buzz_the_bee0
I saw this movie in a very unique fashion. The director, Andreas Dresen, was visiting my college and screening the movie. My German Studies teacher (the focus of the class is contemporary German culture, and using film as a source) had us all meet there and see it. We got to meet the director, and ask him all kinds of questions.He revealed that this movie was created in a unique fashion: almost all of the acting was improvised, and only very few scenes were scripted, and that was only done for consistency. The crew was EXTREMELY small, consisting of mainly the 4 main actors, Dresen, a cameraman, and a audio person. Everything was on the spot and improvised, giving the movie an almost documentary-like quality, and many scenes were filmed on a whim. In fact, Dresen revealed that the interviews that are interspersed throughout the movie, he did not mean to originally include. They were only meant to see if the actors were in character, and to see how they, as their character, would respond to the given questions and situations. To give the movie an authentic and natural feel, each actor in fact spent some time, I believe Dresen said a few months, actually working the job that they had in the movie. Also, Uwe is only shown smoking constantly because the actor, Axel, is a chain smoker. The musicians playing out of the toilet was originally a fleeting suggestions the group (17 Hippies) had made, and Dresen never intended to keep. The scene where Katrin walks alone in the snow was filmed basically before the movie had a plot, with hopes that it could possibly be included somewhere along the way. The dentist scene was a fleeting suggestion that Axel had made; he told Dresen that he was going to the dentist, and if maybe he wanted to come along and film something that could be used in the movie in his role as Uwe. In fact, the real dentist's nurse refused to be on camera, and Dresen had to get someone (from his small crew) to stand in for the position in the shot, but the actual operation and tooth removal is all REAL, live footage. Also,the first time Uwe tells the musician outside the stand to go away, he was never supposed to go back out and yell at him to go down to the lamppost, and in fact the musician was not supposed to obey him and move down there. Apparently the 17 Hippes, the musicians, were so convincing as street musicians that when the crew was not filming, people would actually throw them change. I apologize for these revelations not being in any particular order, but I found them fascinating, and wanted to share them.
imdb-2708
I'm very fond of this movie. The authenticity of the actors, the very light and playful use of humor an subtle gags and the fact, that although they were doing it on a very low budget, you're not going to be sick by the way they handle the camera makes this so absolutely enjoyable. its setting in frankfurt/oder is also something very different even though films on the soil of the ex-gdr are on the increase. i haven't seen such a film since 'Männer' which is a few decades ago.this movie tells a common story like no other. watch it in german.
llamalleasing
Halbe Treppe is a good film, but is even more interesting when you realize a key point about it's production. The first is that most of the dialogue and plot is improvised. There was a lot of unused, and presumably unusable, footage.It's also a crazy film, in the way that life is often crazy.I first saw this film in Berlin, without subtitles and found the accents a little thick, but it's also a great film for students of German who want some practice understanding real, colloquial speech.
robin-89
The story of the film is uncomplicated, but very realistic. This is also helped a lot by the actors who improvised the whole dialogues (which gives them the nice charme of the "Didi & Stulle" comics, including the dialect). In the beginning this is very funny, but you stop laughing when you notice that what you are watching is like real life.
