House of Secrets

1956
6.1| 1h37m| en
Details

Police in Paris recruit an English ship's officer (Michael Craig) to help trap counterfeiters by joining them.

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Reviews

Incannerax What a waste of my time!!!
Lancoor A very feeble attempt at affirmatie action
mraculeated The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
Justin Easton There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
malcolmgsw First to clear up any misunderstandings this was Ranks attempt at an A feature.As usual it lacks originality.The substituted agent must have been used many times prior to this.Michael Craig gives a lacklustre performance with a truly awful mid Atlantic accent.The colour photogrAphy and the views of Paris are the best features of a truly forgettable film
happytrigger-64-390517 For a french reviewer like me who love film noir, House Of Secrets is an absolute entertaining movie. I first loved all the Parisian locations (around rue du Bac, l'île Saint-Louis, Eiffel tower, rue Lamarck, an unknown restaurant) and Marseille.The plot with impersonation is interesting with some fine twists. The fights are real fast paced, destroying the furniture more violently than in American serials. The cinematography by Harry Waxman is very colorful and shadowy. The editing by the brilliant Sidney Hayers (soon to direct Circus Of Horrors and Burn Witch Burn) is real fast and raw.The best surprise again for a french reviewer is the casting of Gérard Oury as a badman, very surprising when you see his future top box office movies with Bourvil and Louis de Funès as a director... Swell souvenir.
rogerjillings The film that made Michael Craig is a well paced colourful crime thriller shot in the location of Paris where Craig is mistakenly taken for a known smuggler who he resembles quite uncannily & is persuaded to go under-cover to infiltrate a counterfeiting organisation & also keep his cover with his smuggling colleagues.Apart from falling for the same local cabaret singer (Julia Arnall)who the real Steve Chancellor was enmeshed with, & the double crossing begins & along the way he struggle's to get to the truth until the climatic finale to unmask the ring leaders which include Brenda De Banzie & the ice cool menace of Anton Diffring.
Theo Robertson Larry Ellis bares a striking resemblance to a dead criminal whose smuggling gang's activities threaten the economy of the western world so the CIA recruit him to take on the dead man's identity to infiltrate the gang The above is the premise for HOUSE OF SECRETS . It's maybe not a groundbreaking idea but it's a solid one similar to WHITE HEAT which I had the pleasure of seeing again a few days previously . With both movies you know where the story is going and that it's only a matter of time before the undercover agent gets found out . But where as in WHITE HEAT the audience are kept on the edge of their seats by the intelligent script HOUSE OF SECRETS is rather uninvolving and seems somewhat underdeveloped , a case in point is when Larry is asked to meet " The girl " . He doesn't know which girl the gang are talking about , so instead of the gang members physically taking him to meet the girl thereby blowing his cover due to his ignorance Larry goes to meet his CIA contact to ask what girl the gang are referring to . Things like this means the script misses the opportunity to create nail biting tension and makes the movie rather uninvolving