Laikals The greatest movie ever made..!

Sexylocher Masterful Movie

Supelice Dreadfully Boring

Organnall Too much about the plot just didn't add up, the writing was bad, some of the scenes were cringey and awkward,

gavin6942 Reinette and Mirabelle are two young women. Reinette lives in the countryside, Mirabelle in Paris. They meet during a holiday of Mirabelle in the country, when Reinette helps her to repair the tube of her bicycle and shows her the beauties of nature and in particular the 'blue hour'.This is the classic meeting of the "city mouse" and the "country mouse". While the country mouse knows such things as how to cook and fix bicycles, she does not concern herself with such high-minded concepts as "ethnology". In her domain, she is the queen.But we also see stories here where it pays to be a smart city mouse... through deception and cunning, you can get what you want in ways the innocent, sincere person never can. The interactions with both the waiter and the art dealer are just so good and really make this film a treasure.

Andres Salama A relatively unknown effort from 1987 by French director Eric Rohmer is slight but worthwhile. The four "adventures" of the title are really slight stories which our two protagonists go through, with some moral lesson to be learned.In the first episode, the tough, sophisticated law student Mirabelle (Jessica Forde) goes to the countryside where she meets Reinette, a painter and naive country girl (played by Joelle Miquel, who is great).The next three episodes have Mirabelle returning to her native Paris bringing the innocent Reinette along her. A lot of the situations have to do on how the natural country honesty of Reinette is tested in the cynical big city. The episode I liked best was the second one, in which Reinette has to deal with a very rude waiter at a bar. The third one (which is mostly about how Mirabelle decides to help a shoplifter to Reinette's dismay) is weaker, but the final episode, in which Reinette tries to sell her paintings to an art dealer despite having put on herself a vow of silence, is fine.Some actors from previous Rohmer movies (like Beatrice Romand, Marie Riviere and Fabrice Luchini) have bit parts here.

valadas I love Eric Rohmer's movies mainly those in which, like in this one, he shows normal daily life that can have important episodes which can be gracious, humorous, even sometimes having poetry or a bit of mystery, unexpectedness and adventure. He shows his characters thinking and philosophizing about apparently simple things and behaviours and those thoughts often contrast with real life events. We can also see through the dialogues the contrast of the universe of values we may have in mind and the real world outside. In this movie two young girls meet by chance when one of them has got a flat tyre while riding a bicycle in the countryside and the other one offers to help her to solve the problem. From now on they become close friends though they are very different in temperament, mentality and behaviour. The one who lives in the country goes to Paris and the other one who lived there already, shares her apartment with her new friend. Both are university students, the Parisian one in Ethnology and the country one in Fine Arts. After the first adventure of her meeting they live in Paris 3 more episodes of daily life which were adventurous but without going much beyond the natural and ordinary and shown with great simplicity but also with great mastery. Only in my opinion the fourth and last episode is a bit too fanciful but the movie is good in its whole despite that.

realreel I'm a huge Rohmer fan. I've seen all of the Moral Tales, the Comedies & Proverbs and the Tales of the Four Seasons. I dislike this particular film tremendously. Along with "Rendez-Vous in Paris," it represents Rohmer at his worst... moralistic, pedantic and amateurish. I've seen better summer camp skits than the bit at the cafe, the scene at the train station and the business at the art gallery. Frankly, with the exception of "The Blue Hour", the project is a wash. Joelle Miquel and Philippe Laudenbach deliver terrible, over-the-top performances, and even the great Fabrice Luchini seems foolish and out of place. Jessica Forde is passable as the jaded town rat. The only stand out (at least in a positive sense) is Marie Riviere who, as always, is entirely believable.I'm not sure why this project got such a high IMDb rating. I can only think that people like the two-name films ("Celine and Julie", "Fanny and Alexander", etc.) because they sound whimsically playful. Rohmer has an excellent sense of humor (e.g., Conte d'ete, Boyfrends and Girlfriends, etc.), but this is not a delightful little caprice. With the exception of the first 20 minutes or so, it's a student project. Note also the horrendous original electronic music. Rohmer often refrains entirely from the use of music, and this is one case where he should have shown his usual restraint.