Gangs of New York

2002 "America was born in the streets."
7.5| 2h48m| R| en
Details

In 1863, Amsterdam Vallon returns to the Five Points of America to seek vengeance against the psychotic gangland kingpin, Bill the Butcher, who murdered his father years earlier. With an eager pickpocket by his side and a whole new army, Vallon fights his way to seek vengeance on the Butcher and restore peace in the area.

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Reviews

Dorathen Better Late Then Never
Grimossfer Clever and entertaining enough to recommend even to members of the 1%
Taha Avalos The best films of this genre always show a path and provide a takeaway for being a better person.
Phillipa Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
Mohican15 One thing I can definitely say for Scorsese in this film, is that he knows how to START! GANGS OF NEW YORK has one of the best opening scenes of a movie that I've seen. It's up there with the likes of THE DARK KNIGHT and THE GREATEST SHOWMAN in terms of a best opening scene. It both grips and sets the tone of the entire movie: muscular, stoic and violent with the epic 'Priest' Vallon (Liam Neeson) marching to war with his Irish gang of street warriors "The Dead Rabbits" and his young son Amsterdam (Cian McCormack) to do battle with the vicious Bill "The Butcher" Cutting (Daniel Day-Lewis) and his racist army of American "Natives". I must say I found this film really quotable as well and now, every time I cut myself shaving (accidentally), I find myself repeating the line "No Son! Never! The Blood Stays On The Blade!" The film REALLY gets off to a great start with this opening scene that leads up to a brutally bloody battle for the Five Points. It's in this first part, that the movie is at its strongest, but as the film progresses with Amsterdam as a grown man (Leonardo DiCaprio) returning to the Five Points for revenge on "The Butcher" who slew his father, that the film's structure and pace begins to weaken. The violent, epic events of the beginning, are replaced with duller, less-gripping ones and a truly disappointing and underwhelming finale, that leaves you a little cross that you wasted all that time waiting for the clash of the titans that never came! It does thrill at some points with the odd "Butcher" assassination attempt and the hero (DiCaprio) coming about as close to death as a hero has ever come in movie history. Scorsese also (in my opinion) delivers a really authentic and thorough look into 19th century life in the Five Points. Everything from the props, to the buildings, to the clothes is spot-on for detail and highly authentic. The period drama side of things is faultless with the film capturing all the attitudes and feelings of the period and introducing us to a fairly unknown side of American history (Gangs in the Five Points and the Draft Riots). This is all fine but it's safe to say that the film is carried by its cast and I have chosen the 3 standouts and the 1 absolutely awful performance: Leonardo DiCaprio, Daniel Day-Lewis, Cameron Diaz and Jim Broadbent. DiCaprio is (as usual) convincing, as Amsterdam despite the muddled accent and brings real emotion and passion to the role, unfortunately the character (on a whole) is rather bland and very dull. There's nothing exciting about him as a character, even though DiCaprio does his best in the role. Now, on to Daniel Day-Lewis as "The Butcher" Bill. This film (like THE DARK KNIGHT) is a good example of a supporting actor TOTALLY stealing the show. Day-Lewis delivers (in my opinion) one of the best performances of his career as Bill. Like Heath Ledger's Joker there are two, brilliantly-acted sides to his antagonist. On one hand he's a vicious, psychotic, racist, cowardly, backstabbing brute, but, on the other hand, he's a true patriot and a fairly "honourable man". Both sides to Bill's personality are played brilliantly and Lewis's sudden changes in character (see the "Poor Little Rabbit" scene) are frankly awesome! Cameron Diaz was also very convincing as the film's main heroine Jenny Everdeane. Diaz adds dome real spice to this role and (in my opinion) saves the character from being lost among so many forgettable screen damsels. She's feisty and fun but also caring and soft-spoken. Diaz certainly proves what a versatile and strong actress she is. Then, there is the one performance that both annoys and puzzles me: Jim Broadbent as Boss Tweed. I simply don't know what Scorsese was thinking in casting Broadbent in the role. Broadbent is awful, totally wooden and unrealistic. He READS the part, and it baffles me how he got this part among such a stellar cast in the first place. However, along with the likes of Brendan Gleeson and John C. Reilly the cast, for the most part, uplifted the rather dull 3/4s of the film and made it a slightly more enjoyable ride.However, the final quarter of the film was what REALLY disappointed me. The problem is: Scorsese spends far too much on time on Amsterdam's saga of "do I"-"don't I" and the complete inessentials of the plot so that, as he crams in 'Monk' McGinn (Gleeson) running for sheriff, the Draft Riots and another Battle for the Five Points, the film becomes convoluted and terribly rushed. Things certainly needed to be trimmed down here, (I think) Scorsese just needed to synchronise the conclusion better. The conclusion itself was (as I've said) a true disappointment and doesn't deliver the outcome you hoped for (or watched the rest of the movie for). Certainly mixed goods. The acting, beginning and script= goods. Bad= plot, pace and finale. Scorsese can do better and I was left thinking the film could have been better. Much better...
jmob-47670 The movie was long but interesting. The progression of DiCaprio and Day-Lewis's relationship throughout the movie was entertaining to watch, since there were many times I wasn't sure what DiCaprio's character would do in the face of Day'Lewis's character's actions
ameslian I really have no interest in these types of movies or really any American movies in general to be honest but this movie was not too bad. It was fast paced and easy to follow once you're 20 or so minutes in. Also there were some suspenseful moments during the movie and also parts that made you realize why this movie is rated R.
UofSciFi As I was going to see this film, I already knew what is was going to be about, and before I seen it,I already loved the story concept (even If I hated the title - It should've been called "Ashes of the Irish" or something like that). but for what ever reason they chose to name this film "Gangs of New York", and it wasn't the film I thought it was going to be. First I'd like to say that Daneil Day Lewis played his role perfect. He did so good in his role as the butcher that I cannot imagine any another actor in that role (Really). I also liked the surreal, Dirty,Brutal,Gritty old 19th century New York City setting..I though the sets were fantastic. The Special effects were pretty standard(which means pretty good these days), and Liam Neeson was also very convincing as the boys father,too bad that his character was only in the movie for about the first 15 minutes of the film.However what hurt this film is that it is way too long, and you almost feel like the director is trying to drag it out further with a series of scenes that have little or no bearing on the story. Cameron Diaz and Leonardo DiCaprio were the way wrong choices for this film. I remember thinking to myself as I was watching it that Colin Farrell or Ewan McGregor would've been much more better suited for the role of Anstredam than DiCaprio was. And Diaz is much too much of a modern California girl to star in this period film set in 19th century New York City and it shows. Again I found myself recasting that role to Kristen Dunst or Heather Graham who I believe would've been for better in that role than Diaz. Neither Diaz or DiCaprio are convincing and there acting skills are just flat all the way through this film. Another pitfall of this film is the miserable film score. the pulsating high school marching band style snare drums that continuously play to a fast paced beat actually begins to give you a headache before the film is finished.