gavin6942
The story of a little boy who would only talk in sound effects. With story by Dr. Seuss (and Bill Scott of Rocky and Bullwinkle fame) this cartoon won the Oscar for best short subject (animated) for 1950.Some people seem to give this short a hard time. And I suppose the animation is not that incredibly amazing. But keep in mind this is 1950, making it one of the earliest (if not the first) Dr. Suess cartoon. And there is no denying the rhyme and story are quite original and clever.This is no Pixar or anything too deep. But worth checking out if you area fan of Dr. Suess, because this story gets overlooked compared to the Grinch or Cat in the Hat.
John T. Ryan
During the brief Golden Age of the Super 8 Magnetic Sound Home Movies, we purchased a GAF Projector for $148.00 on close-out at a Downtown Chicago Camera Store. It seemed that GAF was getting out of the Camera & Projector Business; although they would continue with their other enterprises, such as the former Sawyer's Vue-Master 3 Dimensional color slide viewers.Little did we know nor anticipate the rapid approach of the Video Camera, the Betamax, the VHS and the eventual DVD revolutions. With the Super 8 Magnetic Sound Camera that we also purchased, we took some sound film records as our Daughter, Jenn's First Holy Communion and her younger Sister, Michelle's Graduation from Pre-School. This was all circa 1979-82.During this time we also purchased a few Daddy Toys to go with it; like some Super 8 Magnetic Sound LAUREL & HARDY Films and W.C. FIELDS' Shorts from Blackhawk Films, Davenport, Iowa. We also picked up a Columbia Pictures Home Movies Sound Film of a then sort of forgotten Classic Cartoon, UPA's GERALD McBOING-BOING (United Productions of America/Columbia, 1951). It was THE hit of our Home Movies Time! Being members of that Baby Boomer Generation, the Wife (Deanna) and meself had recollection of the Character of Gerald McBoing-Boing; for Gerald had a Network TV Show on CBS, early Sunday Evenings, ca. 1955. Bill Goodwin was the Announcer/Host. But we had never seen this original UPA Theatrical Cartoon; nor was it known to us that the young Master McBoing-Boing was a creation of Dr. Seuss of "Grinch", "Horton" and "Mulberry Street" fame.THE staff assembled was very talent rich and deep. The outstanding production values are apparent. Director Robert Cannon and Supervisoring Director John Hubley were veterans at the top of their craft. Writers were Theodore Geisel (Dr. Seuss, Himself), Phil Eastman and Bill Scott.Mr. Scott is remembered not so much for his writing contributions to UPA, but for being partners with Jay Ward in such Television Properties as ROCKY & BULLWINKLE, MR. PEABODY, FRACTURED FLICKERS, GEORGE OF THE JUNGLE, HOPPITY HOOPER and FRACTURED FLICKERS. With the Jay Ward Productions he was a writer, voice man and Kibitzer-General of the whole company.The cartoon receives its only "voice" from the Narrator, Radio/Movie/TV Actor Marvin Miller. Remember him? He was Michael Anthony on the TV Ssries THE MILLIONAIRE (Don Fedderson Productions/CBS Television Network, 1955-60).Bold color schematic and imaginative design went into giving the UPA animations a special feelings of loneliness, fear apprehension and eventual triumph. And, we might add, the animation is definitely of the "Limited" Variety.AS with so many great stories, ours starts out with a simple premise; one's being born different. In this case it is young boy Gerald McCloy, who has been born to make sound effects in communicating rather than talking. Kids can be cruel and soon he is dubbed with his not so flattering nick name by a group of youthful taunters chanting: "Nya, nya, your name's not McCloy; it's Gerald McBoing-Boing, the Noise Making Boy!" AT this point, the Animation Team does an outstanding job in shifting the emotional gears in the young outcast from happy & carefree to isolated & lonely and finally to depression & despair in not being able to turn to anyone for help and understanding; not even to his Mother and Father.A frighteningly fashioned dark scene involving a highly UPA stylized run away scene involving a Train and an equally stylized Snowfall brings Gerald right to the brink of absolute despair. But then, he is interrupted by a gentleman announcing that young Gerald is wanted by the producer of some Radio Program to provide the sounds for the show down at the Studio.ONCE the premiere show is done with Gerald starring in the Sound Department, he rides off in a huge Limousine (which seems to have anticipated those S-t-r-e-t-c-h Limos of our day) to the cheers and admiration of his Classmates and the World.IT has been said that there are only so many plots and, in that case this story is most likely a variation on The Ugly Duckling; for after all, a sad and lonely boy finds his place in the world and true happiness.NOTE: United Productions of America, or UPA for short, was an outstanding center of creativity in the field of the Animated Cartoon. They were responsible not only for GERALD McBOING-BOING and several sequels and a TV Series, but also the highly popular MR. MAGOO Theatrical Cartoons and subsequent TV Show (with voice talent of Jim Backus), the Classic Original TV Cartoon of FROSTY THE SNOWMAN and the rather bizarre DICK TRACY Cartoon Show (with Tracy's voice rendered by Mr. Everett Sloane!).
cabless
I have remembered this cartoon for over 50 years - what staying power it has! It was funny and creative; I wish my children and grandchildren could have seen it. It ranks right up there with Winky Dink - another favorite. I was pleased to find out that one of the creators later worked on Rocky and Bullwinkle. These early shows had a lot going for them that todays cartoons for kids don't have. Today's cartoons seem to push the idea that one needs something special, some magic formula or talent to be able to succeed against evil or dangerous circumstances. While the early cartoons didn't address evil very much - it WAS a much gentler and safer time - they allowed us to develop our own talents and character.
Paul Bevan
This is a witty and delightful adaptation of the Dr Seuss book, brilliantly animated by UPA's finest and thoroughly deserving of its Academy Award. Special mention should be made of the superb music score and sound effects, which are an integral element in helping to make this such a memorable and enjoyable cartoon. Later episodes in the series (of which there were four in total) were not actually based on original Dr Seuss material, although all but the last continued to use his familiar rhyming style. The three sequels were: Gerald McBoing Boing's Symphony (1953); How Now Boing Boing (1954); Gerald McBoing Boing On Planet Moo (1956) - although he also appeared in a later episode of Mr Magoo.
