Alessandra Ferrini examines a photograph from an official visit by Gaddafi to Italy during the Berlusconi era. The film delves into the connections between Italy’s colonial past and its contemporary politics.
Janae Milner
Easily the biggest piece of Right wing non sense propaganda I ever saw.
Tayyab Torres
Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
Married Baby
Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?
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