Ensofter Overrated and overhyped

Srakumsatic A-maz-ing

InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Abegail Noëlle While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Ben Larson Korean thrillers are always fascinating, and this one more so than others I have seen.A serial killer Shin Hyun (Seung-woo Cho ) confesses to murdering six women, is imprisoned, and the killings go on. They grab suspect after suspect, and the killings go on. Even Shin Hyun's psychiatrist was a suspect.Naturally, we get mismatched partners, as often happens in police thriller. Detectives Kim Mi Yun (Jung-ah Yum) and Kang Tae Hyun (Jin-hee Ji) are as different as night and day, but they have to make it work.If you are a fan of se7en or The Silence of the Lambs, then this is the film for you. There are good surprises, and it will baffle you until the very end.

wavetwister04 On the whole, I enjoyed this film. It starts out with a series of nice, gruesome post-mortem and death scenes, and carries the creepy ambiance most of the way through. Unfortunately, as the twists begin to unravel, so does the quality of the film.For the sake of those who haven't seen the film, I won't spoil any of the myriad twists, but I will say that you better pay very close attention to this film or you'll miss some illuminating plot points, as I did.Unfortunately, this has to do with the number of suspects/characters in the film, and the difficulty an American viewer will have keeping all the names separate. Characters are often referred to by name without being on screen (as is the nature of a police thriller), and I found myself, more often than not, seeing said names and thinking, "wait, which one is he?" Still, I doubt I'd have had the problem if the characters in question were more than just your standard serial murder movie cutouts. I watch a lot of Korean cinema, and this is the first time I've ever had this problem.This speaks to the general quality of the film which, while engaging, is certainly not going to stun most viewers with its artistry. The acting is passable (at best), the writing is sparse and convoluted (though not devoid of entertainment value, to be sure), and the editing is flat-out terrible. That's not something that usually stands out for me in a film, but in this case it was a flagrant issue with the film. You'll find yourselves following the characters to a raid on a suspect's house only to forget why this guy was a suspect in the first place, and random cuts to side characters doing sweet F.A. don't do much to ease the difficulty of following the bouncing (murder)ball.There are two kinds of "end of the movie twists" out there. There's the "Oh my god, I didn't see that coming, but I should've" twists, and then there are the "uh...what?" twists. Sadly, the final revelation of this film is one of the latter. I've seen debate on the message boards regarding the supposed "final, final twist," but I have to say that it's a pretty loose interpretation to call the final moments of the film yet another twist. It's more of a "book-end," and effective as such.Where this film fails most is in the expectations it builds. It's an excellent concept for a serial murderer flick, and they spend a lot of time building an interesting emotional landscape that's inevitably forsaken for gimmicky plot devices that, while not wholly unbelievable (though highly improbable), are pretty much just plain silly. Had they stuck with the emotional and psychological themes and forsaken the twists, this would be an excellent film.As it stands, it is not excellent, but it's certainly not terrible. If you're a fan of Asian thrillers, you could do worse than this one.-J

terramax02 I love Korean and other Asian films, and I watch a lot of them. But this is one that I wish I hadn't bothered with.As per usual, the visuals in this film are fantastic, and the editing tries to be as distorting and uncomfortable as that in 'A Tale of Two Sisters' and other successful types. However, the failure of this film remains in some of the most overreacted acting and clichéd story plot elements that quite shamelessly steals from thrillers such as 'Silence of the Lambs'.The male lead is so desperate for an Oscar he shakes in anger or fear in almost every scene that involves conversations - most particularly the interrogation scenes involving an older case killer (Hannible Lector wannabe) who is more homosexual-coming-onto-a-straight-man scary instead of him being a psychological mind F-ing threat.The female lead is also too detached most of the time and the film gives very little back story to sympathise for and nothing lovable about her to convince us to root for her.Further more, the music and sound effects make some of the most dire and unoriginal attempts to make things more sinister. Whenever the filmmakers want you shaken or disturbed they'll add in those sharp violin or metal scrape sounds to bring out emotion to the audience, but only making scenes seem more cheesy, camp or like a parody of the genre as well as being placed so predictably I could hear them in my head seconds before they happened.There are television murder mystery thrillers with more maturity and involvement in this. I seriously suggest looking somewhere else.

JoeytheBrit H is another of those moody Korean movies that moves at a deliberately slow pace. This measured approach to story-telling can sometimes add to the atmosphere of a strong well-told tale but, in this instance, it simply draws attention to numerous deficiencies in both plot and characterisation.A couple of mismatched cops investigate a complex case involving a serial killer who targets pregnant women or women connected with abortions in some way. The murders are copies of those carried out by a man ten months earlier who gave himself up and now awaits execution. The cops initially suspect the original killer has hired someone to carry out the killings but, when they have caught the person they believe to be the murderer and the killings continue, a much less straightforward answer becomes apparent.The Koreans seem to have a thing for slow and thoughtful movies, and there's nothing wrong with that if the storyline is strong, but this film borrows from too many other films – most notably Silence of the Lambs and Seven – to bolster a fairly thin yet paradoxically complicated plot. Strong on visuals – especially some extreme gore – there are a number of effective and well-staged scenes in H but it relies too much on a brooding heroine who betrays no emotion, and an excitable hero who would quite frankly be a liability in any police investigation. In fact the pair of them overlook obvious lines of investigation and generally stumble upon clues through luck or by drawing obscure – but accurate – conclusions from the vaguest of clues. Seung-woo Cheu makes a curiously uncharismatic villain in a role clearly modelled on Hannibal Lecter, and spouts enigmatic mumbo-jumbo about blue skies and an abyss that probably made no sense before its meaning was mangled by the translators responsible for some truly excruciating subtitles. And for all the moody atmospherics from first-time writer/director Jong-hyuk Lee, the film is almost completely devoid of any tension or suspense.There are many exciting and inventive films coming out of South Korea these days, but unfortunately H isn't one of them. Of course that doesn't mean we won't be seeing an American remake within a year or two