ElMaruecan82
As the start of a series of hit comedies, it's promising, as an ensemble cast, it's wonderfully acted, and on its own, it's a cult-classic of French comedy (as 'Cult' -and it's a side note- in the French Dictionary, refers to something so deeply rooted in Pop-Culture that any quote, any character's name, any moment would immediately ring a bell) And the best measurement of a cult-movie's popularity is when people, including myself, knew about the film even before watching it.And I knew that "Les Bronzés" ("French Fried Vacation") was directed in 1978 and was the very film to pave the way to a generation of comedians who'd define the new face of French comedy in the 80's/90's and even further : Gérard Jugnot, Thierry Lhermitte, Josiane Balasko, Christian Clavier, Michel Blanc and all the other members of the 'Equipe du Splendid', who started on stage in the late 70's. Like a 'baby-boomer 'rat-pack' all these comedians would play a significant part to the evolution of French cinema in both comedy and drama by starring in the most popular to-be-made French movies. On that level, one of the exquisite delights of "French Fried Vacation" is to see all these well-established actors looking so young, with this sparkling innocence in their eyes before stardom would extinguish it. (Hell, Even Gérard Jugnot with his bald head and iconic mustache looks incredibly vulnerable beyond his average-Jean attitude.) To those who grew up with these actors, "French Fried Vacation" carries a certain nostalgic feeling by depicting a slice of average vacationers' tumultuous lives at a time when everything wasn't centered on suburbs, drugs, or AIDS. Interestingly, most of these actors grew up to become right-wing supporters, when French comedy hadn't been overtaken yet by politically correct liberal artists and the dictatorship of cosmopolitanism (the same that condemned a film like "Amélie" because it didn't feature racial minorities). The 'Splendid Troop' is seen now as old-fashioned but it's still the most authentic depiction of a portion of French working-class youth. This is not to say that "French Fried Vacation" is dated, of course it has this strong 70's women-lib, sexual liberation feeling, but the humor displayed in the film didn't lose its appeal, and is still relevant by today's standards.Indeed, never too militant or patronizing (a trend that tends to damage the credibility of French comedies today), the tone in "French Fried Vacation" is more realistic and satirical and tactfully flirts with a crude but never gratuitous vulgarity. I would say "it's politically incorrect in the correct way", because it shows the typical French people with no other purpose than mocking their own traits in a sympathetic way. The 'Glorious Thirty', referring to the days of economical expansion that followed the World War II, were over and the time of Louis de Funes, who was incarnating the good old petty-minded hot-headed successful businessman, lost its touch. In the late 70's, France was struck by the crisis, out-dating the France of Gérard Oury and the 'Gendarmes'. That's another thing that I knew about "French Fried Vacation", the film was a landmark in French Comedy.And deserving more than a mention, there's one the most iconic French movie songs' adapted from a hit by Dalida, the unforgettable "Darla-dirladada", that became the quintessential vacation's themes elevating "French Fried Vacation" to its classic level, as it's impossible to talk about the film without having this catchy tune in mind, and its ridiculous yet classic choreography. The music defines the era's insouciance and free-spirited liberation. In "French Fried Vacation", they're sexually liberated, open to each other, and just want to have fun. It was the days where everything didn't have to be political, social or to carry a deep social meaning, before French comedy would be taken over by an irritating self-righteous dogma. "French Fried Vacation" is like a breath of fresh air that swept off the dust over old French comedy, but makes new Comedy look even worseAll that I knew before watching the film wasn't disappointed when I did and the film only got better after each viewing. Directed by Patrice Leconte, who'd make more ambitious films in the future, it has this awkward directorial debut feeling but nonetheless it's carried by powerful performances from every single actor. It really shows that these actors started on stage. Every movie fan know these characters with the same tenderness as if they were family members, there is the average couple with some emotional problems : Bernard (Gérard Jugnot) and Nathalie (Josiane Balasko), the handsome staff-member Popeye (Thierry