Nonureva Really Surprised!

Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Jemima It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

Raymond Sierra The film may be flawed, but its message is not.

bkoganbing The events leading up to the Gunfight At Comanche Creek find Audie Murphy working as an undercover detective who has infiltrated an outlaw gang led by DeForest Kelley. The film has a plot not dissimilar to that of the great urban noir drama A Street With No Name.Kelley has a unique recruiting method to supplement the hard core of his gang for jobs. He just breaks wanted criminals out of jail gets the use of their service and then kills them for the reward which has gone up in value like a stock in the bull market. One undercover detective has already been killed for the reward on his head so Audie has to watch himself from all angles.Before he got his signature role as Dr. Leonard McCoy of the star ship Enterprise, DeForest Kelley did a lot of western roles where he was mostly a really nasty villain. If he hadn't signed for Star Trek, Kelley might well have kept in this career path.Murphy himself was getting older and could no longer be cast as callow western youths as he was early in his career. After failing with a television series Whispering Smith, as so many of his fellow players did, Murphy kept doing westerns of varying quality until the end of the Sixties and the end of the B westerns which played the bottom half of double bills.Not at all saying however that some of his westerns weren't good. Gunfight At Comanche Creek was done very well for low budget studio Allied Artists and goes at a real nice pace and maintains suspense throughout. Audie has to rely a lot on his wits to keep from being discovered. The gunfight at the end of the film is well worth waiting for.

Spikeopath Gunfight at Comanche Creek is directed by Frank McDonald and written by Edward Bernds. It stars Audie Murphy, Ben Cooper, Colleen Miller, DeForest Kelley and Jan Merlin. A Panavision/De Luxe Color production with cinematography by Joseph Biroc and music by Marlin Skiles. Murphy stars as an agent for the National Detective Agency who goes undercover to find the outlaw gang that has been breaking convicts out of jail to help them to commit more crimes. The resulting crimes cause the bounties upon the fugitives' heads to rise, thus the outlaws then kill the convicts and claim the rewards.Apparently a remake of 1957 film The Last of the Badmen, Gunfight at Comanche Creek is a suspenseful and entertaining blend of detective shenanigans with Western staples. It's an interesting role for Murphy, playing Bob Gifford (AKA: Judd Tanner) as a fearless ladies man having to just use his wits instead of guns just to survive the undercover operation. It's not exactly what you would call a high energy action movie, since we don't really get the pulse raised until the finale, but there's enough twists and intelligence in the plotting to keep the story intriguing.Negatives? There's a continuous narration by an uncredited Reed Hadley which is most intrusive. Instead of letting us be involved fully with the unfolding story, the makers felt the need to have Reed fill us in on what is happening at every turn in the plot! Clearly they were going for a hard-boiled detective angle, but it's misplaced. While Miller is saddled with one of those token female roles. But the support cast do what is required to make the film work, Murphy delivers a good one for his fans and Biroc's colour photography is very easy on the eye. 7/10

