Acensbart
Excellent but underrated film
CrawlerChunky
In truth, there is barely enough story here to make a film.
Lucia Ayala
It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.
Josephina
Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.
hurtstotalktoyou
After having been very surprised and impressed with the AIDS documentary We Were Here, I thought I'd check out this one too. Unfortunately I found myself very disappointed.The documentary follows the political activism of ACT UP and TAG, and doesn't stray very far from that main track. The filmmakers took a clear political stance on the side of the activists, and much of the documentary smacks of "preaching to the choir." Serious issues are not always taken seriously, and public figures such as George Bush Sr. and Jesse Helms are openly mocked by both the people in the documentary and also the filmmakers themselves.My main disappointment involved the documentary's focus, which fixed unwaveringly upon the activists. To be fair, this might be a good thing if you happen to be interested in ACT UP and TAG. But some websites (e.g. wikipedia) misleadingly suggest that the documentary also discusses more generally the early period of the AIDS epidemic in the United States. In fact, rarely do the filmmakers show us anything beyond the activism itself. It does not delve into any serious scientific issues, nor does it help us understand the early development of attitudes and expectations people had regarding HIV and AIDS. Also note that it only covers the years from 1987 onward. So we don't get to see anything at all about the beginning of the epidemic in 1981-1986.Maybe others would appreciate this film, but I did not enjoy it at all. Even for those who are interested in the subject matter, it's hard to imagine this being a compelling documentary. But for those of us who aren't already interested in this particular thread in the history of AIDS, it falls even flatter. It's not as bad as some documentaries, but I certainly don't recommend it either. Sorry to be so negative, but that's just how I see it.
Markus Emilio Robinson
By using (mostly) never before seen archival footage, David France's unflinching documentary "How to Survive a Plague" DOCUMENTS the early epidemic of the AIDS virus in the United States, during a time when it was seen as a death sentence.With a mixture of video from protests, support rallies and home movies, France portrays actual struggling AIDS victims/activists as their friends and family members begin to go blind and die around them, and the US government does little in way of assistance. France also does a great job of not only showcasing the overwhelming amount of discrimination during the 80's and 90's, which altogether ostracized anybody with AIDS or people that had any linkage to the gay communities, but succeeds in his attempts to dissect the human condition, by showing how far a determined group of people are willing to go for change.The rest of the footage, which shows government officials such as former Senator Jesse Helms, former President Ronald Regan and former President George Bush Sr. is maybe the most shocking aspect of this film; as they come off as negligent and at times so blatantly prejudiced, that it's disturbing to think how everything depicted here took place only between 20 and 30 years ago.Beginning in New York with the denial of the AIDS epidemic by former New York Mayor Ed Kotch, to the introduction of the highly toxic drug AZT (the most expensive drug on the market at the time, and the only one used to prolong the life of AIDS patients) to the Roman Catholic Church condemning the use of condoms, and ending with the evolution of ACT UP and TAG (Treatment Action Group) a group of activists (most of whom had the AIDS virus themselves) who revolutionized the way AIDS was treated, turning it into a manageable condition; the importance of this film lies in its documentation of a disenfranchised people during a time in American history that isn't broached in the classroom. But equally as interesting as the subject matter, is how creatively this documentary is put together. This archival footage format is truly an ingenious way to tell a narrative, really working on an almost purely visceral level to capture the times and atmosphere of a real life American revolution, in a way not many documentaries have the ability to do.Final Thought: "How to Survive A Plague" is not only an informative, fascinating, and sure to be award winning film, but also one of the most powerful documentaries of 2012. There's not much more I can say about this documentary, other than that actually sitting down and witnessing what this film has to say, for yourself will undoubtedly create a deeper impact and elicit more of an emotional response than any mere words can say.Written by Markus Robinson, Edited by Nicole I. Ashland Follow me on Twitter @moviesmarkus
Michael_Elliott
How to Survive a Plague (2012) **** (out of 4)David France's excellent documentary takes us back in time to see the fight AIDS activists had to go through in order to get where we are today. Through video clips, interviews and other forms of video footage we see how the times changed throughout the years while the main focus of the film is set during the late 80s and early 90s when political indifference and a lack of any plan caused millions of people to die while drugs that might have helped them weren't being given to them. What's so great about this movie is that it uses video footage from throughout the decades to tell its story. It could be media reports, underground videos, appearances by people on talk shows or various other forms of footage that really gives one a terrific idea of this uphill fight. Director France does a rather remarkable job editing the footage together to give the viewer a complete idea of what it was like during these times when it seems no one could agree on what to do next. The film covers the activists hopes for what would happen, the politicians refuses to step in for a variety of reasons and even the Catholic church's controversial statement that condoms were sinful. I thought the film really did do a great job at showing future generations the "war" that these people were pretty much going through in order to try and get something done. Some will argue, perhaps rightfully, that the film is too one-sided since it only gives off one side. I understand this argument and I would have liked to have heard from some of the medical departments on why more wasn't done. Still, HOW TO SURVIVE A PLAGUE is a pretty haunting and dramatic little picture that will certainly be a staple of its subject for years to come.
MisterWhiplash
That seeming rarity: an incisive, heartfelt documentary about people doing good that is important, even today as AIDS is not the 'plague' it once was. It shows what people will do when they are pushed to a limit - it's not even about gay rights but about human rights, for proper health-care for the deathly ill. It's filmmaking that doesn't shy away from the rougher areas - when there is infighting in ACT UP, the director (first timer David France) shows it warts and all. But it's the heroism by the likes of Peter Staley and Mark Harrington that shines through the most. As Roger Ebert said, it's most emotional for the audience with a drama when seeing good people suffer, as do the people in ACT UP and in the AIDS crisis, and in doing good, against all odds. We get the sense that they were not just fighting for themselves, though that was certainly a big component, but fighting for the millions that needed the medicine that could at least be attempted. The saddest part is seeing the trial and error over the years, where people who did take the early drugs like ATX just didn't get better like they should've. It's a bittersweet conclusion since by the time the medicine did get to the point where AIDS was at least something people could try and not, you know, kill them, so many had already passed (the ticker per-year that comes up becomes more and more shocking, albeit a lot of these numbers were from Africa). As a document of the AIDS/HIV crisis and as a pure protest movie and 'Fight the Powers That Be!' saga, it's moving, harsh, and keeps its story moving with compelling people who faced up to the fact that their fight had to be about science even before it being a social issue. Oh, and the sort of 'reveal' you don't even expect in the last ten or so minutes... it shoots this up to being essential viewing.