Lhermitte) who behind his womanizer's facade, hides a more poignant touch of immaturity, Jerome the doctor, played by a more subtle and nuanced Chritian Clavier (before he would be the clowny Jacquouille from "The Visitors") and of course, at the top, there is Jean- Claude Dus, the ultimate loser, magnificently played by Michel Blanc, the perfect anti- model for all the wannabe womanizers.Not only are all these characters wonderfully played but they're all extremely well-developed with a level of three-dimensionality that raised the film above all the other comedies. They're flawed people, but with a touch of realism and authenticity that beautifully combines between the laughs and the pathos: we both laugh at them but feel empathetic at a same time, a credit to the clever writing. Naturally, the film is not perfect and the structure made of series of sketch-like situations create the feeling of an inexistent narrative of storyline, but the pay-off is still positive, and the film doesn't lose its time creating a 'story' for the sake of it, it's just the joyful, sometimes depressing, sometimes ironic, journey of a group of vacationers, exporting their everyday issues even in vacation.Indeed, if the movie opens with Gainsbourg's hit 'Sea, Sex and Sun', we kind of expect from the sight of the vacationers that only two of these three premises would be fulfilled.
Justin R
Most of the reviews have already explained much of the plot, story, etc... so I'll take this in another direction: what its really all about.While "Les Bronzés" is a comedy, much of it is based on real-life situations that actually happen and what goes on in these vacation villages. I know because not only did I grow up in France and understand their psyche, but I worked for the company parodied for a while.From the attitude of the GOs, to the naiveté of the GMs, the goofy activities in the village to the sleeping arrangements - the nightly banquets to the evening shows - pretty much everything is portrayed spot on. And *that's* what makes the movie really funny. This movie is a classic in France.Some of the humor will be lost in translation, however, the subtitles are pretty close to conveying the jist of humor when they cannot be accurately translated. It's a must see for any francophile looking for a good laugh. And if you liked this one, Thierry Lhermite is also in "Le Diner des Cons", which was just remade in Hollyweird as "The Dinner Game".
Karl Self
There are two sides to this movie: superficially it is an unspectacular comedy about a group of tourists spending their two weeks at a Club Med resort somewhere in Africa, or the West Indies or wherever. There is the underlying promise of sexual adventures, but they only materialise for the bored, toned and bronzed club entertainers, not the balding and paunchy guests.Like an iceberg, the more important part of this movie is invisible, and lies in the incredibly fast-paced dialogues. It's French quipping at its best, and if you only so much as bat an eye you'll miss it. For this reason the French love this movie, and the rest of the world wonders what they're on about (this type of humour doesn't translate well or even at all). I saw an original French version without subtitles, and have to admit that most of it was too fast for me.For this reason: if you're French -- you probably have seen this movie, and possibly even on this very day. If you're not French, you won't understand a dicky bird. This review is so pointless.
writers_reign
This French cult movie is now available on DVD and the plus factor is that it boasts virtually all of Splendid, the theatre company who collectively wrote and acted in several landmark productions such as Le Pere Noel est une ordeure, and is a chance to see the early - it was only his second full-length film - directorial work of Patrice Leconte but the negative factor is the dubbed English soundtrack which not only misses 90 per cent of the verbal humour, for which it can't be blamed but contrives to make all the characters sound the same, as if they could only run to one male and one female and hired two dorks who were unable to speak in anything other than monotones. Even if you don't speak French or speak only grade-school French you're probably better off ignoring the dubbed option and just relish this tightly-knit group of actors-writers in their salad days - Josie Balasko, for example is barely recognizable as a size 10 - and have fun trying to locate such modern stars as Thierry Thermitte, Gerard Jugnot, Michel Blanc etc. Essentially it's a send-up of the Club Med scene and plays more like a series of vignettes than a well-made play but the rewards are there if you persevere.
