LastingAware
The greatest movie ever!
Boobirt
Stylish but barely mediocre overall
Nessieldwi
Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.
Kodie Bird
True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.
bob the moo
There is a great sense of style to this episode, and I particularly enjoyed the use of the nursery rhyme as incidental music (even if it is a bit heavy at times). Likewise the use of the mouse is quite good, although again it could have been used more sparingly for better effect (did he really need to be at the scene of every murder and in the 'reveal' sequence as well?). So these fun little add-ons I quite liked. One could extend that too, to include the throwaway comedy material about Japp being home alone and with rather simple tastes in food, décor and heating. All of these things I quite liked, but at the same time have to consider if they are not also part of the weakness with this episode too.The thing is, so far I have not really mentioned the actual story and that is probably because it is not particularly strong. It starts well, with the return of Miss Lemon and a link to a very odd series of minor thefts which is curious and had my interest from the start. Unfortunately the development of the mystery is not particularly well done; partly I think because the episode is so often the episode is more interested in the asides or the manner of delivery rather than the meat and potatoes business of delivering a good narrative in an effective manner (another irony since the joke is made of Japp's much, much simpler tastes – which include said foods). The mystery has enough force in the delivery to make it just about work in terms of the structure and style we are used to, but it didn't really hold me as it should have done, and I did think it rush to make up lost ground at the end, mainly so it could tie everything together in the usual final scene.The cast play with this the best they can, but again the best work seems to be reserved for Suchet and Jackson having comedic moments together. I liked this (despite the knock-on effects) although like the previous episode it did make me miss Hastings, where such interplay complimented the episode rather than distracting from it. Moran's return was nice and seemed more than just a plot device to link to the mystery, while the support cast are mostly interesting and well played (including a young Damien Lewis (although depressing to think of him looking almost as young 20 years later hanging around in Homeland).There are good aspects to this episode, but it must be said that they do tend to be on the sides and in the main body the narrative/mystery is not well delivered, with too much focus on the style and the supporting comedic material, rather than getting the mystery right and then building off and around this foundation. I enjoyed it for what I liked, but there was a lot here that really wasn't as well done as it needed to be.
TheLittleSongbird
Hickory Dickory Dock was a good Poirot mystery. I confess I have not read the book, despite being an avid Agatha Christie fan. The adaptation isn't without its problems, there were times when the humour, and there were valiant attempts to get it right, was a little overdone, and the events leading up to the final solution were rather rushed. I also thought there were some slow moments so some of the mystery felt padded. However, I loved how Hickory Dickory Dock was filmed, it had a very similar visual style to the brilliant ABC Murders, and it really set the atmosphere, what with the dark camera work and dark lighting. The darker moments were somewhat creepy, this was helped by one of the most haunting music scores in a Poirot adaptation, maybe not as disturbing as the one in One Two Buckle My Shoe, which gave me nightmares. The plot is complex, with all the essential ingredients, though not as convoluted as Buckle My Shoe,and in some way that is a good thing. The acting was very good, David Suchet is impeccable(I know I can't use this word forever but I can't think of a better word to describe his performance in the series) as Poirot, and Phillip Jackson and Pauline Moran do justice to their integral characters brilliantly. And the students had great personalities and well developed on the whole, particularly Damian Lewis as Leonard. All in all, solid mystery but doesn't rank along the best. 7.5/10 Bethany Cox
Iain-215
This story was never among my favourites in Christie's works so I was pleasantly surprised to quite enjoy this adaptation. The mouse motif was effective if a little overdone, the bones of the story are there although more emphasis is placed on the 'crime in the past' subplot. The students were all pretty much as I imagined them although its a pity they weren't a more cosmopolitan bunch - perhaps the revised thirties setting didn't allow for that! I thought some very daring risks were taken with the filming; perhaps its because I've not long re-read the book but it seemed pretty obvious to me who the murderer was from their appearance in some reveal shots quite early on.Humour was much more prevalent in these early Poirots. Sometimes it works but I found a lot of it rather heavy handed in this episode (though I did smile at the 'Lemon sole' throwaway line). Altogether though, a solid entry in the series though not one of the best.
sivertemilellingsen
I have never seen a Poirot - film with David Suchet which can be decribed as bad in my lifetime (diagree with me if you want, but i think that "Death in The Clouds" wasn't very good - Suchet was on his normal heights and all the actors were OK, but the story and revelation of the killer just didn't catch my eye - i have actually forgot it already). This one is not the best of them all, but i still like it. Yep. I guessed WHO the killer was, but the background and motive was just that so-obvious-when-you-hear-it-but-you-still-never-guesses-it style of Agatha Christie i have learnt to love. If you for example must choose between this and some other Poirot (if it's not "Death in The Clouds") you should, in my opinion, choose the other. I still like it