Platicsco Good story, Not enough for a whole film

Reptileenbu Did you people see the same film I saw?

Intcatinfo A Masterpiece!

CrawlerChunky In truth, there is barely enough story here to make a film.

pc95 (spoilers) I thoroughly enjoyed "Miele" (aka Honey), an Italian gem of a movie on an important subject matter, assisted Suicide. Handled improperly or without touch a filmmaker could botch a movie about such a divisive matter, but the talented actress Valeria Golino in her directorial debut creates an excellent, introspective piece. Central to making this work is her lead actress Jasmine Trinca turning in a complex, soft, but a bit dark character of Irene. Irene is mesmerizing, not so much due to beauty, but more so due to her questioning. This is one of the better movies I've seen this year; Golino wisely decides not to pull some punches. It is beautifully directed and acted. 8/10 and recommended.

film_ophile I agree completely with the 3 other reviews. I mostly wanted to rave about this actress, Jasmine Trinca. She is really SOMEthing! She is unusually beautiful and elfin, w/ her Audrey Hepburn haircut, but that attribute is never mentioned in the film, and all the attention is on her laser sharp focus on her mission: traveling, procuring,returning and overseeing her Mexican contraband used by terminally ill people in Italy who wish to end their lives. She takes everything VERY seriously, and it is quite something when she finally smiles, near the film's end. I know using 'girl' instead of woman is not PC, but in this case, she looks soooo young (like 17,even though she was actually twice that old !) That, and maybe her naiveté, made me think of her as a girl.The very unusual, complex and never explained relationship that develops w/ the 'grumpy old man' is the crux of the story, and the catalyst for change. For me, the film's ending depicted an act that was a true affirmation of Love, and I felt very satisfied by that.Film endings are rarely this successful. But you do have to figure it all out for yourself, because all the visual clues are there for you, but the dialogue never reveals most of what I picked up from watching it. Honey makes for a great conversation piece, about matters that really mean something in how we live our lives. A completely compelling and engrossing experience.

Orlando Somera Jasmine Trinca is Honey, a beautiful young woman enjoying the life of a free spirit, living alone in a beach front apartment in Italy. She seems to be without means but she is in contact with a hospital worker, a friend of hers, who pays her to assist dying patients in their death. She feels she's giving people relief but what she does is illegal.She's handled all the emotional issues until one of her rules is broken and she's suddenly at risk of losing her moral compass. The movie then chronicles her struggle to maintain through her unexpected friendship with one of her older clients, Carlo Cecchi in a wonderful supporting role.The movie is affecting and beautifully shot. The acting is mostly Trinca's responsibility and she carries it off so impressively that I couldn't help thinking how she's somewhat reminiscent of a cross between Keira Knightley and Winona Ryder but better than either. Ultimately what I liked best about this film is that it so convincingly matches or exceeds all other attempts to cover this sensitive topic I'm aware of.

euroGary 'Honey' is an Italian/French co-production about euthanasia. A young woman (Jasmine Trinca, who has absolutely gorgeous eyes) helps those seriously ill people who wish to end their suffering to do so. She does this work because she believes it is the right thing to do, although she's no campaigner. But her self-confidence is challenged by Grimaldi (Carlo Cecchi), a middle-aged man who requests her help to die not because he is suffering, but simply because he is tired of life. A relationship of - perhaps - mutual fascination forms between the pair as Honey tries to understand Grimaldi's choice and to convince him to change his mind, while Grimaldi stubbornly insists the whys and wherefores are none of her business - he simply wants to employ her to help him die.Trinca does well in her leading role, convincing in a detachment that gradually turns into greater emotional involvement in what she's doing. In his role as 'grouchy old man', Cecchi is offered less scope. The film does not seem to judge whether euthanasia is right or wrong, but allows the viewer to make up his/her own mind. The ending is perhaps needlessly soppy, but done in a thankfully low-key way. All-in-all, well worth seeing.