George Harrison: Living in the Material World

2011
8.1| 3h28m| PG-13| en
Details

Director Martin Scorsese profiles former Beatle George Harrison in this reverent portrait that mixes interviews and archival footage, featuring commentary from the likes of Paul McCartney, Eric Clapton, Ringo Starr and Yoko Ono.

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Reviews

Linbeymusol Wonderful character development!
Holstra Boring, long, and too preachy.
Sexyloutak Absolutely the worst movie.
GarnettTeenage The film was still a fun one that will make you laugh and have you leaving the theater feeling like you just stole something valuable and got away with it.
NikkoFranco Loving the Beatles, loving George Harrison and his individual music and him as the separate artist from the Fab Four and loving Martin Scorsese and his method of directing is what this documentary sums up to me. There is such awe in watching old clips of George and the Fab Four sewn together with some never seen before footages to produce this special . But this also clearly shows that George , like many old school rocker is past the money and fame wagon but is more on to a higher ground of spiritual search for enlightenment. On a parallel level, the story about the evolution of the FF4 is also told, with recollections from Paul McCartney and Ringo Starr. Indeed in one part, the narration has focused on the lyrics of the song While My Guitar Gently Weeps, because for me it is a bullseye description of how the four of them must have felt for each other when they tried to pick up where they left., as I tried imagining being in their shoes countless times. There is no turning back and two of them FF4 are long gone. For documentaries, rock and roll nostalgia and legendary music lovers, this is a highly recommended watch.
edgamu I just saw this documentary in the Morelia Film Festival, where Olivia Harrison attended some screenings, and I came out disappointed. I loved No Direction Home so I had great expectations about Scorsese and this film. The first part (about 1 hour and a half) is just a remake of The Beatles Anthology, even with some footage from the interviews of that film. We get to see the same pictures and footage of the Beatles that we have seen for the last 50 years in long shots. We get to listen to "I Saw Her Standing There" and "And I Love Her" (not George's songs) at least three times each, and then never heard a single note of "Taxman"or "I Need You" or ""For You Blue" or that glorious B-side "Old Brown Shoe". After The Beatles split the fascinating story of post-Beatles Harrison is told, but in my view it lacks a lot of depth and material. For instance, the profound and meaningful relationship of George with Bob Dylan is not tackled but only on the surface and the friendship and collaboration with Jeff Lynne is only shown in the video of "Handle With Care". Lynne revamped Harrison's career by producing the great Cloud Nine album and then having a lot of collaborations. They were in a band call The Travelling Wilburies and also George invited Lynn to produce The Beatles songs for the Anthology sets. I was puzzled that this film has not even one interview with Jeff Lynne. Isn't it a pity?
paul2001sw-1 George Harrison was a creative force in the Beatles; not as much a creative force as Lennon and McCartney, but still someone who contributed to their amazing, transformative body of music in a significant way. He was also unusually interested (for a westerner) in eastern mysticism; but was not without his attachments to aspects of the material world. The man's life is told, through old and new interviews with himself and his friends, and archive footage (of which there is plenty), in Martin Scorcese's film. It's fair to say the film is somewhat hagiographic, telling an overwhelming sympathetic story: a reference to a period of heavy drug abuse is made, but not directly commented upon, and no reference is made to the Natural Law Party (whose bizarre platform in the 1992 British general election was actively supported by Harrison). And one might question how much of the story of his later life is really that interesting, or whether his apparent contradictions were the simple consequence of having too much money and time. But one thing does come over: for all his failings, he seems to have been a genuinely loved human being, in a decidedly unusual way; to combine that with the musical legacy of the Beatles is not such a bad epitaph for a life.
Weird_and_Proud1 Martin Scorsese has put together a beautiful documentary tracing the life of the most underrated member of the Beatle's, George Harrison. With a run time of over three and half hours, Scorsese is able to explore the various layers that went towards forming Harrison's absolute identity. Through the use of personal letters, pictures, home-videos, and never-before-seen interviews, the viewer is given the rare opportunity of discovering Harrison beyond The Beatles.The documentary is essentially divided into two parts, the first of which follows the formation and success of The Beatles. Whilst the second focuses on Harrisons spiritual journey to find meaning beyond the capitalist world he found himself trapped in.Through the careful selection and juxtaposition of archival footage and documents, Scorsese emphasises the bittersweet realities of The Beatles rise to fame. Unfolding the story of four naïve British lads torn between childish excitement at their growing success, and apprehension towards the zealous fan-base it gained them. This clash of ideals is exemplified by Harrison in a letter to his parents: "Dear Mum and Dad – The shows have been going great with everyone going potty…everywhere we go we have about 20 police on motorbikes escorting us".The fervent behaviour of the fans escalated to the point that all four Beatles decided it was best to avoid any public outings. Frustrated by the confinement fame had enforced on him, Harrison became disillusioned by the material world, and seemed to experience a displacement of the self. In an interview he stated: "you see yourself in the paper but don't actually realise it's you".This displacement of identity led Harrison to pursue a spiritual path in the hopes of attaining the meaning of life through philosophy. Under Guru Ravi Shankar, Harrison learned to use Indian spiritual music to become one with a greater philosophical being. His friendship with Ravi also led Harrison to fund and organise the first ever benefit concert: The Concert for Bangladesh, which raised funds for refugees from East Pakistan following the 1970 Bhola Cyclone.Scorsese also uses the documentary as a medium through which Harrisons song writing credentials can be measured against the Lennon/McCartney partnership. "George was a loner and had to work on his own" states George Martin (Producer of four of The Beatles original five albums).It was therefore inevitable that Harrison would get lost in the shadows of the superpower that was the Lenon/McCartney writing team. Scorsese traces the anatomy of Harrisons body of (solo) work, highlighting in particular their spiritual origins. Whilst Lennon/McCartney's work exemplified masterful popular music, Harrison's engaged with his spirituality, and search for meaning in life. Scorsese incorporation of Harrison's solo work in the documentary illustrates the importance it holds to understanding his psyche.Scorsese's documentary excels in exposing hidden dimensions of Harrisons life and personality; from his love triangle with Pattie Boyd, and Eric Clapton, to his financial funding of Monty Python. Bringing together a multitude of Harrisons professional and personal acquaintances (including Eric Clapton, Ringo Starr, Paul McCartney, Terry Gilliam, and Eric Idle), and artifacts from his personal archive, Scorsese creates a colourful mosaic capturing the diversity that constructed George Harrisons life, and personality.