Frankenstein Island

1981 "The power is 7,000,000 volts--it's alive!"
2.1| 1h37m| PG| en
Details

A hot air balloon crew and a dog find themselves on an island with scantily-clad part-alien women, zombies, and other monsters.

Director

Producted By

Cerito Films

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Reviews

Scanialara You won't be disappointed!
Pluskylang Great Film overall
Sienna-Rose Mclaughlin The movie really just wants to entertain people.
Isbel A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
dmanyc If you thought The Wild World of Batwoman was a bad movie, you haven't experienced Frankenstein Island. You have a Murder's Row of actors who have a tendency to star in bad movies. If you're a MSTie, you know these people. Cameron Mitchell, missing his glued-on beard and warrior muumuu (Space Mutiny). Tain Bodkin, still preaching (The Giant Spider Invasion). Katherine Victor, Batwoman herself without the nose mask but stealing one of Dolly Parton's wigs and not aging gracefully. Richard Banks no longer the Mexican Zorro Ratfink (The Wild World of Batwoman). And the big kahuna himself Steve Brodie (The Giant Spider Invasion AND The Wild World of Batwoman). Throw in John Carradine's floating head looking like Jeff Dunham's grumpy old man puppet Walter, Amazon women in leopard print bikinis, lots of hot air balloons in the opening credits, a 2,000 year old man getting what I think is blood transfusions to stay alive, zombies dressed like they're cat burglars, and the monster himself resurrecting...from a body of water inside a cave. As for the plot, I wish I could tell you. Not that I'm trying to not spoil things, I just can't remember what the heck this film was about. How sad is it that the only credible actor in the whole movie is Melvin the dog? Watch at your own peril.
mikey-242-435767 I read the reviews. I said to myself, "Well, this could not possibly be as bad as all that." Well, it is. It starts right away. The patterns on the balloons keep changing from shot to shot in the credits. And there are many of them talking on the radio. What happened to the other folks with radios? Did they not call for a rescue ship? Nobody knows... It never comes up in the movie.Then these four goofs come on shore and one is still holding a raft in his hand and it talking about having to build a raft. Why? At that point they just arrived and have not searched around the island and already have a fully inflated rubber raft.And they immediately ask "How will we get over these bluffs?" Why do they need to. Wait for the pickup from the people who are coming to get you. No mention of that. Seems like the opening credits and radio chatter is from a different movie.Well, it goes from there off onto several different plot threads. They intersect from time to time, minimally. And there is that laughing fool. He even laughs while he is drinking his moonshine. Quite a talent. And what is he laughing at so much? That spinning, pink ammo box is just too much! And the confusion of plots (snakes, tarantulas, machine guns, trident that turns women into vampires, a brain without a head running everything, John Carradine speaking gibberish) continues until, thankfully, this movie is done.My great thanks to the director for not making the movie ANY LONGER! And you won't believe the ending. I guess it is an ending. Or they just ran out of film. Not fulfilling at all.
lemon_magic I've only seen one other Jerry Warren film (to my knowledge), "The Wild World Of Batwoman", but I would easily put him up there with Ray Dennis Steckler ("The Incredibly Strange Creatures Who Stopped Living and Became Mixed Up Zombies?!!") as one of the top five people in Western Civilization who should never be allowed near a camera again. And I hope that at some point the poor guy who made "Robot Monster" got a chance to see this - it would have cheered him up immensely to see a film that made "RM" look like Francis Ford Coppola. What an amazing mess. Watching it is like watching 9th graders (trapped in the bodies of adults) trying to pretend they are acting out a Boris Karloff movie. The only good thing you can say for it is that the movie doesn't seem to take itself seriously - it's just trying to have a swinging good time and to entertain the audience.Watch it for the sheer novelty value only. Jerry Warren: Your guarantee of movie incoherence.
rerun-5 My VCR taped this movie in 1986 at 2:30am when it was supposed to be recording "Kings Row". I have never been happier at the error. Here is a film I show to old friends and new loves. It is so bad...so beyond bad, really, that this film could be a guest on Jerry Springer. Lets quickly move from the plot: stranded balloonists discover themselves on an island with Jacques Cousteau-like zombies, amazon women warriors in spandex leopard prints, and...a weird, unresolved Frankenstein motif. That aside, it is constant hilarity. Plastic pitchforks, the same we carried at Halloween as kids, are waved in front of the camera to suggest danger. A shoe box ,, painted red on the lower half and put on a gyro is the electronic brain for the monster. The actress playing Frankensteins relative, Sheila!!!, is a hoot since she is seen reading her lines from off set (behind bookcases, etc). The ending pales since the beginning is so rapturously inane and silly. It is not to be missed. Please don't turn off when the Mighty Kung Fus scenes occur...or the tiny skulls appear in a gas-lit barbeque to intimate danger. Or when poor Cameron Mitchell appears as Captian Ahab/Queeq explaining how he allowed his crew to become zombies. Best scene: at the very beginning, when the balloon crashes, the dog on board jumps off and pees on the seaweed as the titles run. Such honesty in cinema is so rare.