Frost/Nixon

2008 "400 million people were waiting for the truth."
7.6| 2h2m| R| en
Details

For three years after being forced from office, Nixon remained silent. But in summer 1977, the steely, cunning former commander-in-chief agreed to sit for one all-inclusive interview to confront the questions of his time in office and the Watergate scandal that ended his presidency. Nixon surprised everyone in selecting Frost as his televised confessor, intending to easily outfox the breezy British showman and secure a place in the hearts and minds of Americans. Likewise, Frost's team harboured doubts about their boss's ability to hold his own. But as the cameras rolled, a charged battle of wits resulted.

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Reviews

Inadvands Boring, over-political, tech fuzed mess
Breakinger A Brilliant Conflict
Salubfoto It's an amazing and heartbreaking story.
ActuallyGlimmer The best films of this genre always show a path and provide a takeaway for being a better person.
kijii If you're going to this movie thinking you are just going to see another movie about Watergate, you will have to quickly adjust your thinking. I know, because that is what happened to me. This is a riveting and gut- wrenching movie about two men locked in a personal battle to use each other in order to change their public images. Neither is totally prepared for the contest that will be played out on the world TV stage. To be sure, this is a "no holds barred" showdown. But both Richard Nixon (Frank Langella) and David Frost (Michael Sheen who played Tony Blair in The Queen (2006) underestimate each other's public skills. To Nixon, David Frost is seen as just a second-rate British talk show host. To David Frost, the Nixon interviews are his ticket to do something that no other TV talk show host or reporter had managed to do: to get Nixon on record admitting something about himself that he had not heretofore publicly done. Frost, pushed by his fellow producers, wants Nixon to publicly take responsibility for the Watergate cover-up and for his own personal complicity in the final aspects of the Viet Nam War. As you watch this movie, you find yourself, at first, empathizing with David Frost who is in something big--but WAY over his head. Later, as you see the preparation for the interviews (on both sides), you feel empathy—yes, empathy--for Richard Nixon!! Both Oliver Stone, in Nixon (1995), and Ron Howard, in this movie, seem to have taped Richard Nixon as a figure of the high tragedy akin to a figure from a Greek tragedy or one of the "big four tragedies" of Shakespeare: Hamlet, Macbeth, Lear, and Othello. In each of these Shakespearian tragedies, the title character has an innate tragic flaw in their character that brings them down from great and powerful heights. While it may have been JEALOUSY with Othello or LUST FOR POWER with Macbeth, with Nixon it seems to always be the need for REVENGE on his enemies (real or imagined): those people that look down on him as socially or intellectually unworthy to hold power. With this movie, Ron Howard has expertly introduced us to a new type of "courtroom drama." But, this "courtroom" takes the form of a series of TV interviews. The parties present their own arguments, and we are the jury. Howard effectively uses extreme close up shots to tighten the space and heighten the interpersonal drama. With his skill, Howard draws us into the drama and barely gives time to blink. Both my wife and I left the movie emotionally drained but dramatically fulfilled.
Inception Report I love interview movies, movies that centre around an important interview and all the trails that come with it so as you can imagine Frost/Nixon immediately appealed to me and was definitely worth the watch. I thought this film was fantastic with two excellent lead performances. Frank Langella gives the performance of his life in this film he's truly amazing at portraying a fragile and fearful man trying to regain some humanity that he lost to his presidency. Michael Sheen was also really good in this movies you could tell just how badly he wanted this interview and how desperate he was to get it done right. The actual interviews themselves were very well executed, the tactics that went into both their sides leaves you riveted and intrigued and makes Nixon eventual apology feel earned and all the more satisfying, I wasn't alive to watch the actual interviews but I can imagine they felt the same way they do in the movie. Ron Howard did such a good job at directing this movie he makes sure that your always engaged and riveted by what your seeing and turned what could have been a boring and melodramatic drama into something much better than that. The chemistry between Nixon and Frost is great the tension between them and some of their more personal scenes made the film all the better. However I do have a few flaws for one I didn't like the documentary style flash forwards with the characters it just felt weird and out of place and ultimately just unnecessary. The film also does suffer from it taking some time to find it's footing but eventually does. I really like Rebecca Hall and she was really good in this movie but I didn't really get her character I don't know if her character was a part of the real life events but even if that's the case I still didn't think she fit her relationship with Frost just comes out of nowhere and is mostly skipped over. Overall Frost/Nixon is a fantastic film with a great main conflict and performances and is by far one of Ron Howard's greatest achievements. 85%/A-
Mr-Fusion "Frost/Nixon" was a curiosity for me; for one, I wanted to see Frank Langella as Richard Nixon, and the other reason is just to see how they'd distilled so many hours of interviews into a two-hour running time. I've never seen the original footage, so I can't speak to the film's accuracy, but it makes for great Hollywood dramatization nonetheless. Ron Howard frames it as a boxing match; an inexperienced journalist facing a veteran who knows how to run rungs around his opponent. Langella comes alive when he taps into Nixon's ferocity, and the movie really gets interesting when Michael Sheen stops soft-balling and goes on the attack. If you're going into this for two great performances, it excels on that basis alone.7/10
Scott LeBrun Director Ron Howard brings an appreciable cinematic flair to Peter Morgans' adaptation of his own stage play. It tells the true story of the disgraced former U.S. president Richard M. Nixon (Frank Langella), who is courted for a series of interviews by upbeat, likable British TV host David Frost (Michael Sheen). Nixon and his loyalists see this as an opportunity for him to repair the damage done to his reputation. Frost, on the other hand, is looking to gain some credibility from the venture. He's humiliated by the smooth, experienced politician at first due to not quite taking his own opportunity seriously enough. Obviously, the segment that will make or break the experience for Frost will be how the two men handle the topic of Watergate.This is fascinating, interesting stuff, especially for a viewer such as this who is not terribly informed on the subject. It's a good look into the machinations of both politics and TV journalism. A great film it is not, but it's solidly entertaining for just over two hours. One of the best things that it does is to put a human face on Mr. Nixon, who could, to some people, be written off as a mere cartoon sleaze ball. Even in the face of his misdeeds, it is possible to take some sympathy on this man whom many in the nation simply want to see confess and apologize."Frost/Nixon" is one of those films for this viewer where any slickness on the part of the filmmakers takes a back seat - and rightly so - to the power of the material. It's brought to life by a superb cast. Langella and Sheen anchor the story with two very convincing portrayals, and Kevin Bacon, Matthew Macfadyen, Oliver Platt, Toby Jones, Patty McCormack (as Pat Nixon), Rons' brother & father (and frequent repertory players) Clint and Rance Howard, and Eloy Casadaos offer indelible support. Rebecca Hall is lovely and appealing as Caroline, a gal who catches Frosts' eye, but the character isn't really important in the developing plot of this film.A worthy viewing for some people, but surely it would have even more resonance for people who lived through this tale and remember the key players.Eight out of 10.