Titreenp
SERIOUSLY. This is what the crap Hollywood still puts out?
Aedonerre
I gave this film a 9 out of 10, because it was exactly what I expected it to be.
Bergorks
If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.
Aspen Orson
There is definitely an excellent idea hidden in the background of the film. Unfortunately, it's difficult to find it.
st-shot
Revisiting familiar territory he explored in his breakthrough independent She's Gotta Have It, Spike Lee takes a bigger budget, professional actors and delivers a far inferior product. It's a case of Spike having it and not knowing what to do with it. Aspiring actress Judy get's a screen test for a film being done by Quentin Tarantino. QT gets ugly though and this sour's Judy's career outlook. Burning bridges with her agent and acting coach and desperate for work she takes a job as a phone sex operator. She develops a knack for it and soon as "Girl 6" is in demand with customers. Dealing with warped customers and a former lover who shoplifts for a living Judy begins to jade and fade from reality. Sloppy, disjointed and in a constant state of funk Girl 6 is filled with lackluster performances and insipid "goofs" by Lee such as a smoldering cameo by Madonna reminding us just how bad an actress and self parody she is along with an obnoxious turn by Tarantino as himself. Not to be outdone Lee piles the detritus on by jamming a parody of the Jeffersons (with himself as George) into the torpid proceedings as well as a ham fisted, film school 101 Foxy Brown take. Therese Randle as Girl 6 is beautiful, flat and dull. Given every male in the pic is an insensitive lout, ( though Lee doing his "... have It" Mars with some of the same dialog lifted from the film redeems himself to a degree) one might understand why she stumbles through the picture shell shocked most of the time. Isiah Washington as an ex also gives a fatigued and unprepared turn as the principled booster. Girl 6 is a slow moving bore with Lee failing to amp up the drama with any degree of passion or deliver any character of substance with depth. At a loss to develop Judy he compensates with misogynistic stereotypes to dramatize her plight ala SGHI re-worked, colorized, sensationalized, and amazingly puerile for a feature film. It's all silly surliness.
Joe Ochoa
Once again, I've watched a Spike Lee movie and wasn't very impressed. But, the real truth is that I just didn't understand it. Maybe he is too conceptual for me?Okay, you get the message. Women can't get acting gigs unless they flash their tits. So what does principal actress do after refusing to take off her top-she gets a job acting about having virtual sex! So she's able to pay the bills, but is still selling herself.The ex-husband is a pain-in-the-ass philosopher type who only steals "what he needs." Again Lee has to push the idea that every man wants a white woman. This is evidenced about halfway through film when boss tells all the phone sex women to be white unless asked to be otherwise. Yawn. The visuals are pleasant and Prince's songs really sound great. In fact, I only rented this film after I bought the soundtrack. Acting was good, the cameos are well-chosen and well-placed. But, I thought the movie could have done/said more.Don't go out of your way to see it, but if its it on, its worth a watch.
sunnyteigh
I noticed that one of the user reviews for this film had a problem believing it was realistic enough. That this was a Suzan-Lori Parks script really says it all. She's a pulitzer prize winning playwright, the first African-American woman to win, whose plays are very often based on historical archival material. Something I've noticed from works of all kinds, books, films, plays, etc..., that include archival material and historical events and characters is that often the most bizarre and surreal things in the work come from the true story. A specific reference regarding Suzan-Lori Parks is her play Venus.
neilmac
A good performance by Theresa Randle carries the movie. Theresa is believable and charismatic in the lead role (not to mention good-looking n]).There are a number of nice touches and funny bits. The way Theresa is gradually drawn into the phone-play and begins to half-believe the fantasy is well done. Halle Berry does a good cameo and the practice session where Naomi Campbell firmly puts down a sleazeball caller is hilarious.Enjoyed the music too. Prince wrote some of the songs and in particular there is a really nice blues vocal in the scene where Girl 6 waits to meet 'Bob Regular'.Complaint: I wish Spike Lee would stay out of his own movies - he can't act. His flat, emotionless performance spoils the credibility of his supposed friendship with the Theresa Randle character.