Hellen I like the storyline of this show,it attract me so much

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Sienna-Rose Mclaughlin The movie really just wants to entertain people.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

Attila Tormus This is my first movie that I watched from Fatih Akin. Shame on me! I am deeply impressed his innocent language in telling the story of two boys and the other characters. Tschick (Goodbye Berlin) tells a very ordinary story around two teenagers with an amazing beautiful way. I think that the success of the movie is not trying to tell the story from an adult view, on the contrary, telling like a teenager who talks about what happened during the last summer. The tune between sadness and happiness is very balanced. I like movies that not trying to exploit / (ab)use audience's weak points and Tschick (Goodbye Berlin) is also not trying to do this and set the audience free. For me, the main outcome (if we need a message from every movie that we watched) is "to be yourself" and "to accept life and people around you as well as yourself". There are many upsetting around two boy characters but all are experienced not in a melodramatic way but very truthful way like all we experienced when we were young. Anand Batbileg (Tschick) and Tristan Göbel (Maik) play their role perfectly. As I was watching the movie, I have never thought on their performances as "Oh no it is too exaggerated way" or "they are short for the role". I like this movie. It is honest, cheerful, hopeful and very very sentimental. I like sentimental laughter. (*) Mylast note for the admin. It is not possible to write Fatih Akin's surname in its original way. In Turkish we have small "I" and this field doesn't accept it. His surname is not written with "i" but with small "I". You may need fixing this. Thank you!

onlinebirgit As a native speaker, I read the book several times, found it splendid, so I HAD to see that movie. Weired enough that film contains everything a great movie should have: great soundtrack, good camera, nice sets, wonderful surrealistic takes of the empty landscapes and the highway. I mean, road movie, what can go wrong? Anyway I realized that I was bored already after the first minutes. It's simply bad acting and bad timing. The main actors Göbel (Maik) and Batbileg (Tschick) seem to be selected only by appearance, their dialogues stuck and stumble, no timing at all, face expressions stay the same all the time, what could be funny stays dead, learned by heart directly from the text book and that's it.Every scene is translated directly from the book, there are only minor changes (which not all of them I understand, so why is Maik sketching Tatjana, and not Beyoncé; why is the original joke with the maths test messed up etc.). Anyway, every scene ends up in a kind of faithfully following the book. You sit there and tick off unconsciously "well, now this episode is done, okay, now follows this one, good, next comes that...." - But you never submerge in that movie; the original feeling of ultimate freedom, fun and surrealistic humor is totally absent! I really don't understand why the movie gets good ratings everywhere. It's no bad substance, but it totally misses the goal.

Reno Rangan The coming-of-age road adventure based on the book of the same name. From the director of 'Soul Kitchen'. It was like any other similar themed teen flick, has all the same formulas, but what makes it special is it is being a German film. I'm not saying it is new for German film, but definitely not every year flooded with such plenty of flicks like in the Hollywood. Besides, there are other major differences, as it is culture, mindset of the kids and the type of adventure.The original title name is the name of one of the main film characters. But the story was observed from another character who has been with him all along. Opened with some road accident and soon the flashback follows to reveal what happened till that point of the film. For me the story did not impress, it was how everything was presented on the screen. It was a 90 minute film, and straight to the point kind of narration. Which means the pace was never compromised.It tells the story of two teenage boys how they have spent their summer. After not invited to the birthday party to whom he has a crush on, Maik decides to go an unexpected road trip with his new, weird friend. A lifetime journey. Being a teenager and taking a such ride unwraps his mind as he was only living in the small world so far. Which particularly points out his one sided romance. At the end of his adventure where stands and the aftermath of everything was briefly disclosed.❝Someone just needs to scratch in some letters, then it will be 'Atomic Crisis of 2016'.❞The 'road movie' has been just a concept, but the stories created around it was very nice. Like many mini episodes, whenever they encounter the new people, the new places. At its halfway through, the third character was introduced. It was one of the best improvement. At first it was not intentional, but going further it becomes. Might not close to the real life, but makes such impression that's not too far from the reality. On how some people slipped away from the actual world and the contact with its people. Obviously with the reason, that does not reveal to us because of not to make any further complication in the storytelling.The overall best thing about the film was not digging anything so in detail. Everything about the film was a rough cut. Except the opening parts in the school where the plot was initiated. It was more of an introduction than the initiation. And the remaining film was a transformation from something what we knew its state of condition (of the main character) to the ultimate goal (which was not expected).It drags the gay topic, but throw away immediately. Similarly a few other topics as well. Yeah, the film was fun, as it told from the teenager's perspective, not the entire film to be considered very seriously. Though there some parts make sense and inspires, despite done/committed on the contrary. When it comes to the cast, it was flawless performances. Both the lead boys were awesome. The odd combination worked out well. But it was not that odd, while narrating the story.The Maik reminded me the Wiley Wiggins from 'Dazed and Confused'. The film was not predictable, but the path it has taken was. If I say the film was excellent, that does not mean all of you would enjoy it. Surely teenagers, and children film fans would, but those who are familiar with this kind might find nothing new in it. For them it does not matter, it is an American or a German film. That does not mean it's not worth a watch. So try it, despite you are going to like it or not in the later.7.5/10

runamokprods Charming, amiable teen-age comedy with a few moments of sadness thrown in as well. Two 14 year old 'outsider' boys in Berlin form a friendship, and take off for the country in a stolen car, seeking adventure. The odd couple of friends here are pretty endearing. There's no big, obvious reason Maik is an outsider. He's OK looking, not a bad kid, not a teacher's pet or a bad boy. He just has the bad luck of not standing out enough to make him cool, so he's become a non-entity in his class. His counterpart – the very hard to overlook Tschick -- is an extremely tall Russian immigrant 'new-kid' with a silly hair cut and a bad-ass tough attitude. Their bond is sweet, and somehow believable. Based on a popular young-adult German novel, "Tschick" is not as edgy, odd and original as most of Akin's films, but has just enough quirk and personality to keep it from falling into feeling too familiar, even if the basic story is a variation on something we've seen many times. Of all Akin's earlier films probably the closes analog is "In July" (2000) – a familiar rom-com story given a personality through Akin's approach. If not the revelation I was hoping for given the brilliance of Akin's best films ("Head-On", "The Edge of Heaven") it's still a likable coming of age film with it's own bittersweet take on the world.