KnotMissPriceless
Why so much hype?
WasAnnon
Slow pace in the most part of the movie.
Zlatica
One of the worst ways to make a cult movie is to set out to make a cult movie.
Jakoba
True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.
blanche-2
Robert Webber is "Christopher Smith," an amnesiac accused of "Hysteria" in this 1965 low budget film directed by Freddie Francis, known mostly for his fine cinematography work. An American wakes up with amnesia in a British hospital after a car accident in which the driver was killed. After working with a psychiatrist (Anthony Newlands) on staff at the hospital, he's released, the doctor unable to do any more for him to regain his memory. His hospital bills have been paid by an unknown benefactor who pays in postal drafts, and this same benefactor has provided him with a place to live. It turns out to be the penthouse of a high-rise. As he tries to sleep, he hears the people next door having terrible fights... except there isn't anyone next door. He also finds a bloody knife in his apartment.The only clue Chris has to his identity is a magazine photo of a model that was found in the car. He hires a detective (Maurice Denham) to find out who paid his hospital bills and who the woman is but also embarks on his own investigation. He tracks down the photographer of the photo, who tells him the woman is dead from multiple stab wounds. Then he sees the woman drive by him in a car, and she finally shows up at his apartment. She's the wife of the driver and Chris' benefactor. She sets out to help him find out what happened and who he is.Though this is a low-budget film with very little in the way of production values, it is a completely absorbing film with some fascinating twists and turns. The actors are all good. Robert Webber was a good-looking character actor who died of Lou Gehrig's disease in 1989 and is probably best-remembered now for playing Cybill Shepherd's father on Moonlighting, though he had a very prolific career. He's very effective in the lead. Maurice Denham is appropriately down and out looking as the detective, and Leila Goldoni is quite beautiful as the model.Highly recommended for a great story.
Boba_Fett1138
This is an unusual little surprise from the Hammer Studio's and horror director Freddie Francis. It's a thriller in the style of Hitchcock.The movie and story are well constructed and there are quite some plot twists and mysterious elements in the movie. It truly leaves you guessing till the end so fans of the genre will be absolutely delighted.However the movie notably tries to create a film-noir kind of atmosphere and story and characters. It fails in it mainly because the backdrop of this movie, London, simply is no New York, Chicago or San Fransisco. Also director's Freddie Francis inexperience with this genre doesn't help much. It's too bad because the movie and certainly story were already good enough on it's own, it didn't needed extra style and atmosphere.The actors do their jobs well and they are believable enough in their roles. The cinematography by John Wilcox is also truly great at times. Director Freddie Francis himself of course also was a much famed director of photography and later did some well known movies such as; "The Elephant Man", "Glory" and "Cape Fear (1991)". So his skill almost certainly had something to do with the at times great cinematography in this movie.The Jazzy musical score of the movie however was awful. There are only two things I hate in this world; hospital clowns and Jazz. So, yes obviously I'm biased of course.A very surprising, watchable thriller.7/10http://bobafett1138.blogspot.com/
carlin4737
I really liked this film, lots of suspense with an interesting story line full of twists and turns as the plot unfolds.I quickly recorded this on late night TV in the UK without knowing anything about it just because i seen it listed as a hammer film and seen it stared Robert Webber who i knew from "12 Angry Men". I thought that would make a interesting combination but when you think of the kind of films that Hammer are more well known for this dose`nt quite fit in now that i`ve seen it. But i`m glad i did record it.What i like about it is Robert Webber seems to be going mad but is he? is he going mad or are we being made to think he is going mad? more to the point is someone trying to make him think he is mad ..... try and find a copy and find out, fans of psychological mysteries will love this one.
Eva Ionesco
Those who love the psychological twisters of the sixties will find this one of the best, with its masterful twists and turns of the plot. The question in this film is: Is our hero (played with aplomb by Robert Webber) really going mad, or is someone trying to convince him he's mad? Is he seeing things and hearing voices or is someone playing ghastly tricks on him? If so, for what purpose?The ending leaves no strings untied, which in this case is a feat Hitchcock would be proud of, and in fact, you can see the influence of the Hitchcock films throughout this one. It especially reminds me of "Dial M for Murder". The film does seem very dated by today's standards, but is well worth a screening.