2hotFeature one of my absolute favorites!

ReaderKenka Let's be realistic.

Libramedi Intense, gripping, stylish and poignant

Paynbob It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

rene-petersen64 This trilogy is just beautiful. You have to look between the lines though. There a so many unspoken Things in these three movies about "Englegård" (Farm for angles), that it makes you love it, because it is done in a perfect realistic way.The first and the third film are the best. The way the actors, act without saying anything is perfect. We see ordinary persons in more or less ordinary situations. Strangers arriving to a small community where everybody is hiding the truth from each other. Hidden stuff that the stranger's some how reveals. Or do they ??I just Wonder, could there be one more movie in this story ? There are more unspoken Things about Englegård that has not been told...I love them....Best regards Rene Petersen

jotix100 We watched this Swedish comedy on cable recently, and while it is not exactly a film that breaks new ground, it is enjoyable as it takes the audience into parts of the country where not too many movies are set. The basic premise is prejudice against intruders that dare to come to a small conservative community acting in a manner the locals are not accustomed to see.The film is directed by an Englishman, Colin Nutley, who also wrote the screenplay in which it is based. Sometimes outsiders can discover things that most citizens of the land, in which the action is set, would never imagine, and therefore, he can be more objective in his approach to tell a story that is fresh and make it fun to watch.The vivacious Helena Bergstrom is Fanny Zander, the granddaughter of an old man who did not get to know her at all. Having lived in Berlin and toured with her act all over Europe, she represents an intrusion no one likes. To make things worse, she is now a landowner whose land is coveted by the greedy Axel Flogfalt, whose ambition is to exploit it for his benefit. Along the way, Axel discovers a dark secret he was not ready to face.Colin Nutley's comedy that will get laughs from the viewer; a welcome change of pace from more serious fare from Sweden.

Erik Why this film hasn't been made into a kind of "Ambassador movie" for Sweden, incorporated into any of the pro-Sweden sites on the web is a mystery. And the irony of it all is that it's made by an Englishman, not a Swede. But, an outside eye sees so much more than that of a native one.First of all, I want to emphasize the quality of the music score in this movie, as it's the true highlight of the production in good company of a well written story and very nice acting by all participants. One can easily go buy the music (prod. by Björn Isfält) without even seeing this movie, and it'll still mesmerize you in the same way the film does. I've also heard that the actors played without much of a script, instead improvising on a bare-bone story explained by the wonderful director Colin Nutley.Helena Bergströms character Fanny has that natural bubbling laugh and 24-carat happiness that comes thru so well in this film, nicely contrasted by the calmer, darker side of Zac (Rickard Wolff). They are the eye of the storm of which the revolving happenings spin. The spinning isn't that of a big-budget action movie, but what a relief when you start to know the characters, as they are immensely more interesting than any gunslinging desperado. The music, the Swedish summertime and small-time dealings in a village on the countryside is what you need to have a great time. Nothing more, nothing less. I will not give any spoilers as that would ruin the whole setup. See it and maybe you want to come experience the Swedish summer, one of the most enjoyable things in the world. 8 out of 10.

jen_woodside Colin Nutley's Swedish sleeper, "House of Angels", is a real gem. Set in small town Sweden, it's about a woman who comes from the big city to claim her ancestral home, after the death of her grandfather whom she never met. The townspeople are not welcoming to this city girl. As she pieces together information about her dead mother and grandfather provided by the townspeople, she learns more about herself. The themes of forgiveness and self-knowledge are evident, but not over sentimentalized. The small-mindedness of the Swedish townspeople is captured well by Nutley; anyone who has lived in a small community will recognize some of the characters.This is a quirky, funny and at times poignant film, crafted by an excellent director and even better actors.