Gray's Anatomy

1996 "Thrill to the minimal cystoid macula edema on the basis of capillary incompetence!"
6.8| 1h20m| en
Details

The film documents, in an often dramatic and humorous fashion, Gray's investigations into alternative medicine for an eye condition (Macular pucker) he had developed.

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BBC Film

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Reviews

Laikals The greatest movie ever made..!
Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies
Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
Kinley This movie feels like it was made purely to piss off people who want good shows
framptonhollis Like the greatest, most professional poet, Spalding Gray tells him stories at a swift, rhythmic pace that is exciting and brilliant all at once. With his pitch perfect timing and comedic wit, he weaves together here a masterpiece of the monologue as he recounts his bizarre, eye opening (yes, pun intended) adventure after he discovered he had an eye problem. Rather than simply accepting a surgery (he really doesn't like it when the doctors refer to their work as "scraping"), he attempts to work out alternative methods, which range from an all raw vegetable diet to traveling to the Philippians to visit a so called "psychic surgeon". As a master of the monologue, Gray tells this story miraculously well. He writes with a beautiful and distinct quality. Through his storytelling, he expresses himself in a truly unique and entertaining way, packing this one man show with laughs and personality.I must also praise the director, the famous Steven Soderbergh, who morphs this monologue into a visually stunning art film. Using music, sound, sets, props, camera movement, shadows, and plenty of other fascinating, experimental techniques, he turns Gray's witty writings into a much more cinematic and epic adventure that truly captures Gray's quirky and strange view of life.
Mscellany There is not much that beats a well told tale. If it is told through television or film, a good storyteller is worth more than a billion dollars of special effects. This little film tickles and delights and causes us to ponder the wonders of medicine and the human psyche.Spalding Gray has a "photographic memory" which allows him to describe things in fascinating detail. He also has a rather neurotic take on the world, just slightly askew from the norm...which allows us to enjoy a more entertaining vantage point. Above all, Mr. Gray loves to spin a tale. He delights in sharing stories and tying them all together in one general rant. This particular one-man-rant appealed to me even more than his others. Perhaps I liked it because I sought alternatives cures to my own illness and know all the crazies out there. Perhaps I liked it because I was raised by an optometrist and worked in his office a few summers...just enough to appreciate his eye condition (macular pucker) and his fear. Whatever the reason, I really enjoyed this and want to share it with all my friends now.
craigjclark Made during the time when Steven Soderbergh was in the process of reinventing himself (see also "Schizopolis," made the same year), this is a wonderfully inventive film with a kinetic visual style to match Spalding Gray's verbal gymnastics. This is the kind of film that stays with you long after you've finished watching it, thanks to Gray's performance -- he is a terrific storyteller -- and Soderbergh's imaginative staging.Caveat: If you're at all squeamish when it comes to graphic descriptions of eye injuries, this film may not be your cup of tea.
docguy The trick here is to make a monologue a filmic experience. Gray's stories are fascinating. He's interesting to watch, but an hour and a half looking at his face is a little much to ask an audience. Soderbergh tries to mix it up a little, varying the backgrounds and moving the camera around, but doesn't go far enough. The short sequences of eye trauma interviews filmed in black and white are like islands of relief in a sea of Spalding and I wish there were more of that sort of thing in the film.