Develiker terrible... so disappointed.

Protraph Lack of good storyline.

Sexyloutak Absolutely the worst movie.

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

exe_malaga93 The "conceptual mother" of every character in animation after it. This is how I define this extravagant creation of Winsor McCay, another great animator from the beginnings of cinema.Originally used as a vaudeville act, the short in fact, is quite enjoyable that way, with a Winsor acting as a circus tamer and giving orders to his creature to do tricks (all with on-screen cards). The funny thing is, obviously, that it is not a lion or a bear, or anything like that, but instead the titular female sauropod, which as indicated by the tag-lines "(she) lived millions of years before man inhabited this earth". In other words, an already extinct animal, now alive thanks to the hands of McCay. Gertie is probably the first animated character with a distinctive personality: childish, playful, a kind of a "rebel". And she immediately gains the sympathy of the audience. Several animated characters that would come after would adapt many of these characteristics; in this case, as it is the first example in this area, it gives the short film a fitting sense of innocence.What follows is a routine of tricks, with great moments such as the interactions with the mammoth (poor "Jumbo"!), or the exaggerated but funny "drink" Gertie enjoys. At the visual level, there is a fluid mobility of both Gertie and the other creatures that appear, even those with a few seconds on-screen, but other details like the the earth and rocks that tremble as the giant animal walks through are well put and carefully added.The prologue and epilogue with McCay and other animators like George McManus is also entertaining, but said prologue can feel a little stretched before the main act.A true animated classic, as awesome and still amusing after all these years.

Michael_Elliott Gertie the Dinosaur (1914) *** 1/2 (out of 4)This Winsor McCay film starts off very much like his first as McCay and a friend are inside a dinosaur exhibit when the artist says he could make them walk. The friend and others at a local club laugh at him so he makes a bet that he can bring a dinosaur to life. A month later McCay displays Gertie, a lovable dinosaur who will do whatever he says. I will admit that the start of this film is a tad bit slow because we've already seen this same opening in an earlier film. With that said, there's no question that this is a very important film and one that is a must see. The most amazing thing to me about this film is how much life McCay is able to give Gertie. There's not a single frame where you feel as if you're watching a bit of animation because the director does such a nice job at bringing her to life and making her seem so real. The animation includes Gertie doing various tricks, a dance and a few other things but we also get a sea serpent that shows up. The animation looks incredibly strong and we're given some great humor throughout. I hate using the word cute but that's exactly what this film is and it's so impressive that even those who can't stand older movies should be drawn into it.

MartinHafer This is an odd little film featuring Winsor McCay--the creator of Gertie the Dinosaur and Little Nemo. And, just as in his first Little Nemo film, much of this film features Winsor McCay with his friends (all animators and lovers of animation) and only in the second half do you get to see Gertie. Ostensively, the film is about a bet Winsor made with his friends that he can make a dinosaur come to life--and he does in the form of a short cartoon featuring the lovable character "Gertie". While Gertie is very crude and simple compared to later color cartoons, there is still a lot of charm in the character and the film is a wonderful time capsule. Of great importance to Cinephiles and lovers of early animation.

kamerad Winsor McCay's "Gertie the Dinosaur", is an early animation masterpiece that I believe can be enjoyed by both extreme animation buffs, and the average casual viewer. On different levels of course. The average viewer would see a pleasant little film about a baby like dinosaur showing off for us. An animation fanatic like me would see a lot more. For the time it was made, the animation is fantastic. It's leaps and bounds ahead of anything else I have seen from that time. The detail is sharp, the movements are smooth, and the backgrounds, all hand drawn frame by frame, are vivid and hardly shake at all. I overheard someone mentioning during the class break that he could see an early use of rotoscoping when "McCay" walks onto the screen. The guy was mistaken. Rotoscoping wasn't invented until the 1930's. This is a testament to McCay's artistry: to make characters so life-like that people still think today that they are real.That previous statement was in reference to McCay's realistic drawing style. However, it could also be applied to the character of Gertie. She is very believable as a real "person." We come to like Gertie and her child-like antics, understanding her needs to be the focus of attention. I liked the way Gertie tried to hog the screen from Jumbo, first by throwing him into the lake, then by hurtling a rock at him. This of course shows us Gertie's infantile character, but, going back to the artwork, is also a perfect example of McKay's mastery of smooth animated movement. All said, this is probably one of the key films in the transition from cartoon characters just being moving drawings to being characters that we can understand and care about.