene, a shot of the outside of the house.Also, note that firemen rescue scenes were very popular in cinema's first years. In 1896 the Lumiere brothers filmed a street scene of firemen racing to the rescue (A Fire Run), and even before that was an early Edison short depicting a rescue scene ("Fire Rescue Scene"). Filmmakers really must've found firemen to be an exciting subject for early dramas. While the story really isn't involved enough, for 1901 it was exceptional and the film is one that would actually be interesting to see today.

Horst in Translation ([email protected]) I am fairly certain that the 1901 movie "Fire!" was much more effective to watch 115 years ago than it is today. A fire starts, a man is in his house and can't get out, but the firefighters come and rescue him. He is happy. This is basically the storyline. Unfortunately, a fire is one of these occurrences which were really hard to depict in silent films. You do not hear the people scream. You do not see the bright colors of the fire. You do not hear the noises from the fire or from the wood that is burning. Quite a challenger for Scottish film pioneer James Williamson. Still, I have to say, he did a fairly decent job all in all I guess. It's not a bad watch by any means, but it's not among the best films of its time either. Maybe among the longest at 5 minutes.

Cineanalyst The activities of fireman and their putting out fires was a common subject in early actuality films and early staged, or fiction, films, dating back to "Fire Rescue Scene" (1894) being filmed in the "Black Maria". "Fire!" is a five-shot fiction film. It shows the rescuing of persons from a burning building, from the initial discovery of the fire by a policeman, who then alerts the fire station (by running there), to the putting out of the fire and rescue of the persons in the burning home by the firemen.This was probably a rather exciting action film for its time. The onrush shot of the horse-drawn fire carriages, however, is rather unexciting by the camera being placed in front of the action from a far distance--allowing the action to (slowly) come to the camera. But, this was 1901--years before D.W. Griffith made the rescue sequence exciting through editing and varied camera placements. "Fire!" also contains a jump cut (during the second scene). However, the action crosses scenes in a fluid manner and in the appropriate direction, respecting the axis of action, unlike in "Stop Thief!", another film by Williamson from 1901. For example, the policeman in the first shot exits the frame through the left side and enters the second shot from the right. For 1901, the continuity between an interior shot and the exterior shots are fluid, too. One thing I think was noticeably funny, however, is that they were able to use a ladder to rescue one person, but for the other, they take away the ladder and bring in a large cloth for him to jump into. Seems quite unnecessary and a waste of energy; although I'm sure Williamson did it to create some more novel action.Edwin S. Porter elaborated on this genre in making "Life of an American Fireman" (1903), which contains nine shots.(Note: According to at least one source, a scene or scenes in this film may have been originally tinted red.)