GetPapa Far from Perfect, Far from Terrible

Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Bea Swanson This film is so real. It treats its characters with so much care and sensitivity.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

stones78 The film starts out with a great song, sung by Jerry Reed, who also plays the villain perfectly as a foil to Gator McClusky, portrayed by Burt Reynolds. Reed is the best character in Gator, as his scenes are over the top and fun, especially the scene when he collects money owed him from one of the ghetto bars. There's a few cool boat chasing scenes, chased by helicopter in the dark swamplands, which is where Gator resides and is "hired" to help nab Reed's character, Bama McCall. He eventually joins McCall's gang and notices things he doesn't care for; soon after, he leaves the gang and trouble ensues. You can just about guess the rest. Up to this point, I thought there was decent tension and a serious war was about to take place between Gator and McCall; unfortunately, the film took a silly romantic/funny twist, as we meet Lauren Hutton's character, and soon after, her and Gator meet via a corny eye-catching moment at a public rally and shortly after, there's a forced moment at the local beach. Next up is Alice Ghostly and her cats(too much humor by now), and finally all get together to try and prove Bama's guilty past by breaking in the court house and stealing records.Anyhow, the film rescues itself after some of Gator's crew are killed and some real tension builds up again, and the humor is ditched for good.

shipes_j one of the most endearing qualities about this movie is the fact that it brings the seventies back to your memories...it was filmed in 1976 and it shows it often....the scene where jerry (reed) enters the "southside shuffle "topless" bar...nails the period completely... as well as other fashions, lingo, and of course burt himself...who "owned" the seventies....due to this movie and his other good ole boy films of the south....coupled with the overwhelming popularity of smokey and the bandit (yet to come a year later)...established burt as a seemingly permanent fixture in cinema back then...I always thought burt would stay on top I guess...he seemed invincible as the #1 box office attraction...he is definitely an icon of the seventies time capsule...his swagger and his sense of humor put a brand on me as I remember many times in my life (silently) asking myself...what would burt do in a situation like this?....as pure acting goes...the film had one of the best supporting actors around and due to his lack of experience I guess you would just have to sum up jerry reed as being a "natural".....he played the villain so well you wanted him to stop...and go back to the good ole boy that you knew he could be (later as cletus snow in smokey and the bandit)gator is/was one of my all time favorite films...from a time period that I thought would never end...I miss it and this film will help you reunite with it if you are nostalgic at all...

curtis martin "Gator," Burt Reynold's feature film debut shows very brief flashes of twisted dark-comedy, but the vast majority of it just plain sucks the big one. I mean, Reynolds took the gritty, funny, sweaty, realistic character from "White Lightning" and completely threw him away, replacing the original Gator McClusky with the slick, mustachioed, urbanized, Hollywood Burt Reynolds we'd seen cracking wise on talk shows. No character, no grit, no acting--just Burt doing a caricature of himself. On top of that add a lame script that could have been adapted for any actor and any lead character, static direction, and virtually no continuity from the first hit film (now Gator has a son and no mother?). Only Jerry Reed rises above the lame-itude, beginning an acting career he was never allowed to fully develop beyond being Burt's sidekick. A waste of time. See "White Lightning" twice and you'll have a better time than watching this sequel.

Brian T. Whitlock (GOWBTW) Gator, the sequel to White Lightning was a lot more intense that the first. Both dealt with Gator battling corrupt officials, but this one deals with him battling his best friend. Though prison life didn't seem to faze him too much, but a sense of moral was put into this movie as well as his sense of charm. Anyone can find a person more annoying than Gator himself. At least it shows that temptation isn't Gator's cup of tea, or whiskey that is! At the end, the question for Gator is, "what's next?" Lauren Hutton was great at having her shirt charmed off, and Alice Ghostley of Bewitched fame did well. I really enjoyed it. 4 out of 5 stars.