Five Bloody Graves

1969 "Lust-Mad Men and Lawless Women in a Vicious and Sensuous Orgy of Slaughter!"
3.4| 1h28m| R| en
Details

A lone gunman hunts the fearsome Apache Satago across the plains of the Wild West. When Satago's marauders ambush a stagecoach, the gunman rides to the rescue of the trapped passengers and helps them in their last stand against the deadly Indians.

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Independent International Pictures (I-I)

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Reviews

Pacionsbo Absolutely Fantastic
Comwayon A Disappointing Continuation
DipitySkillful an ambitious but ultimately ineffective debut endeavor.
KnotStronger This is a must-see and one of the best documentaries - and films - of this year.
Red-Barracuda Five Bloody Graves is a western from the notorious director Al Adamson. Al was a maker of z-grade exploitation movies such as Blood of Dracula's Castle (1969) and Horror of the Blood Monsters (1970). Because of this I am rather fond of the man. Anyone who knocked out copious numbers of low budget psychotronic movies from the golden era of the b-movie sure can't be all that bad in my book. And from my admittedly limited exposure to his movies, I have to say that what I have seen has been entertaining enough. Five Bloody Graves is possibly the best of the bunch so far I reckon. It takes the form of a revenge western, with a lone cowboy seeking retribution against an Apache who killed his wife. Enter a stranded stagecoach of cannon fodder...I mean upright citizens, plus a duo of good-for-nothing gun runners and we have the bare bones of a story.This one is unusual from the start in that it includes voice-over narration from Death himself. Some people hate voice-overs but I don't mind them as they allow us to just cut to the chase and get on with it, not relying on a host of tedious exposition scenes and in this example that is effectively what they achieve even if the device was most probably included for budgetary, rather than artistic, reasons. It would only be fair to say that despite a release year of 1970, this sure as hell is not a revisionist example of the western genre. It has a decidedly old-school presentation of the Indians as mindless killers, who aren't so much characters as they are dangerous obstacles for the white folks to deal with. This type of presentation was really out-of-date by the 60's, never mind the 70's! But I think it's partly on account of this completely unprogressive approach that makes this one kind of enjoyable as it gives it an even more exploitative approach which is always kind of fun even when you know it is wrong.From an acting perspective we have the king of the low budget trash-fest himself, John Carradine, on hand in another role as a cranky old git. While the soundtrack was pleasingly inappropriate at times with a score made up of library music which bizarrely included the theme to the 'News at Ten', one of the most famous bits of TV music in the UK and so utterly strange sound-tracking a gun-fight in a low budget western! This musical insanity is only equalled by the later slasher movie Delirium (1979) which featured the theme music from 'Mastermind'! Anyway, the story plays out pretty much as you think it will with little in the way of surprises, although I have to award an extra point for a particularly evil character being sentenced to 'death by ant'. On the whole, this much maligned film really wasn't all that bad at all. I have been watching a fair few run-of-the-mill spaghetti westerns recently and I have to say that this one entertained me more than most of those on account of it being stranger. Good work Al...
Leofwine_draca Al Adamson is a notorious name in cult film circles as a man who made the movies of Ed Wood look good. His films are known for being amateurish, slapdash, and hard to enjoy, and having sat through some of his horror outings it's hard to disagree. However, FIVE BLOODY GRAVES, a rare entry in the western genre for the director, is a surprisingly entertaining little film.Of course, it's still amateurish in nature, with 'anything goes' style performances and a general hurried feel to the production. On the other hand, it's absolutely packed with action and violence; the storyline is pure Cowboys and Indians, with never any more depth to it than that. Rest assured that the expected shoot-outs, knife fights and horse riding scenes come thick and fast in this film.Adamson has amassed a wealth of has-been actors for his film, headlined by western star Robert Dix. Watch out for future cult director John 'Bud' Cardos as an Indian and John Carradine as a preacher. Unfortunately the version I watched was heavily cut for violence, but even so I found it better than many modern day attempts at the genre. Certainly no classic but it might just be the director's best film.
FightingWesterner Five Bloody Graves is one of the few real drive-in westerns. It's directed by the much maligned Al Adamson, who made many colorful schlockers in his day. With it's nonstop violence and gory excess, this is no exception.In this the west is depicted as a vast wasteland of hate and savagery, populated by half mad characters including death himself. There isn't much plot except for numerous people wandering around the rugged Utah landscape trying to massacre one another. Being that this is narrated by the grim reaper, there's not much mystery as to where most of the characters wind up.Incidentally, John Carradine, Scott Brady, and Robert Dix were back together a year later in a better drive-in western, Cain's Cuttroats.As far as the detractors go, many of them were tricked by the deceiving advertising on the video box into thinking that this is a horror picture. Fans of B-westerns will most likely be more forgiving than the average viewer.
count_uebles Al Adamson! Truly one of the Princes of schlock filming and a true heir to Edward D. Wood Jr.s Throne of cheese! Adamsons films have everything that makes the true crap movie so frightening: Illucid scripts, continuity errors of epic proportions, acting somewhere between barely OK to truly awful, former movie greats fallen into rough times, no budget whatsoever, cameos by the director himself (not in the Hitchcock manner, more in the Ed "Glenn or Glennda" Wood way)... you name it.Said that, this is one of his less crappy movies (we are talking about Adamson standards here though), mainly because of a really good director of photography (newly immigrated Vilmos Zsigmound, who later would shoot movies like Maverick and Assassins) and a gorgeous background scenery.But be not fooled! There is still plenty of badness provided, starting with the mind numbing narration by Death himself, reaction shots that don't match either the scene before or after (most often then not not even the time of day!), gratuitous violence of the disturbing kind etc. etc. etc.Watch out for appearances of B-movie legend John Carradine, the movies own screenwriter Robert Dix, 50s Western staple Victor Adamson and ubiquitous Scott Brady.To see Adamson at the peak (or rather bottom ) of his art, be sure not to miss the unbelievable "Dracula vs. Frankenstein", a movie that puts Plan 9 to shame! Highly recommended for fans of Adamson is also David Konow's great biography: Schlock-O-Rama: The Films of Al Adamson