Tacticalin An absolute waste of money

Pacionsbo Absolutely Fantastic

Limerculer A waste of 90 minutes of my life

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

hammer4 This is a tedious and decidedly low voltage attempt at an action thriller and vehicle for the then quite popular Raquel Welch. The main drawbacks are the script which features cardboard characters and implausible situations, along with the leaden direction. The undistinguished cast has little to work with, but Ms Welch must be called to account for one of the worst performances of her career. This is saying a lot considering her body (no pun intended) of work. She is alternately vapid and wooden or hysterically shrill.Ms Welch "portrays" a Las Vegas exotic dancer on the run from the deranged ex-husband (Luke Askew) of her friend and fellow dancer. It seems the Askew character blames Welch for the dissolution of his marriage, so after he blows away his former wife at an outdoor cafe in broad daylight he seeks to do likewise to poor Raquel. Welch flees to Los Angeles pursued by the killer and immediately takes up with James Stacy. In watching their scenes together one has the impression that the filmmakers were simply going through the motions of providing the obligatory male love interest for Ms Welch. There is zero chemistry between them and the whole Stacy character seems virtually superfluous.I found the pace of this film quite slow with little tension or suspense. One never really empathizes with or cares much for the central character. The psycho murderer, instead of being menacing and scary, is merely boring and dull.Ironically, though she plays a go-go dancer, Ms Welch's considerable physical attributes are not put to good use here. She has one dance number (wearing only a moderately revealing outfit) that is tepid at best. The other dance routines by others (some of which are performed topless) come off much better. In fact these rather brief sequences and some fairly colorful and interesting Las Vegas and L.A. locations are all this misfire has going for it.

dunks58 I just saw this stinky old boiler on TV. Best watched with a very large flagon of Dr Jurd's Jungle Juice at hand, this exploitorific cheese-fest is hilariously bad. On the (very slim) plus side, Raquel was in her physical prime, she looks good, and you get to see a fair bit of her, since she plays a go-go dancer; she had great legs, that's for sure. There's also some minor interest for screen buffs in the footage of Los Angeles ca. '69, and in spotting actors in minor parts who went on to better things. Veteran thesp Ron Rifkin ('Brothers and Sisters') delivers a toe-curling early performances as "Sailor" the "faggot junkie" barman who rats Raquel out to the bad guy. You might also recognise the gun-toting security guard in the hit-and-run scene -- it's a very early appearance by Gordon Jump, who gave such a lovely performance in 'Soap' as Piece of Chelief Tinkler.The 'plot' of 'Flareup', such as it is, follows the travails of an exotic dancer (Welch) on the run from her murderous ex-husband (Luke Askew). This turkey is classic production-line Hollywood sludge -- a paint-by-numbers script, pedestrian direction, hokey shots, edits and effects, ultra-cheesy stock music, plywood sets, and performances to match.The cast is as uniformly dreadful as the screenplay. Although Raquel is capable of fair performances in the right vehicle, this wheezy old clunker is SO bad that she doesn't really stand a chance, and neither does the audience. One of my favourite moments occurs when Raquel awakes up in the hospital, sees the Vegas cop who's pursuing her murderous ex, and asks "How did you get here?" -- to which he of course replies "In a plane." Oh the humanity ... And you won't be able to take your eyes off the doctor (Michael Rougas) who has what might well be one of the very worst walk-ons in the long sad history of bad cameos. I don't think I've ever seen anyone stand in one spot so badly before.Raquel's love interest Joe (James Stacy) ambles through the film with a fixed look that's somewhere between bemused and embarrassed -- and no wonder. This bomb puts the cast through just about every made-for-TV cliché in the book, from Raquel's spectacularly dreadful turn in the dreadful nightmare montage, to the pure schlock of the 'romantic' horse ride along Leo Carillo Beach.**Spoiler Warning** -- just about the only interesting thing in the whole film is the denouement, in which Raquel finally gets her own back, and hilariously enacts the title, by setting the baddie on fire. Whoever the stunt guy was really earned his money on this one -- he goes up like Yorba Linda in a heatwave. Yet even this fairly spectacular scene is compromised by the fact that one of the crew moves into shot near the end.There are so many crappy things about 'Flareup' that it's oddly compelling; I found yourself wondering if this could be one of the worst films I've ever seen made. The answer seemed to be a resounding 'Yes' ... until I saw the film that followed it, Roger Corman's mega-trashy 'caged heat' classic 'The Big Doll House', which takes Awful to a whole new level. I can heartily recommend these two shlockers as a double-bill. You'll laugh yourself silly.

