Linbeymusol Wonderful character development!

Roy Hart If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

Married Baby Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

Walter Sloane Mostly, the movie is committed to the value of a good time.

RepublicofE The two leads of this film do an adequate to excellent job all things considered. But that's really about the nicest thing I can say about this movie.The makers of this film either were trying to make a piece of blatant propaganda or were sincerely interested in giving a dynamic presentation of a complex issue but fell flat on their face. I'd like to give them the benefit of the doubt and hope it was the latter. I will say this, the makers do seem to have an at least slightly more lucid understanding of the issue of school shootings than say, Michael Moore, or a lot of other mainstream Hollywood personalities do. For example, "I shot as many people as I did because I had to reset the precedent" is exactly the kind of thing a school mass shooter would say, maybe not after being arrested but before in his journals and "confession" tapes. They were able to recognize and convey the idea that infamy is at least almost as big a motive for people like Herman as "revenge" and that there is more too it than just "wahaha I was bullied so now I'm gonna show everyone by shooting up my school".The problem is, that little bit of remarkable perceptiveness and insight is completely balanced out by asinine and simplistic messages about other aspects of school shootings. Anyone who has researched the issue even a little in depth knows that the majority of school shooters are not really severely bullied and the ones that clear whole classrooms are especially unlikely to have been severely hazed, in fact they are often bullies themselves. This is not to say that it was "wrong" per se for them to portray Herman as having been a victim of hazing and cyberbullying, the filmmakers are not obligated to make him exactly like other school shooters and should be free to form their own interpretive framework, but they just really hammered it home too hard. Degrassi can be somewhat excused for their overly simplistic interpretation of the relationship between hazing and school shootings because they made that episode at a time when the narrative that the CHS shooters were just two bullied teens driven to the edge by extreme hazing was still the most widely accepted theory, but that notion has long since been debunked, and in 2012-2015 we should know better. I've seen a couple people ask why they chose to cast a pretty boy as the shooter. Well to be honest that was one of their better decisions, because the students who do this kind of thing really are often pretty boys, not acne-ridden overweight outcasts. I mean obviously it's true that a pretty boy can be a bullying victim as much as anyone else, but the narrative that the skinny emo kid that no one talks to is the most likely to attempt an act like this is a disingenuous and frankly dangerous one. Being antisocial does not automatically rank you at the bottom of the food chain.Every other aspect of the film is a jumbled mess. It seems like in an attempt to frame a dynamic "discussion" about school shootings they decided to try and shoe-horn in as many related topics as possible, but as a result they ended up taking the most juvenile and superficial approach to each one. There's that one political show that serves as an obvious and obnoxious allegory for Fox right-wing talk shows, which is really no more subtle than an SNL sketch about the same subject. There's a Michelle Bachman-like Republican legislator (they just couldn't resist including her party affiliation for the record) who I guess is supposed to p#ss us off with how b#tchy and unsympathetic to Herman she is except the film never really gives us any reason for us to fell all that sorry for him either. Then, as if in an attempt to make it more fair to conservatives, they have some liberal d##s##t commentator who is also presented as being just as much of a moron, along with his "killing people won't stop people from killing people" followers. Maybe the message was "hey look, talking heads who get involved in school shooting stories are nothing more than opportunistic bloodsuckers no matter which end of the political spectrum they hail from", but I doubt it.There's also some peripheral expository arch about Herman's sister having been killed by a car a couple years before the shooting, complete with way over-the-top sequences of him being haunted by her. The best I can tell is that since he felt it was his fault, that feeling of already having blood on his hands made him less apprehensive about the massacre, but they never really explain it in so much detail. There's also a side-story about Lax Morales's having rolled with a quasi-neonazi underground group during the days of his youth and possibly having been implicated as an accessory in the manslaughter death of a black teenager. The relevance this has to the rest of the movie is never flushed out; they clearly thought it was contributing to some kind of "hate breeds hate, violence breeds violence" message which I suppose could have worked but didn't.For people familiar with school shooting movies, "Zero Day" is usually the gold-standard. Now I don't think this film should have been "like Zero Day" and for the record I think some of the things they did were pretty clever. But watching Zero Day can help make clear some of the things that this film unquestionably did wrong.

darrell-822-118654 The premise of this movie could have made for a good story but the infantile development by the director was not only bias...something a real crime of this nature should certainly not need...but made you feel as if you were watching a bad soap opera. The b rate actors, excluding the reporter and the young criminal, bring a new low to movies. It would have been easier to watch an hour of the stupid video game they kept showing. Rob Estes was so bad that I actually hope I never, ever have to endure him on the screen again. If you are going to bash Fox...and I am not saying you shouldn't...make sure you at least appear smarter. Terrible direction and lousy actors shred any hope of the premise rising to any fruitful work.

Peter Lyles Michelle Danner's Hello Herman provides a difficult story to tell. Norman Reedus (of the Walking Dead effectively) provides a character with a troubled past, attempting to uncover the reason behind Herman's high school massacre. Yet, Michelle Danner, a celebrated acting coach in her own rights, portrays within the eponymous character a human complexity that is bound to make audiences uncomfortable. However, that discomfort is essential to the film's intent on providing more sides to the stories of student shootings – or rather, the trials and tribulations that push these student murderers into committing such violent actions. As it turns out, Herman's own victimization to bullying invoked a violent reaction. People who have been bullied themselves can understand Herman's justification. But as reasonable as it is, the film still communicates the importance of human life and how an unconcerned regard for it is inexcusable – and how such injustice only breeds more unjustifiable actions.

Marios Betancur I am such a Norman Reedus fan, so I was very excited to see that he was in a new movie this summer. I may have initially watched Hello Herman out of loyalty to Reedus, but I took away much more than just an increased respect for Reedus as an actor. Michelle Danner blew me away with her exceptional directing that gives us a stark look at the dangers of remaining inactive at quelling violence within our schools and our households. Danner, a renowned Los Angeles acting coach, set out to make this film with endorsements from top Hollywood producers, like Steven Spielberg. From the very beginning it throws you right into the chaos of a town torn apart by the school shootings of a student embittered by perpetual abuse from bullies and personal trauma from home. The film really captures the pain and grief that effects everyone within a town that endures such tragedies. This film will most likely go down as one of the most important and relevant films of 2013