Gigantic

2008 "When it comes to family and relationships, there are no small surprises."
6| 1h39m| R| en
Details

Young mattress salesman Brian decides to adopt a baby from China but is distracted when he forms a relationship with quirky, wealthy Harriet whom he meets at his mattress store. As their relationship flourishes, unbeknownst to them, a hitman is trying to kill Brian.

AD
AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime. Watch Now

Trailers & Clips

Reviews

Fairaher The film makes a home in your brain and the only cure is to see it again.
StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
KnotStronger This is a must-see and one of the best documentaries - and films - of this year.
Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
freedommac A stunning performance by Paul Dano and a very believable by Zooey Deschannel. Some might say bits of this film are mundane and were not needed, but that's what makes this film a sensation, to be able to relate to these so called scenes can in fact bring you deeper into the film.However, my only criticism would be the ending, I think it leaves us wondering about too many things.Overall, this is a great film which explores the life of a salesman with a very unique life, not seen very much in many films these days, who falls in love with a customer who leads a very strange life too. The violent attacks by an unknown figure played by Zach Galifianakis make the film more mysterious and makes the viewer curious to who this figure is.All in all a fine film.
Rachel Wolf I sat down to watch this movie, with semi-high hopes. It has a 3.5/ 5 stars on one website and a 6.1/ 10 stars on IMDb, so with that, I assumed it had to be decent, at least. The movie is advertised as a romantic comedy. The box to the DVD actually says "get ready to laugh." Come to find out, absolutely nothing about this movie is a romantic comedy, in any way. There was no comedy in this movie, what so ever. I did not find myself cracking even a smile, much less actually laughing, as I was instructed I would by the DVD box. I spent the time watching the entire movie, hoping that it would get better... and then it just ended. This movie was falsely advertised as a romantic comedy, was a waste of time and just a plain bad movie, in my opinion.
mckernanx32 This is one of those bizarre car wrecks of a movie. Its horrible, but you cant look away. The plot and dialog take a back seat to strange set pieces and weird (though strangely compelling) emotion and chemistry. Zooey Deschanel is fantastic, as always, and Paul Danno was surprisingly good (i think, i am not too sure, really...) but the script and the situations all seemed kind of forced and unnatural, which i kind of got the idea was at least partially the point. Its hard to describe. Though i would definitely recommend watching this film, it is not because its good(because its really not), and it is not because i even really liked it(because i really didn't), but simply because once watching it, for better or worse, i couldn't get it out of my head.
tedg The fashionable movies these days rely on finding an edge in convention and dangling a foot in the unknown waters on the other side. Wes Anderson and Jason Reitman and Judd Apatow are practitioners of this dynamic. The strategy is plain, with the skill coming from the balancing act.So far, those three have done nothing but take a stable genre and story form and walk it to its edge. There is amusement along the way. I like these. But they don't go deep. They are afraid to hurt. We've had a few years of this now and already the technique has become the default in the least valuable of films: romantic comedies.What we need is someone who knows how to find that edge and go to it. Someone who doesn't just dip a toe, but who jumps back and forth fearlessly carrying back insight. We need more Igby from the other side, but brought back.This young filmmaker is just what I hoped for. The filmmaking is assured. The arcs are broken as intended. It suitably confuses the newspaper critics. It hurts in places.I won't fall into the trap of summarizing what is shown, because what matters is what is not shown. Its the empty spaces in the narrative.Why is someone familiar beating up our hero? Who is this endearing, broken soul that Zooey plays? What role does that gay guy play, the guy we meet at the beginning and never see again? What are those lines that seduce, are never said, but are remarked on as if they need not be?There is a fold here: the sister runs a TeeVee shopping show; Zooey's character helps in an unknown way. In keeping with the gaps, we never know where the fold goes. There is a device from a standard romantic comedy: having a child. It happens but we have no idea how to register it against out romcom templates.Some may think these are signs of a broken movie or an immature writer-director. They seem to me to be effective, deliberately engineered gaps that define an unknown, moving edge we are taken to and baptized in the open ignorance we bring.Zooey really does understand what is going on. She's the perfect actor for this experiment.Ted's Evaluation -- 3 of 3: Worth watching.