Konterr Brilliant and touching

HeadlinesExotic Boring

Ella-May O'Brien Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Raymond Sierra The film may be flawed, but its message is not.

adamshl The main thing I couldn't understand is how our heroine Antonia could spend so much time with her late husband's lover and groupie. Where were Antonia's friends, or didn't she have any? How could she almost abandon everything of her former life and take up with this new crowd, dubious as she obviously felt about them? Then what is Michele doing, devoting so much time and attention on her? In fact, the most of what we see of his circle is one gathering after the next. Just a succession of group meals and socials.What does the title, "The Ignorant Faries," refer to? I'm not at all sure this was demonstrated. Or, is the subtitle,"His Secret Life" fully apropos to the actual story being told? With a title like this, I expected a film more about a living than dead person.Finally what was the erotic scene between Antonia and Michele? It seemed the writers dropped this moment as fast as it occurred. And in the end Antonia is seen traveling off, yet not to the destination she announced. Where to then, or doesn't it matter? The production was fortunate to have such a talented cast. They brought life and nuance to their roles, lifting this varied script to a higher level than it otherwise would have achieved.

yduric 'Le Fate Ignoranti' was released 5 years after Ferzan Ozpetec's first (wongly acclaimed) feature film called 'Il bagno turco'. In this first film, a married man coming to Turkey to take over a Hamam ended up having an affair with a young Turkish boy, but was stabbed at the end: of course, he was 'officially' killed following orders from his rival ruthless Turkish businesswoman, but I highly suspect that he killed his bisexual character at the end to render the film more 'virtuous'. In 'Le Fate Ignoranti', which was highly prized as a sensitive drama giving voice to marginal members of society, I cannot help but notice that he maintains, once again, the same kind of schizophrenic attitude: despite describing, sometimes in an explicit way, the gay behaviour of some of his characters, the film is at the end completely ruined by an incoherent and superfluous emerging romance between the wife and the gay lover of the deceased husband:so my question is: what is the point of explicitly describing the gay behaviour and at the same time turning one of his major characters straight at the end of the film? I definitely think that this director has a problem with this issue, and that he tries every time to transmit some guilt about it to the viewer. So I am definitely convinced that he has no balls, that he is unable to clearly take a stand once for all. And I therefore have to conclude that 'Le fate Ignoranti', due to its falsely 'virtuous ending', is ultimately a huge imposture.

eVissa I didn't know what to expect about this movie but it made for a very enjoyable evening. A lovely story, wonderful characters and superb acting. Forget all that cliche'd Will and Grace stuff, or Queer as Folk... these guys seemed like real human beings, 3-dimensional with feelings and humanity.I hadn't seen any of the actors before which also made it seem very real somehow, and some of the scenes were so tender that my eyes filled with tears. The people seemed to really care for each other, they felt able to show their feelings. No violence, no explicit sex - just guys being affectionate to each other. A really lovely movie!

wonderfulfable Antonia was living the life of most women would dream of. A good medical career, a loving husband, and a wonderful marriage. All that came to a crumble one day when he died in an accident leaving Antonia is grief and mourning.But an accidental discovery of a painting hinted that Antonia's husband Massimo has another lover. Burning with anger, Antonia sought to find out more about this lover. But there is a catch; Massimo's lover is a man, Michele. Which shocked Antonia more to realising that her husband had lead a double life; one a straight married man, the other a gay lover. Through Michele, she learnt more of her husbands secrets. A circle of friends Massimo has known through Michele, drag queens, immigrants, gay men, quirky apartment neighbours, and also AIDS patients. This circle of friends shared a warmness that all frienships has. Her open minded curiosity led her to befriend Massimo's circle of friends. Indirectly, she has replaced the vaccuum left by Massimo's death. At the same time, there is a growing attraction between her and Michele, as both are brought closer together. She then contrasts her life with Massimo and then with this 'new life' she has found after his death. Furthermore, she has to address her growing affections for her departed husbands lover. Turkish director Ozpetek captures the warm bindings of this motley group of friends and in realistic detail in the confines of Michele's flat which serves as the groups meeting point for dinners and chats. The audience can feel the warmth emmitted from the togetherness of these people. A beautiful scene is where we see the dance party which is played to the tune of a slow song number overshadowing the dance beat in the background. We see all the circle of friends, Antonia and Michele included having a good time, bonding (yes even literal bonding!). Longing glances were exchanged between Antonia and Michele. This serves as a powerful scene and many assumptions or predictions can be made from this tease.There are many side stories to Antonia and Michele's friendship as well such as dealing with rejection, pain suffered by an AIDS patient. Some of these issues are delicately dealt and while some humorous. There is plenty of humour in this film. Never has it made me laugh out loud. We see quirky characters like Louiselle the quirky supermarket cashier, Serra the 'apartment secretary', Mara the drag queen turned transvetite, Ricky, Sandora and Emir, all of them add together the humouros elements and warmth. A special mention would be Antonia's mother whose opened and profound views on life and adultery really had my sides splitting. The main leads by Margherita Buy and Stefano Accorsi depicts two people coming in terms of both of their loved one's death are very well potrayed. The emotion and the passion is felt from these two actor's performances.Cheers to Ozpetek for creating such a warm and sentimental film! Almost made me shed tears when the ending loomed.