Colibel Terrible acting, screenplay and direction.

Jemima It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

Cissy Évelyne It really made me laugh, but for some moments I was tearing up because I could relate so much.

Lela The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

kapelusznik18 ***SPOLIERS*** The beautiful Gina Lollobrigida as Guillietta, or Julie for short, Cameron is stripped down to her bear bar and panties. That as her shady past is revealed as a high price call-girl at her boyfriend Nick Stratton's, Anthony Franciosa, dad's big time Chicago construction mogul Pete Stratton, Ernest Borgnine, 30th wedding anniversary party. Rick who was to announce his engagement to Julie is dumbstruck by this shocking revelation that's even more shocking to him and his mom Pete's long suffering wife Yvonne, Luana Patten, is that Pete was one of her best customers! Running for her life out of the party before she got lynched by the outraged party goers Julie ends up in a sleazy downtown hotel where her lover, who by then got over the shock, Rick finds her. It's then after Pete was made to drop the charges, in her being a hooker, against Julie by his tearful son Rick that the two lovebirds decided to check out to Mexico and, by getting away from it all, blend into the woodwork. Pete soon realizing that there's no way he can break up the romance between Rick & Julie drops into their hotel in Acapulco unannounced and gives Julie his blessing to marry Rick and be accepted into the Stratton family. But by then the damage was already done with a guilt ridden Julie in knowing all the trouble she caused dropping her idea to marry Rick and going back to her call-girl days. Julie ends up making a complete fool of herself at a local bar by getting gloriously drunk and trying to pick every man there!****SPOILERS*** It's when Rick sees that Julie has gone completely loco, mad, he decides the best thing to do is go back home to Chicago and start a new life working for his father's construction company. The tragic ending has Rick change his mind and decide to take Julie back no matter how crazy she is but by then it's too late. Julie in the end ended it all by taking a swan dive off an 80 foot cliff in the Gulf of Mexico. But as we see as the movie ends the heart-broken Rick is more then forgiving to her for what she did to him as well as the Stratton family.

JohnHowardReid Go Naked in the World (1961) is the noir movie you have when you're not expecting a noir twist in the tale. Right up to its mindless, cop-out conclusion, it behaves like an awful, incredible soap opera. We don't believe a word of it for a minute – which makes all the soapy posturing by Franciosa, Lollo and "Marty" Borgnine all the more ridiculous. Admittedly they drew handsome salaries and no doubt had themselves a great time making this soapy. And there are, I confess, a few amusing lines and mildly suspenseful situations along the way (although one of them atop a high-rise building is somewhat negated by obvious back projection). All told, however, Franciosa looks far too mature to be in any way convincing as the gormless innocent abroad. We might also well ask what Hollywood has done to Lollo, as she looks far less enticing here than in her Italian scenarios. For one thing, the photography by Milton Krasner, who has done far better work in the past, is far too harsh. (He tells me that producer Aaron Rosenberg didn't allow him sufficient time to set up the lights). In any case, Lollo's face looks too skeletal. Her clothes don't help either. They don't flatter her figure at all. She looks fat and frumpy. A similar squeeze on production values even make the Acapulco locations seem of little account. And why Rosenberg decided to shoot the movie in CinemaScope is a real mystery. The film is little more than a dull succession of slowly paced dialogue scenes, almost all framed in close-ups which make no use of the wide screen's potentials at all. Even production values seem like humble pie compared to Metro-Goldwyn-Mayer's usual glossy standards.

Sheila_Beers I liked this film, which struck me as "Camille" in a modern setting with beautiful scenery and wardrobe in color and expressive music in the soundtrack.The main similarity with "Camille" is the theme of "Redemption and Forgiveness" or the lack thereof with tragic results. Like Armand Duval in "Camille," the young man (portrayed by Anthony Franciosa) idealizes the exquisite young woman with whom he has fallen in love. To him, she is beautiful and innocent, and he wants a future with her. Then his father (Ernest Borgnine) reveals the ugly truth, that Giulietta is a high-priced call girl and that he and his middle-aged friends have been her clients.The young man is confused, but he wants to forgive Giulietta for her past and help her make a new start by marrying her. They go away on holiday, but former clients (who are self righteous and who have an unforgiving attitude) come out of the woodwork and refuse to let Giulietta forget her past. As in Camille, the end is tragic, leaving the male characters to consider the parts (good or bad) they played in Giulietta's life.

Ralph I caught this on TCM running movies with Mr. Bourgnine, and based on the votes wasn't expecting much; killing time on a business trip afternoon. Maybe I'm hot for Italian women(OK I am). Franciosa and Borgnine seemed very believable to me. All the main characters are very flawed in this one and thats what makes it so interesting. Major conflicts develop in this one and Julie (Gina) is a dagger in the heart. Interesting thing, the hotel detective sniffs the cigarette to see if its pot! All the characters are dealing with their head problems, maybe to the point that it looses credibility, but I really enjoyed this one nonetheless.