sol ***SPOILERS*** Requel Welch in one of the most demanding roles of her film career as Michele a Las Vegas Go-Go dancer. Michele is stalked throughout the movie "Flareup" by a crazed killer Alan Morris, Luke Askew, who holds her as well as her friend and fellow Go-Go dancer Iris, Pat Delaney, responsible for the breakup of his marriage to Go-Go dancer Nikki, Sandra Giles. Trying to get Nikki to reconsider at an outdoor café in Vegas, where she's with both Michele and Iris, she tells the hurt and despondent Alan to get lost where he pulls out a gun and shoots her! Alan then turns his gun on Nikki's fellow Go-Go dancers, Michele and Iris, as they run for their lives and escape. Later Michele and Iris going to the hospital to find out how Nikki is doing, she died from her wounds, Alan runs down Iris and her police escort with his car as Michele escapes again. Michele is sent to L.A by the manager of the club that she dances in, the Pussycat, to work at the "Losers" nightclub in order to get away from the vengeful Alan. At "The Losers" Michele meets Joe, James Stacy, the clubs parking attendant who changes her hose, car tire, and then gives her a sip of coke, the soft drink, from a bottle that he's drinking out of. This impressed the beautiful Michele so much that by the time the day was over she was shacked up with Joe in his apartment in L.A! I should be so lucky. Alan gets the bartender at the "Pussycat" nightclub Silor,Ron Rifkin, to tell him where Michele is and then carjacks Mr.Willows, Tom Feddon, killing him and driving off with his car to L.A to murder Michele. Finding both Michele and Joe at the beach Alan is interrupted in his attempt to kill them by the police and runs down and kills a biker as he makes his escape.Alan then tracks down Michele at a gas station as she out runs him, on wheels and on foot, to a zoo. It's at the zoo where she's rescued by the police with Alan again getting away and is put into a police guarded hospital room for her own protection.Michele breaking out of the hospital goes to Joe's place only to be held hostage by Alan who was there waiting for her. After being held alive by Alan in order for Joe to come home; Alan plans to murder him so Michele can see it. Suddenly Michele breaks away from Alan and locks herself up in the kitchen and when Alan breaks in she pours a can of gasoline on him and lights a match setting him on fire thus the title of the movie "Flareup". Luke Askew who's a pretty good actor seemed so embarrassed in the movie that he played it straight and tried to keep his emotions in regards to the part that he was paying under wraps. Especially in that incredibly unintentional hilarious last sequence with Miss. Welch, when he looked like he was either hypnotized or on drugs.

moonspinner55 Las Vegas dancer Raquel Welch is stalked by the crazed ex-husband of her best friend (who blames Rocky for breaking up his marriage). After a violent opening, film turns to more routine melodrama, as Welch runs from place to place, eventually hiding out at the Old Zoo in L.A.'s Griffith Park! Some nifty location work, lots of costume changes for our star, good supporting work from the underrated James Stacy. Yet, the film is too clean, too slick to be convincing--especially as it deals with seedy nightclubs and topless dancers. Much was made in the presskit of Raquel's dance routine, but it's laughable instead of memorable. Welch is rather over-the-top here; she really flourishes under a looser direction, and Disney-vet James Neilsen is just too mechanical for her. **1/2 from ****