Incannerax What a waste of my time!!!

Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Ava-Grace Willis Story: It's very simple but honestly that is fine.

Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.

JasparLamarCrabb A lousy action film starring Fred Williamson. He's back as the "Black Godfather." This time he's trying to outwit a crooked DA and mend the broken relationship with his father (Julius Harris). It's pretty dull and, as directed by Larry Cohen, very badly put together. The editing is atrocious and Cohen's script is alternately tough and sappy. The title is also somewhat misleading since very little action even takes place in Harlem. Williamson has presence but not much acting talent. Classy Harris saves the film from being a total debacle. D'Urville Martin is fine as one of Williamson's cronies turned priest and Margaret Avery is "Sister Jennifer," who for some reason appears to be in a walking coma.

Josh Pasnak Fred Williamson reprises his role in the sequel to one of the more well-known flicks of the blaxploitation genre. I found this to be a more entertaining film than it's predecessor because it could concentrate more on the action as the characters and their back stories were developed in Black Caesar. This time the focus is on both Tommy and his father (Julius Harris) and how they take their territory back after the events of the first movie. The beginning was a little awkward as it rewrote the final few minutes of Black Ceasar but from there, the film evolved into a revenge story as Tommy tracked down the people who did him wrong. There were a number of great action scenes including Tommy and his mini-army storming a mob hangout on an island and a cross-country chase scene that would make the contenders on "The Amazing Race" envious.I found that director Larry Cohen was a lot more comfortable with the characters this time around and I enjoyed seeing Harris with an expanded role. Still, I think that it would have been extremely challenging being a white director such as Cohen or Jack Hill with a predominantly black cast in that particular era. The score was by Edwin Starr (who is most known for the song "War") and was pretty good even though I would have preferred another score from James Brown. Brown was initially involved but his score ended up being scrapped but thankfully was still released as one of my favorite albums from the Godfather of Soul entitled "The Payback".

Joseph P. Ulibas Hell Up In Harlem (1973) was a follow up to the classic Black Caesar. Do to the box office success of the former film, the producers wanted another sequel to cash in on the popularity of the first film. So Larry Cohen quickly completed a script that was going to follow the revenge of Tommy Gibbs. This time he's out to get rid of the clowns that he forgot to finish off in the first film. Papa Gibbs has taken control of his son's empire and Rev. Rufus is back as well. Not bad for a movie that was hastily put together. A fitting end for Tommy Gibbs as he tries to turn his life around in the process of seeking vengeance. One of the better black "exploitiation" films to come out of the seventies. If you enjoyed Black Caesar, you'll love Hell Up In Harlem.Highly recommended.

allar100 This is not the best of the blaxploitation films, but it is entertaining. This is the sequel to Black Ceaser, but they completely ignore the ending to its predecessor. The sound is not to great, and the story is kind of weak and forced, but come on, what did you expect.