StunnaKrypto Self-important, over-dramatic, uninspired.

ChicRawIdol A brilliant film that helped define a genre

ChicDragon It's a mild crowd pleaser for people who are exhausted by blockbusters.

Staci Frederick Blistering performances.

Boba_Fett1138 This is an historically little classic from early movie-maker J. Stuart Blackton.It's always interesting to watch a movie that is over- or near 100 years old. Movie-making obviously was still a profession yet in development which let to some many experimental little productions. This movie is one of those early experimental movies, that for one of the first times ever shows us a couple of fully moving animated characters, that also interact with each other.Of course nothing really happens in this movie. It's just merely used as a medium to show off the skills- and possibilities of this new genre. The movie features a couple of animated persons that get drawn by J. Stuart Blackton himself. The characters interact simply to each other. It doesn't make this movie very entertaining to watch, although the bit with the dog and clown was pretty amusingly done.The animations themselves are good and the speed is more than great. All of the movements feel right and natural. A real big accomplishment.It's hard to rate a thing like this. It obviously is a little piece of early movie history and is simply a must-see because its widely regarded as the first ever animated movie. But the movie itself is hardly interesting or amusing enough to watch. Nothing really happens and thank goodness that the movie doesn't run over 3 minutes. I therefor go with a safe six out of ten.6/10http://bobafett1138.blogspot.com/

rbverhoef I was amazed by 'Humorous Phases of Funny Faces', a short film that combines animation with live-action, although the live action part is only a visible hand drawing the animations. The hand belongs to J. Stuart Blackton, both animator and director of this little film.On screen we see a chalkboard where a hand draws a man. Next to him a woman appears in the same style, but now the hand is not drawing it. Then the man changes his face numerous time, or actually I should say, the animator does. This part ends with the man smoking his pipe, covering the woman in a lot of smoke (or chalk). After this Blackton throws in some experimental little things: figures slowly erased from the chalk board, a moving clown and his dog, the live-action hand who wipes out the clown, but not before he has put his hat back on his head.Highly enjoyable and an important film in the process of animation, this one should not be missed!

booyah-1991 I, of course, like this animated short that J. Stuart Blackton created and it is spectacular, but I have one question about this short. The one question is when J. Stuart Blackton, the artist in the film, is drawing the characters' sequences with a chalk bit-by-bit, I do not know how the drawings move, like when the guy with a mustache is drawn beside a woman, he smokes. Now, I do not get that particular part of the animated short.Of course, I love this film because there were silly cartoon drawings and it was one of the early special effects in film history, but The Enchanted Drawing, made in November 1900, was, I believe, the first animated film with special effects.8/10

Lirazel The artist's hand and a blackboard..a quick sketch of a face..another face, a cigar, a cloud of smoke, and suddenly, a whole new art form is born. No genius here, absolutely terrible drawing, but it's the first one as far as we know, and deserves a bit of credit just for that..Melies did stop motion first, and there were hundreds of flip books using the persistence of vision to animate line drawings before this silly little strip of celluloid came along. Nonetheless, everyone who has ever enjoyed a Tex Avery or Disney cartoon should know the humble origins of the form, and this is one example.