zardoz-13 Veteran director Frank MacDonald's "Gunfight at Comanche Creek" qualifies as an adequate but unexceptional western about an undercover detective trying to flush out a gang of outlaws. This lackluster remake of director Paul Landres' 1957 hold-up thriller "Last of the Bad Men" casts Audie Murphy in the role originated by George Montgomery. Although an element of mystery about the identity of the leader of the outlaw gang generates a modicum of interest, "Three Stooges" scenarist Edward Bernds has penned a thoroughly routine screenplay and cluttered it up with unnecessary narration by Reed Hadley that adds little to the action. The only thing of significance about this modest but well-made sagebrusher is that long-time heavy Jan Merlin plays a good guy who sacrifices himself when his friend is caught between a rock and a hard place. If you look carefully, this Allied Artists release used the same town set that appeared as Virginia City in the NBC-TV show "Bonanza."No attribution to the Montgomery film appears in the credits to "Gunfight at Comanche Creek," but the plot about a gang of bank robbers who use a notorious felon with a price on his head as their front man makes this an unmistakable remake. None of the writers from the first film receive any credit as source material on this one. Murphy walks through his role as National Detective Agency operative Bob 'Gif' Gifford aka Judd Tanner. After the National Detective Agency figures out what the outlaws are doing, they send in Gifford with gold certificates from a robbery. He flashes the loot around in Comanche Creek and is promptly arrested by Marshal Dan Shearer (John Hubbard of "Duel at Diablo") who locks him up. No sooner has Gifford been locked up than the villains spring him. It seems that they prefer to use wanted felons because once they run the bounty up on their heads, they can kill them and turn them in for the reward. The National Detective Agency sends another agent to keep tabs on Gifford. Nielson (Jan Merlin of "Hell Bent for Leather") hides out in the rocks overlooking the line shack where the outlaws conceal themselves. Eventually, Nielson is caught by Amos Troop (DeForrest Kelly of "The Law and Jake Wade") and the rest of the gang. Troop sticks a revolver in Gifford's fist and forces him to shoot Nielson. Of course, if Gifford refuses to shoot Nielson, Troop and his cronies will know that he is detective. Instead, Nielson turns and charges Jed Hayden (Adam Williams of "The Big Heat") and Jed guns him down in cold blood. One of the other outlaws, likable Bill 'Kid' Carter (Ben Cooper of "Johnny Guitar"), learns that Gifford is a detective and decides to aid him. Unfortunately, Carter doesn't get far before he is gunned down, too.By this time, the reward money on our hero has risen to $4-thousand and Troop and company are itching to cash Gifford in, but things are complicated when they abduct another outlaw. They break another outlaw out of jail, Buck (Tim Graham) after they clobber Marshal Shearer, and then they learn that there is an undercover agent in their midst. During the big finale in Comanche Creek, they plan not only to rob the bank but also eliminate both Gifford and Buck. However, additional agents of the National Detective Agency arrive in town and sling lead alongside Marshal Shearer when the outlaws try to ride out. The mystery as to the identity of the outlaw gang leader is resolved. As it turns out, none other than Marshal Shearer, a man that the detectives did not suspect, is revealed as the inside man. When he gets a chance, Shearer seizes local saloon owner Abbie Stevens (Colleen Miller of "The Rawhide Years") and uses her as a human shield, but Gifford does not allow him to escape. Interestingly, Amos Troop survives and is arrested."Gunfight at Comanche Creek" ranks as little more than a potboiler and Murphy spends most of his time without a gun in his grip. Long-time Robert Aldrich lenser Joseph Biroc makes this mediocre western look better than it deserves and the best that can be said of MacDonald is that "Gunfight at Comanche Creek" does not wear out its welcome.

Brian Camp GUNFIGHT AT COMANCHE CREEK (1964), done for Allied Artists, was part of Audie Murphy's last, frenzied wave of quickie westerns before his virtual retirement after 1966. It's a low-budget production shot on Hollywood backlots and nearby California locations, but within those parameters it actually boasts a well-written script by Edward Bernds, competent direction by B-movie vet Frank McDonald, and crisp photography by Joseph Biroc, a trio of professionals who were old hands at this kind of thing. It's also got a solid cast of familiar players who clearly know how to put on a good show for western fans.Murphy stars as a Pinkerton-type detective who goes undercover to infiltrate a gang which specializes in a unique brand of caper. They bust known criminals out of jail, use them as front men in robberies until the price on their heads goes up, and then kill them and turn them in for the reward. When Murphy's partner is betrayed by someone who is secretly the brains behind the gang, Murphy is put in a particularly dicey situation--unarmed, unaided, and suspected of being the undercover agent that he is. While some of the plot turns will be predictable to western buffs, the script generates enough suspenseful situations to keep viewers glued, despite the fact that there really isn't a whole lot of action until the title shootout which comes at the very end.Murphy is more relaxed than usual here, playing someone older, more experienced and more confident than the young, tormented loner he usually played. He's even something of a womanizer, a character touch not often applied to his roles. The star generally thrived when faced with formidable bad guys and he's got a colorful rogues' gallery to contend with here, including DeForest Kelley ("Star Trek") as the head of the gang and Adam Williams (NORTH BY NORTHWEST) and Mort Mills (TOUCH OF EVIL, PSYCHO) as convincingly snarling heavies. Also on hand are Ben Cooper (JOHNNY GUITAR) as a reluctant gang member, Colleen Miller as a lady saloon keeper, John Hubbard as the wily town marshal, Jan Merlin as Murphy's partner, old-timer Eddie Quillan as a hotel clerk, and the venerable Tom Browne Henry as the head of the detective agency. Future soap star Susan Seaforth has a brief turn in the requisite role of the rancher's love-starved daughter. Reed Hadley recites the abundant narration as if this were an episode of his old "Racket Squad" TV series. Such a strategy gives the unmistakable feel of a crime drama to the proceedings.