Supelice Dreadfully Boring

Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

Fulke Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Phillipa Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

KentaroK When I first saw reviews for Frequencies, I was thinking that the high praise and comparisons to Primer would only lead to my disappointment. Indeed, I would not compare it to Primer as it has zero time travel (although the story is told from different perspectives, this is more like Vantage Point than like any time- travel movie).It is driven by a few main characters, and slowly explains the setting, in a gentle, engrossing manner. Due to this, it is best to watch this when you won't be distracted, like at home with friends who like to be challenged or gently stimulated by movies, rather than distracted by fast-paced actions or shaky camera work. In other words, it is an elite movie, for the elites of armchair general society, and not for the temporary couch potato who has no mental energy to invest in a movie.That is all I will say because to say more might be to spoil it.Not only did I enjoy it, but I rate it a perfect 10/10, very very enjoyable, re-watchable, and has some concepts worth considering.

kosmasp This movie is pretty savvy to say the least. It's also one of those cases where it merits more than one viewing to fully understand and appreciate what is going on. While the front is a romantic comedy with a Science Fiction touch, the Sci-Fi part is actually a lot bigger than you may think at first. Or maybe you thought about it or read about it already, but whatever the case, experiencing this movie, is a blast to say the least.We have more time-lines and more jumps than some people will be able to handle or even want to handle. There's a point where things can seem to be too much. And after a couple of twists you may find yourself going "come on". But if you are like me and those other people who loved this, you'll actually be craving for more ... which is something the director is hinting at towards the end ... visually but also in his commentary!

CinemaDude1 If "slick" was all you needed to give a movie a high rating, FREQUENCIES would be right up there with the characters in the film who have the highest frequency numbers, because it is that -- as slick as KY Jelly. It has a clean, beautifully photographed look, attractive actors and an engaging love story that is initially quite involving, drawing us into the story very early on -- seems like an interesting, even quirky story unfolding....initially. It opens with the easily understood and familiar premise, a kind of caste system which seems intrinsically unfair and which thwarts a lover from reaching his beloved. In this version of unfair, unrequited love, there is a caste system based on of all things, some sort of frequency in their atomic structure of each individual makeup which is unalterable and which permanently relegates each to a specific level of "luck" or fate and lot in life, much like our present day SAT scores. And they are bound to it to the grave. What becomes immediately of emotional interest to the viewer is that this indelible frequency number (which right off the bat begs credulity of the highest order) not only marks their level of fate, but also predetermines who they can love (or not). Not an original cinematic concept by any means and we have seen it used as the foundation for love-stories in a myriad of other films, except here it becomes just too silly a device to be believable; their atomic frequency prevent them from even going near each other let alone touching or loving each other. The "science" behind this situation is just never explained so it remains glaringly bad science to the point that at times it's laughable. OK, let's live with that hard-to-swallow "frequency out of sync" device...it's only a means to move the meat of the love story and the conflict therein forward. But that's only the beginning of the nonsense as the director/write then begins injecting more and more absurd arguments about irrelevant concepts like fate and predetermination and free will and irony(?!), all supposedly controlled by a "Manual" that we are told, without any plausible explanation, pops up throughout the centuries -- a kind of DaVinchi Code, only it's about patterns and fate. It's represented by three hieroglyphic looking symbols that appear here and there, again without explanation, and also you see them crudely paint on the backs of their cellphones. Oh, and yes, the discovery of how to control the "side effects" of frequency mismatch is made by the lead male lover who happens to be a mathematical, druggie/genius (even though he's vibrating at the LOWEST frequency, i.e. bottoming out on the SATs) -- HE figures out that WORDS -- yes, just speaking words out loud, stops the bad side effects when two people of divergent frequencies dare to try to interact. But wait...what about those musical notes. Ooops, more on that later. Come to find out, if you take certain drugs -- lots of them...like mixing whole prescription bottles of them together, you can then speak certain words that a cellphone app will spit out which will quash the bad side-effects when individuals with incorrectly matched frequencies play hanky-panky with each other. Yah, that's right....it's the WORDS you speak that stop forks and knives from flying about when the lovers touch, but low and behold, another unbelievable discovery....it's MUSIC that will squash the flying utensils and vibrating doors and steam rising from the ground as well as cell app words. Will wonders never cease? In this movie, evidently not soon enough.The "science" here is absurd; the philosophical conundrums of free will vs. predetermination vs. patterns vs. irony (irony?...really?!) are all over the map; THEN the mean military arm of the government jumps in just to make things interesting (and less coherent) because now humanity as we know it is threatened if the control words are spoken out loud. All the scientists now have to do is figure out how to restore frequencies so that the evil caste system is back in place and we are all really just machines anyway...or are we? Yah...it is just as idiotic as it sounds. Not a shred of any plausible science or philosophy or physics while all the incessant mumbo-jumbo discussions that the characters spout on these "deep" (read pretentious) topics sound as infantile as those commercials for Cheese-Its where the 5 year old kids give their explanations of how the cheese gets into the crackers. None of this means a hill of beans to whatever is emotionally engaging of the plot -- the love story and the social ethics of a society with such an unfair way of predetermining citizens' lot or why any of this is happening. Instead the sci-fi simply consists of dialog that sounds like the screenwriters hadn't the foggiest handle on ANY of these topics. Nor do we care an iota about any of it as presented. While as a whole, this may have started off as a good attempt at a story that we COULD HAVE gotten emotional invested in, but one-third the way thru it they seem to have seriously lost their way and had no idea where they wanted to take the film. And that is sad because the film had great potential, but when you need to come in to save your splintered, unraveling, unresolved last reel with all this mess still flopping in the wind and you to have to bring in MOZART to tie up lose ends as well as turning one of your very minor supporting characters into an omniscient Star Trek-like "Q" as the denouement to the meandering, indecipherable last 20 minutes, well, you just wind up with a major disappointment.

