Hellen I like the storyline of this show,it attract me so much

Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.

Sienna-Rose Mclaughlin The movie really just wants to entertain people.

Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable

zetes Gentle marriage comedy from Kinoshita. Shuji Sano is a 34 year old man, a successful businessman but pretty unsophisticated. His friend introduces him to a potential bride in Setsuko Hara. At first she seems perfect, but as their courtship continues, Sano discovers there are some catches: her family is broke, so marrying a rich man might solve their problems. Hara's father is in prison. Also, Hara was engaged to a man who died a year and a half ago. In her own words, she used all her love and affection up on him. At first I was a little disappointed in how it ended. It seemed a little abrupt. But the more I thought about it, the more I liked it. Overall, a pretty good little film.

rowerivers The postwar democratization of Japan was supposed to make everyone equal. But the stigma of nobility and merchant class remained. So when car shop owner Keizo begins dating Yasuko, the daughter of former nobility, many complications ensue. Today this film comes across as just another match of opposites, and a not-particularly interesting one at that. But at that time it was major. This topic was dealt with more dramatically in Anjo-ke no Butokai (Ball at the Anjo's House) two years earlier. Here it becomes a comedy of manners. A very quiet comedy. As such, it may be hard to sit through for those expecting clever wit or humorous situations. Every gesture is very subtle: the touch of a glove in place of a hand, the foaming remains of a beer in a glass in the climactic scene. I liked the interaction between the two. Hara, as usual, is magnificent, playing shy and demure with traces of shock and amusement. Sano flicks between sullenness and earnestness, showing his charm and anger in equal measures. Kinoshita does a fine job directing this film, showing a postwar Tokyo where one could freely drive or ride a motorbike on the streets. But overall, it's hard to recommend this to anyone other than fans of the director or Setsuko Hara.