Linbeymusol Wonderful character development!

ReaderKenka Let's be realistic.

Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Red-Barracuda Hellish Flesh is a slightly more conventional horror tale from Brazilian madman José Mojica Marins. In it Marins plays a scientist who spends too much time in his lab. His wife conducts an affair with a mutual friend. The pair then concoct a plan to kill the hapless husband. The wife pours acid on his face and her lover sets fire to his lab. But the scientist survives albeit with a creepy burned face, while the wife suffers a bad life as her lover is a good-for-nothing gambler and womaniser. But things only get even more complicated.At its heart this is a simple revenge tale. Although given that it's a Marins movie it isn't a typical one. He still manages to incorporate some surreal elements such as the scenes with the mysterious young woman. Her lover is but a shadowy silhouette, á la Nosferatu. There are also a couple of shock moments; one being the acid attack scene which does look quite fake and another being the eye surgery scene which unfortunately is quite genuine, and very unpleasant indeed. Also, the parts with Marins facially deformed scientist were nice and creepy. But mostly Hellish Flesh is a fairly straightforward affair. The twist at the end is kind of good though and rounds off the film on a satisfyingly macabre note.

Michael_Elliott Inferno Carnal (1977)** 1/2 (out of 4) Brazilian horror film features director Marins playing the lead role of a doctor who has acid poured on his face by his cheating younger wife. The wife eventually takes his money and runs off with her playboy lover but the doctor has his own ideas for revenge. This is a rather bizarre and surreal film, as one would expect from the director, but it's not as bizarre as you might think. There's a few gory sequences, mostly with the acid, but outside of this the film is more talk that anything else. Some would say that's a bad thing but it actually works here for several reasons. The first is that the entire subplot of the lover turning out to be a scumbag to the wife makes for some interesting twists. The talk also helps build up the wife's character to where we slightly begin to feel for her. This works perfectly because there are a couple twists at the end, which come out of no where and really work quite well. The lack of gore might keep some people away or disappoint those who do watch the movie so people should prepare themselves going in. Even at 82-minutes the movie begins to lose steam but I really respect Marins for trying something different and not just delivering your casual revenge plot. The film also manages several surreal moments, which usually gets done with strange sound effects, weird edits and some strange color designs. Even stranger is an actual eye operation, which we get to see in close detail, which will certainly have your eyes watering up. The story is told in a straight forward fashion, which again, might upset die hard fans of the director but I think if people give the film a far shot then they should enjoy it. The print shown on IFC is in good condition but the subtitles are disastrous as we get many misspelled words as well as several words that are incorrectly used.

Scarecrow-88 I guess of the films directed by José Mojica Marins that I've seen, Inferno Carnal might be his least difficult to follow. Actually it was rather accessible when compared to his past films and has subject matter quite relatable to tales of revenge in regards to marital infidelity and attempted murder by adulterous lovers towards an innocent spouse. A scientist spends a great deal of time in his basement conducting peculiar experiments while the missus has an affair with his friend. Together they concoct a plan to kill him..throwing acid in his face and attempting to burn him alive with his test tubes and chemicals. Living through a difficult eye surgery and face reconstruction, the scientist remains devoted to his wife, hiring a man to look after her, furnishing money despite what she's doing with it..giving it directly to the lover who spends the money on booze and women gleefully. But, a series of events plague the wife and her lover, their sinful actions returning to haunt them. The lover and his philandering ways catch up to him, eventually choosing the wrong greedy floozy to flaunt money around. The wife suffering a serious injury(..after being hit by a car, thanks to surgery she's able to walk again), including a tragic decision she makes out of guilt because of her husband's continual kindness despite her actions towards him. Another development has this beautiful young woman speaking to someone who remains off screen, his silhouette indicating that it's a mystery man she loves dearly and passionately.Unlike Marins' former works, there aren't odd, nightmarish sequences, Inferno Carnal remains grounded in realism(..well, mostly, except for the outlandish denouement revealing a startling discovery in regards to actual physical appearance)and pretty much functions as a morality tale. Surprisingly, this film would almost act as a crowd-pleaser..those who exacted an evil scheme towards an innocent man are punished. I think the most distinctive visual stylizing in this particular film would be the use of silhouette(..especially the long fingers whose shadow stretch across the body of the beautiful girl always conversing with her lover unseen by the viewer)to establish a person's presence in a room(..and before the scenes featuring the girl occur, a man's eye comes across the screen also indicating that he perhaps is that person she talks to). I will admit that the film gets a bit tedious and repetitious as the film shows a variety of hookers hopping in the sack with the scientist's wife's male lover..followed by Marins' scientist often being questioned by his hired "tag-along" about his willingness to spend money on his wife. But, ultimately, Inferno Carnal is about how payback is a bitch. Throughout the film, Marins' cries of pain from acid burns to his face, begging for his wife's help and agonizing over her actions is layered in the soundtrack in scenes featuring the scientist, strolling his premises "wearing his new face"..it's a really creepy face, too. I figure Marins' cult audience might actually find this a bit disappointing for Inferno Carnal doesn't challenge you as his others films do.

Jens-28 "Hellish Flesh" is not an Coffin Joe entry but an average horror tale of revenge. A scientist (Marins) gets his face destroyed with acid by his young cheating wife. She then spends his money on a playboy/lover, meanwhile Marins is lurking around them with a scarred face. The end has nice twist but like "Perversion" it's too straightforward compared to his unique surreal Coffin Joe epics. The print from Something Weird Video is pretty worn but it's properly the only way to get this rare film. Only for fans of this Brazilian genius.