Afouotos
Although it has its amusing moments, in eneral the plot does not convince.
Claire Dunne
One of the worst ways to make a cult movie is to set out to make a cult movie.
Mehdi Hoffman
There's a more than satisfactory amount of boom-boom in the movie's trim running time.
bkoganbing
This is one rather unusual western with themes explored that are not normally reserved for western films. Gun For A Coward did come out in the Fifties the decade when the western finally did become adult.Fred MacMurray, Jeffrey Hunter, and Dean Stockwell are the Kehoe Brothers who have the local Ponderosa spread courtesy of their father. Unlike the Cartwrights the Kehoes still have their mother Josephine Hutchinson still living with them.MacMurray is the older and most sensible brother and he's in charge of the place. The youngest is Dean Stockwell who's a hotheaded kid. It's the middle brother Jeffrey Hunter. He's the one that mom kind of reserved for her own. The frontier life isn't for him, she wants him to go east possibly take up the law as a profession.Hunter as per mom's raising always tries to talk his way out of all situations. That doesn't always work and older brother MacMurray is forever trying to both explain him and figure him out and younger brother Stockwell is impatient with his pacifism. Is Hunter really the coward of the family?Some of the situations that normally come up with Ponderosa owners who are the good guys come up in this film. It's how they're dealt with and the attitudes expressed that are what makes Gun For A Coward a different kind of western.One I think you'll enjoy.
dougdoepke
A mother and her three sons run a cattle ranch. At the same time, two of the brothers compete over the same girl, though one of the brothers appears cowardly.Drama heavy western. Good thing that Universal went out and got some of the better young actors of the day which helps. Then too, there's Fred MacMurray, also a fine actor, but miscast as a 50-year old bother to both a 30-year old Hunter and Dean Stockwell at just 20 . At the same time, the supposed mother of the brood, Hutchinson, is only 5-years older than MacMurray and it shows. Too bad the screenplay couldn't make Will (MacMurray) the dad, but I guess that would have ruined the romance setup with the young Aud (Rule). Anyway, the acting is good which helps the talky narrative go down, along with the excellent Technicolor photography. The movie's biggest problem, however, is the generally slow pacing that at times drags out the talky scenes long after we've gotten the idea. A brisker pace would have made the story more condensed and riveting. The elements of a good story are there. Is Bless (Hunter) a pacifist or a coward. People come to believe the latter. But if he's to win Aud and a share of the ranch he's got to show he can handle the challenges. But not in the hot-headed way of his younger brother Hade (Stockwell).Note in the supporting cast the presence of the great Bob Steele who enlivened many a sagebrush matinée in his day. I hope he picked up a good paycheck. All in all, it's a decent western, a little heavy on the dramatics, but with a number of compensations.
Spikeopath
Gun for a Coward is directed by Abner Biberman and written by R. Wright Campbell. It stars Fred MacMurray, Jeffrey Hunter, Janice Rule, Chill Wills, Dean Stockwell and Josephine Hutchinson. Out of Universal International Pictures, film is a CinemaScope production in Eastman Color, with photography by George Robinson and music by Joseph Gershenson.Three brothers must contend with big personal differences whilst also trying to see off a band of cattle rustlers who are pillaging from their herd.But you don't cover me with your shadow.So many good things involved with this production it feels unfair to label it as dull, but dull is ultimately how it ends up being after film has run its course. The cast assembled is a strong one, the dialogue is sharp and well written, and the location photography out of Vasquez Rocks Natural Area Park is most pleasing. Prolific Western scorer Gershenson also produces a highly effective score, very reflective of the characters' stuttering emotions. But with a running time of almost 90 minutes the makers have over stretched the family feud premise by having too many periods of story inactivity. Biggest problem of all is that the coward of the title, Bless' (Hunter) back story is never fully formed, adding little snippets here and there doesn't do it justice. For instance: it's only late in the day that we find his reputation is tarnished outside of his family, the whole damn town are down on him. A better director than jobber for hire Biberman would surely have got more from this tortured character axis.Stockwell and Hunter are not the best of actors all told, but they fit right into the roles of two brothers made of different stuff. Stockwell does a good turn as the young and fearless one, and Hunter as the middle brother of the three effectively conveys the psychological pangs that sting him during the plot. The elder brother is played by MacMurray, who offers up a weary surrogate father performance for this fatherless family. It's the death of the father that is the catalyst for Hunter's problems. While Hutchinson adds a bit of class as the fretful mother and Wills is always good value for money. Rule gets the short straw from the screenplay, in what is a critical (two fold) role, she isn't asked to do anything other than look pretty and say soothing words to tortured Bless. The action is competently constructed, though the art of throwing a convincing punch is sadly missing here. And the ending, whilst being predictable (no shades of the far superior Saddle the Wind here), has enough warmth about it for those not in need of blackness in their Western viewings.By definition it is very much a B movie in the truest sense of the term, but there is good in the production, even if it is undone by slackness elsewhere. 5.5/10
marcosilvas
The "western" movies are usually about solitary cowboys trying to find (or sometimes loose?) themselves. Brave, fearless men of little words who shed their failure to adjust and an ethics of their own on the screen. In two words, solitary heroes. But this film is maybe, just maybe, about a little more than that. It's about many things, possibly. About the beginning of one of those heroes (the older brother's destiny, at the end?) and about another kind of failure to adjust, the middle brother's one. And it gives us a hint of how everything starts: inside the family. Good acting, not so brilliant direction (but who needs one, when the contents and the dialogs are superb?). A final word to compliment the work of the actors in the 3 main roles (Will, Bless and Aud). And hey, how can John Ford's The Searchers be any better than this movie? Not in a million years.
