Solidrariol Am I Missing Something?

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

Cassandra Story: It's very simple but honestly that is fine.

Isbel A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Dr Jacques COULARDEAU A small film about love but though it is interesting, there are many shortcomings.The first one is that there are a great number of scenes in very dark atmosphere, I mean lacking lighting and that creates a sombre atmosphere that is not in touch with the subject.The second is that Trevor's psychology is not very constructive. He seems to be going through a rejection phase. He has made a choice and that choice turns sour. So he rejects everything and everyone when he is most needed and as if he had no responsibility in what is happening around him. In other words he is an escapist.One of his friend and, ex-boyfriend, is on drugs and Trevor is satisfied with knowing that he is on methadone and he does not want to have anything to do with him any more, and he is brutal about it. His brutality ruins the party of his female room mate and he does not seem to give a damn and he even insults this room mate when she protests.Another shortcoming is the fact that the gay scene, and more widely the young people's sex scene is seen as being intertwined with binge drinking and drug addiction, with irresponsibility in such states that makes you take risks and play it bareback instead of safe. It is the female room mate who falls in that trap and she gets HIV positive of course. Slightly superficial and easy and hardly pedagogical about the problem.Trevor insists, even too much, on his father as a negative castrater and depriver and frustrater, etc, that forced him all the time to leave what he liked behind and yet this father is magically regenerated when it is needed with a sentence that is more than surprising: when you go away you don't have to leave things behind, or something like that. And he feels justified to go away from Los Angeles to New York with his lover who might be a life affair and leave behind without one thought about it all those who were his friends, shared his life and helped him in many ways to be what he is and even to meet his new and maybe lasting love of his, the doctor taking care of his drug addicted ex-boyfriend.It is in a way an interesting romance, but it is less shiny and beautiful than it should be. It is based too much on cutting off branches, pruning off limbs. One cannot live with no recollections of and no connections with one's past. That's either purely egotistic, and then love is a sham, or it is in many ways leading to schizophrenia and that is a shame.Dr Jacques COULARDEAU

Armand feelings, fears, expectations, decisions, faces of new beginning. and a character who can be every of us. because it is not exactly a gay story. it is only search of best option in a desert of reality. a pledge for friendship virtues and need of the other. an exercise to define reality as drawing of intentions. and demonstration of human relationships. central virtue - the music as morning cigar smoke. and the courage of script to build nuances of a small universe as steps of new level. not a remarkable film. but a good occasion to discover the roots of common life. and to understand it more than part of accident. or part of generally lust.

robert-connor A young man struggles to find purpose and meaning as he pulled in different directions by best friends, ex-partner and new man in his life.Rule number one: in order to take the audience on an 'in simpatico' journey with the troubled young protagonist, a film/script/level of character development must allow the audience to care. Trevor's problems are well telegraphed - dead-end job, ambivalent support from his friends, cyclical torments caused by junkie ex-lover, estrangement from family etc., but as Trevor is so unappealing, we find it hard to care. All the primary characters are so self-serving - Trevor's life is all about the aforementioned miseries, Jake is sour and one-note sarcastic, Andi is utterly self-absorbed (I want a man/I don't want a man), Daryl's addiction behaviour patterns and Ephraim's need for commitment and reassurance. Everyone looks at their lives and events with such a total lack of empathy that when Andi finally explodes and delivers her drunken tirade at Trevor for being so self-obsessed I actually had to laugh. Holding Trevor isn't about relationships with others, it's about relationships with 'self', and the eventual choice made by Trevor (start afresh or replace one needy and suffering friend with another) seems to reinforce this - Jake, Andi and Ephraim all put themselves first ('you can't go/stay; we need you') and for all the suggestion of positive change (Trevor's quitting from his job), the reality is just more of the same for poor, poor Trevor... his choice.

Janko007 Trying to plumb beneath the usual emotional shallows of twentysomething L.A. gay life, Holding Trevor sometimes succeeds, but mostly comes off as a vanity project for writer-star Brent Gorski. A lad with limited screen presence, he plays a protagonist caught between a longtime boyfriend-turned-junkie, an improbably perfect Mr. Right and two high-maintenance, brattily annoying best friends. Holding Trevor comes off as Joan Crawford-esquire, star-flattering melodrama on an Amerindie scale. There are several quite well-written, well-observed scenes; director Rosser Goodman delivers a polished product with solid tech values. But a vanity-project air still pervades Holding Trevor, from the scrawny stars frequent shirtlessness to his incessant fawning-over by Kranskis character.Melissa Searing and Eli Kranski (who is also that hoty that every movie must have or so it seems) gave good roles, Gorski is better as writer, Brannan as musician... Best scenes are sex scenes, that's indeed tastefully simulated sex. Music is grate, especially Brennan's singing (and song writing). Not so bad, G&G will do it better next time!