Ruca Ashraf FrequenciesOXV: The ManualDirected and written by: Darren Paul FisherStars: Daniel Fraser, Eleanor Wyld, Owen Pugh, Dylan Llewellyn, Georgina MinterBrown, Tom England.The idea of predicting the future of a child based on testing their frequency which shows how lucky they will be is a futuristic element to the archaic innate need for romance. Marie's (Eleanor Wylde) frequency is superbly high making her more lucky and more perfect almost like a robot her intelligence rules over her emotions whereas Zak is the polar opposite therefore it is dangerous for Zak to be near hear because like opposing magnets they cause the universe to react to show them they should not be together.At school they are given scientific names Marie is known as Marie-Curie while Zak is known as Isaac Newton then Theo is Nikola Tesla because he figures the true meaning of the Nikola Tesla quote they were taught at school.That quote is "knowledge determines destiny", which is a major life lesson to anyone really.This does not stop Zak (Daniel Fraser) from achieving his dreams of turning his luck around and going against nature he strives to find a solution with the help of his friend Theo.Theo's short disappearance when Zak wanted Theo to get approval and give credit of the patented frequency invention. Then Theo arguing with his father about music versus science is a vague issue and probably is a huge discussion about more because him seeming like he is going far away and will not see his dad for a while adds to the mystery and mystique of this movie.This British gem of a movie is excellent, elegant and eloquent. A scientific yet philosophical romance movie shown in terms of an experiment which is an intelligent take on how real life is like particularly romance. It represents how romance and sex has become desensitized and sometimes love hits like a brick and the pain is unbearable. It is just an emotional roller coaster as true love tends to be. This movie is similar to 'Just My Luck'. But Frequencies or otherwise known as OXV: The Manual is more sentimental, sensual and sophisticated.The length and depth the characters go to for love despite their friends and family telling them otherwise is really romantic. Then Marie questions how he is safe when he is with her so she finds out that he can control nature through his phone showing words that stabilize nature for him to say. Yet Marie finds out that Zak can control frequency to the point of convincing people to do anything . That frightens her on the truth of their relationship.As we worry about relationship but cannot pin point anything to blame or truly question internally or externally. She wonders if he convinced her through raising his frequency levels and enforcing his power over her makes her feel used even when he assures her that is not the case. Only to find that Beethoven's music stabilizes everyone's frequency to a neutral level that makes no one have a higher frequency than another therefore no one could control anyone. When she finds her feelings for him are still the same it is happy ending indeed.