GamerTab
That was an excellent one.
Konterr
Brilliant and touching
Kamila Bell
This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Michael Eagen
I am a C&E (Christmas and Easter)Catholic and survivor of 12 years of Catholic education. With an entry like that, one might think I'm about to flame the Church and the education it provided me. Nothing could be farther from the truth. I loved my 12 years, the first eight in the hands of the Benedictine Sisters and the last four in those of the Augustinian Fathers. They both did right by me and my three older sisters (who had the Sisters of St. Joseph of Carondelet for their high school years). We were from working to lower middle class backgrounds, and all matriculated at good universities from which we all graduated. We couldn't have done that without the fine start those first 12 years gave us. We all also came of age in the 60s and in my case, early-70s.Having said all that, ad having gone to a well known all boys high school in a major west coast city from 1970 to 1974, I will happily confirm that pretty much everything I saw in this film rang true. We didn't have swimming, but if we had, I have no doubt that it might have been in the nude. Otherwise, we had our share of jerks as teachers, both religious and lay, that we had to navigate, but it is amazing what having some hurdle like that to overcome will do for the "esprit de corps" of the entire student body. These people, and the lengths to which we went to get over on them, became the stuff of legend, and because they often were employed as teachers well beyond their usefulness, they became legends across more than one generation. In fact, they became a kind of whetstone upon which our characters were honed; usually with success. Personally, if I were to do it all over again, I wouldn't change a thing, and one of my great regrets is that I couldn't do for my children what my parents sacrificed to do for all of us. However, the tuition these days has skyrocketed to a layer of the stratosphere where my parents never dreamed of treading. That annual tuition is more than what most public universities are charging these days. Hell, my parents never even made in a year what the schools are now charging for one year. I am managing to put my three through college and consider that I am fortunate to be able to do that. Anyway, it was a great time to be alive, and a great experience that I will cherish to the day I die.
James Hitchcock
It is an article of faith among certain Protestants that every Catholic is tormented by sexual guilt, a guilt inculcated in them by priests who, because they have no sex life of their own, take an unhealthily prurient interest in everyone else's. The script for "Catholic Boys", as "Heaven Help Us" is generally known in Britain, would appear to have been written by a Protestant of this particular creed.The film is set in St Basil's School, a strict Catholic boys' school in New York. The main character is the sixteen-year-old Michael Dunn, a new student at Saint Basil's, who has been sent to live with his grandparents upon the death of his parents. His grandmother is determined that Michael should eventually enter the priesthood, even though he shows little evidence of having a priestly vocation. The film follows the adventures of Michael, his non-Catholic girlfriend Danni, his classmates and the monks who teach them over the course of a school year. Among the other students are the fat, unpopular would-be intellectual Caesar and Ed Rooney, the foul-mouthed class bully. The three monks who play important roles in the film are the headmaster, Brother Thaddeus, Brother Timothy, a young novice, and Brother Constance, a "strict disciplinarian" (an expression which, in this context, is a euphemism for "sadistic bully").Like most of his fellow Brat Packers (Emilio Estevez and Demi Moore being exceptions), Andrew McCarthy has rather faded from view in recent years. In the mid-eighties, however, he was regarded as a major star in the making, and this film makes good use of his clean-cut persona as the "good boy" Michael, who is strongly contrasted with Kevin Dillon's bad-boy Rooney. The three monks Thaddeus, Timothy and Constance are also well played, especially by Jay Patterson as the last.Some Catholics have objected to the way in which their religion is portrayed in the film, and there certainly appear to be elements of satire at the expense of traditionalist Catholicism, especially its attitude towards sex. Perhaps the best clue to the film-makers' intentions lies in the date at which the action takes place; 1965. Ever since about 1980, a 1960s setting has frequently been cinematic shorthand for "clash between traditional values and trendy permissive ones". By the mid-sixties, a clash of this nature was taking place within the Catholic church itself following the Second Vatican Council, but the school remains a strongly traditionalist institution; Mass, for example, is still said in Latin rather than English. As the film progresses, however, we see that a version of the clash between tradition and progress is being played out even in St Basil's. After an incident in which Constance savagely thrashes several students for their part in a prank, we discover that his vicious sadism has appalled not only the liberal Brother Timothy but also Brother Thaddeus, who is far from liberal but is at least humane enough to realise that Constance's methods should have no place in the education of the young."Catholic Boys", is not, however, primarily a serious film about conservatism versus liberalism in the field of religious education. Indeed, it is not primarily a serious film at all, but a comedy, albeit one that has some satirical points to make. Indeed, it is the satirical scenes which are often the most amusing and memorable ones, particularly the ones set in the confessional which strengthened my long-held belief that the sacrament of confession is a rather ridiculous institution and that its abolition was one of the wiser moves of the Protestant Reformation. I also liked the scene where the boys are only allowed to attend a dance with pupils from a local girls' school after being treated to a hell-and-brimstone sermon on the sin of lust. (Or rather, the thin of lutht- the priest who delivers it speaks with a strong lisp). A highly amusing comedy, well worth watching. Those who saw it as anti-religious or anti-Catholic need to get a sense of humour. 7/10
mcfly-31
A real favorite from the 1980s, during the slew of 80s films that took place in the 60s (see Stand By Me, Porkys, Mischief, etc.) Perennial movie nice guy back then Andy McCarthy enrolls at a tough-as-nails Catholic school in 1965. Apparently his parents have just died, and he and his sister move in with their religion-toting grandmother who envisions McCarthy as, if not the Pope, a future priest. But Catholic school or not, your usual assortment of wily teen boys occupy the place. You have the chronic masturbator Geoffrey's, tag-along Dempsey, frumpy nerd Danare, and malcontent Dillon, who hilariously refers to everyone as a "faggot". A forgotten performer would be the strong supporting turn from Jay Patterson as a hot-headed teacher. Before reform by the Catholic church in the 70s, guys like Patterson existed, usually in the form of nuns. He takes their "ruler-to-hand" approach many steps further. The boys deal with them, plus their hormones, various school activities, and spending time at their favorite hang-out. This is where a slight but sweet romance develops between McCarthy and Masterson. She's such a downtrodden personality---with an appropriate speech about "meloncholia"---that the romance lacks punch. Throw in a slight theft from "Risky Business" involving the demise of a father's car, and you have an enjoyable comedy that sustains itself from start to finish. Purpura's script and Michael Dinner's fluid direction aid a fun story with a monster pay-off involving McCarthy and Patterson. Nice Brooklyn period atmosphere and music make this a must-find for obscure 80s comedy.
KidRalph
While I can't comment on the accuracy in which the "Catholic School for Boys" is depicted in this movie, having once been a teenage boy, I can attest to having known (or been) a kid who is represented by nearly every character in the movie. I identified most with Andrew McCarthy's character, but saw a little of myself in many of the other kids.The movie is at times funny, touching, and intense. I believe it has been largely forgotten and was ignored even in its initial run. It is vastly underrated, and if you happen across it in the TV Guide or in the older titles at the video store, it is worth two hours of your life. Recommended.