ScoobyMint Disappointment for a huge fan!

SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Leoni Haney Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

dougdoepke Cheapo film that manages some suspense. However, it's too uneven to fulfill the premise. Three men and a woman are left to die in the searing Arizona desert. Their crime is having institutionalized a crazed Navajo Vietnam vet. Now he wants revenge, and just as importantly, show that his "medicine" is stronger than the white man's.Though the acting is better than expected, the survival element comes and goes. The early part, where Sam shows how to get food, water, and keep cool by digging holes, amounts to an interesting survival manual. The trouble is many other logical precautions are implausibly lacking, like covering bare skin in the sun or seeking shade while talking. Then too, Sam seems to get stronger as the movie progresses, which makes little sense given the draining heat. That, plus a meandering narrative, doesn't help. Frankly, events appear to have been made up on the fly, maybe as the budget or conditions permitted. As a result, a finely adapted musical score is also largely wasted.Too bad, because at times the film shows genuine promise. But a basic lack of coherent narrative and thematic development undercuts that promise. For a more riveting tale of desert survival, catch Robert Ryan in Inferno (1953).

Michael_Elliott Fleshburn (1984) * 1/2 (out of 4) In 1975 Calvin Duggoi (Sonny Landham) deserted his troops in Vietnam due to spiritual beliefs held by the Native Americans. When he returned home four psychiatrists deemed him mentally unstable so the court systems threw him into a mental hospital where he remained for the next nine years. When the nine year mark hit, Calvin decides to break out and track down the four responsible for having him locked up. After stealing a truck Calvin kidnaps all four people and drives out in the desert where he drops the four off and demands that they live like Indians. Meaning, the four city folks will have to find their own food and water and perhaps, die under the heat of the sun.When VHS took off Fleshburn tried to hide itself as a horror title but that's certainly not the case. This film is part drama, part action film and it really doesn't do either genre any justice. The low-budget nature of the film doesn't help matters either nor does the childish acting, which grows very tiresome very quickly. The film could be seen as a forerunner to the hit show Survivor but even that show features better acting.The film has a very interesting idea to work with, although it's certainly not anything original. The idea of an Indian seeking revenge by forcing the white man to live as an Indian should have made for a more entertaining movie but instead of anything smart, the director has the viewer out in the desert just watching people sit around and wine. Really, not much happens in this film, which is a shame. We see them learn how to catch food, find water and finally try to walk out of the desert but all of this takes a total of three minutes so the other 80+ minutes we're just watching them sit around. The only saving grace the film has is in the first twenty-minutes when Calvin is tracking down his victims. He does this by breaking into their houses and the director actually does a nice job getting a few jump scares as I like to call them.

capkronos In 1975, Navajo Indian Calvin Duggai (Sonny Landham) deliberately abandoned five men to die in the desert because of an argument involving tribal rivalry and the powers of Indian witchcraft. Four psychiatrists testified that Duggai was not capable of distinguishing right from wrong and recommended he be institutionalized. Years later at the "State Hospital For the Mentally Insane," Calvin suffers from 'Nam flashbacks, escapes through the air shafts and kills a friendly hunter who picks him up hitchhiking. He then decides to get back at the four shrinks who helped put him away. One by one, he kidnaps them, ties them up, throws them into the back of a truck and drives miles out into the middle of the desert and drops them off. There they must face the extreme heat, dehydration, starvation, snakes, scorpions, birds, etc… and Calvin, who is off in the shadows with a high-powered scope rifle watching their every move AND using his powers of witchcraft to strike out at them. Thankfully, one of the victims (Steve Kanaly, from the TV show "Dallas") gave up head-shrinking years ago for a job as a park ranger and helps everyone survive by digging holes to sleep in, hunting rabbits and using cacti for food and water. He also has to make peace with the jealous husband (Robert Chimento) of his former lover (Karen Carlson). Macon McCalman (who had a small role in DEAD & BURIED) is the fourth doctor, an overweight, bald, homosexual with a broken leg who reacts to the stress by becoming a born-again Christian! (Not quite as funny as the "I'm a lesbian but I guess I'll stop it" line from EVIL COME, EVIL GO, but still...) Though watchable for the most part, it's by no means a great film and the annoying non-ending will leave a bad taste in your mouth. It was based on the novel 'Fear is a Handful of Dust' by Brian Garfield.

EyeAskance Sonny Landham portrays a confrontational Vietnam veteran who is wrongfully sent to an institution. He eventually escapes, Hell bent on revenge against those responsible for having him locked away. These folks are rounded up like cattle, bound and gagged, and left in the middle of the desert with no shoes or provisions. In the face of their quandary, they quarrel ceaselessly with one another, growing ever weaker in the elements as the crazed madman watches from the distance. Nothing to sing high praises about, but it manages to remain variably suspenseful and resourcefully appointed on an obviously skimpy per-diem. For such a picayune effort, it's not a complete toss-out, but it definitely could have benefited from a stronger denouement. Despite being a somewhat neutered thriller, FLESHBURN is still one of the more professional offerings from the bozos at Crown International Pictures...which, of course, isn't saying much. 4/10