BootDigest Such a frustrating disappointment

Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Helllins It is both painfully honest and laugh-out-loud funny at the same time.

Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Horst in Translation (filmreviews@web.de) "Führer Ex" is certainly as baity as it gets and I guess they had success with that as this fairly mediocre movie is a lot more known than it really should be. Director here is Winfried Bonengel and he also adapted Ingo Hasselbach's autobiographic work for the screen. Still I think there is a reason why nobody from the cast really (with one exception, I come to that later) is in famous fames these days anymore and same also goes for Bonengel who went on to direct terrible television series after this project and none of the works he made before or after this one comes close to this one in terms of popularity.The movie runs for 100 minutes and tells us about the lives of 2 GDR citizens who are sick of their country and try to flee. However, instead of becoming respectable FRG citizens, they switch to the other side and end up on the far right. Most of the movie is about depicting what happens when they were in jail. Easily the best thing about this film is Dieter Laser, he is the one I was referring to previously as he is still well-known today. He plays a prison inmate who killed his wife and talks all about self-defense, but it becomes so obvious that this is not what happened. That scene, as brutal as it was, was also pretty hilarious because of Laser's insane line delivery. Sadly, the rest of the film is almost in its entirety forgettable and there are very few memorable moments. Even the ending does not feel authentic, but just dramatic for the sake of it. I do not recommend this film.

gwailo247 The story of the rise and redemption of a neo Nazi leader in Germany, this movie lacks the emotional depth when compared to American History X.We first see the two characters of Heike and Tommy as miscreants in the waning days of Communist East Germany. Typical of many youths of the era they know that the state ideology rings hollow, and spend their days committing minor acts of vandalism and drinking beer.A minor run in with the law lands Tommy in prison, and upon his return the two hatch a scheme to escape to the west. The plot fails, and they end up in the slammer.The first part of the movie was pretty good. We see Heiko as a rather naive and well meaning kid, albeit one without much of a backbone. His mother has a rather distant relationship with him, and we see a rather interesting rotation of her male visitors throughout the movie. Unfortunately the film does not really touch upon his feelings on that matter much. Heiko hooks up with a rather wild girl, whose impulsive behavior causes some problems, but he seems to be rather quick to move past the situation.The character of Tommy is much stronger than that of Heiko. We see he's the more daring of the two, but at the same time has much more strength to his personality than Heiko. Tommy is bad because he wants to be, whereas Heiko is just along for the ride.Their stay in prison opens the second act of the movie, and here is where the movie hits its peak, and quickly deflates. Prison in East Germany is no different than anywhere else, with the usual plot elements. Heike ends up joining the Nazis for protection, while Tommy manages to escape to the west.And here is where the movie completely falls apart.We cut to Tommy returning to East Berlin after the fall of the wall, where he encounters Heiko leading a Nazi rally. Tommy rejoins the movement, and he is somewhat bothered at Heiko's attacks against the Turks and other enemies. There is a death, and the disenchanted Tommy abandons the movement. Heiko is sent out to remove the traitor, and the movie reaches its somewhat predictable finale.The movie has Acts I, II, and IV, but act III is missing. We have the set up of the story in the first part, the experience of Tommy and Heiko in prison, and then cuts to them reuniting outside of prison. I wanted to see Act III, what happens to Heiko after Tommy escapes, how his indoctrination into the Nazi philosophy takes place, his release from prison, his adjustment to the new Germany, his relationship with his girlfriend and mother as this goes on, etc.Instead we practically cut from Heiko walking funny in prison to Heiko torching a kebab stand. Before and after works well for diet commercials, but not movies of this sort. The whole point is the process of transformation, and for some reason the director chose to omit this. In American History X this is accomplished through the prison narrative from Derek to Danny. We miss that part here.That being said, there are a few reasons to see this film. The character of Tommy is well played, Aaron Hildebrand bearing a striking resemblance to Freddie Prinze Jr, which makes it kind of fun to watch. The setting is pretty interesting as well, a time and place gone by. But overall this movie is missing that certain something to make it rise above mediocrity. To non-German audiences this might be worth while to watch for the sheer novelty value, but if you're looking for some emotional depth to a film, American History X is much better in that department.

joecary This may be an unfair comparison, but take the elements of male friendships and self- discovery from Trainspotting and add the pacing, violence, frustrations, and relationships from Romper Stomper, and you'll get a feel for what this excellent film is like visually and sensually. A worthy round of applause to Director Bonengel and Actors Blumel and Hildebrandt and crew. Especially noteworthy, from an American perspective, is how powerfully and unapologetically the frontal nudity scenes were done in the prison. (American directors and film stars are cowards in comparison when addressing themes of such violence, sexuality, pain and need.) The directing, filming, lighting, acting and editing perfectly highlight the powerful aggressiveness and absolute vulnerability of the characters in a way that does not betray the craftsmanship that went into the production. Kudos to the entire team of Fuhrer Ex. The film is emotionally charged: uncomfortable, painful, tender, funny, and exciting. Highly-recommended.

Schnulli Do you want to make a film? A german film? Well, let´s take the old GDR, put some Neonazis in it, add some people who want to leave the GDR and get jailed. All in all take every prejudice you can find about these topics, mix it all up, and crochet a far-stretched story around it. Et voila! Still want to see the film? Take beer with you. Or wine. Or both. Lots of it. Then the film might be OK.