Kattiera Nana
I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Titreenp
SERIOUSLY. This is what the crap Hollywood still puts out?
Guillelmina
The film's masterful storytelling did its job. The message was clear. No need to overdo.
Sarita Rafferty
There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
SnoopyStyle
In Mexico, two American dirtbikers are killed. In Tijuana, the police discovers a tunnel collapse with many bodies. This attracts the attention of human rights reporter Jim Rhodes (Jeff Daniels) and American representative Douglas Draper (James Spader). The police puts it as a simple drug tunnel collapse but Rhodes disagrees. Rhodes is also monitoring an union vote in an American company operating locally. Emily Thompson (Portia de Rossi) is an American trade representative. Roy Logan (Wade Williams) is the plant manager. Claudio Castillo (Clifton Collins Jr.) is a honest local cop. As the government lays everything on the drug lord, a deeper conspiracy is uncovered.The production value is limited. The movie wants to be big. There are so many plot lines and characters going all over the place. Its ambition is bigger than the movie. Luckily for the movie, it has great actors at work. Jeff Daniels is great and all the actors down the line are top notch. The story needs a bit of simplification. It could slim the main cast down by one or two. The directions aren't good enough whether it's the action scenes or the crowds.
Paradox3way
I've read other comments here which say it's also like "Traffic." Ditto that for me as well. Don't know who these writers are (Colin Greene and Robert Ozn) but they are truly awesome. Tight plotting, terse cop-talk tied to characterization and impassioned issue oriented story-line without preaching. Love the way the writers tie the diverse story lines together at the very end. I never guessed how it was all related and they really knew how to keep me hooked. Jeff Daniels gives a very cool,understated performance. Love Portia DeRossi, very sexy without trying. And of course James Spader is always fascinating to watch - wish he had more to do in this flick. I saw this in Europe on a DVD. How come this thing is not out in the USA?!
David Topping
I've just watched this as the late night film on the BBC and have to say I was really impressed. I soldiered through the first 10 minutes or so which don't give a good impression of the film. After that however the characters grow or seem to be more comfortable, having moved away from a slightly stereotypical "do-gooder" (Daniels), "cute American" (de Rossi), "resentful cop" (Collins) and "enigmatic government agent" (Spader). When the characters are established they really seem to have a very natural relationship and the film stays away from any hint of being a "buddy movie", which given the seriousness of the topic, would have been a mistake. What you are left with are just well seen characterisations, the same is equally true for the supporting cast.I enjoyed the setting of Mexico and the urban scenes which the director used to make the film look very 'normal'; no glossy idealised Mexican villages but equally no attempt to make the backdrop look squalid unless it needed to be. I suppose this is no big deal but it did make me pay more attention to the plot and the actors.It is the plot and its unravelling which makes this worth watching. The viewer is lead through the story only knowing as much as the characters, and like them, is led down some blind alleys before the denouement, which in itself I found worthwhile.Like another reviewer I found the ending just slightly contrived, apart from that I couldn't see any faults and have to say I found this thoroughly enjoyable and considerably more captivating and enjoyable than many of the so called thrillers being released at the moment.If you get a chance to rent this or it's on TV then I'd say it's well worth watching.
MovieFreek2003
Finally - an action/thriller flick that rocked me with a bona fide mystery! I hate "spoiler" reviews so I can't get into too much story. Needless to say, it's a top notch thinking man's action film. Jeff Daniels plays a Human Rights Watch type whose been demoted and sent to Tijuana because he punched out a journalist. This ain't no Greenpeace bleeding heart. He is one p***ed off and tortured tough son of a bitch. But Daniels never swaggers. He plays it with such subtlety and finesse, you know you're witnessing the kind of performance only given by actors who have the trust and confidence in their skills borne of years of experience. Clifton Collins is a Mexican homicide detective afflicted with the job of aiding Daniels in his investigation of a peasant massacre on the US/Mexican border. Collins has the same temperature of Latin fire as Al Pacino. His characterization is so convincing, it didn't even dawn on me until I saw the credits that this is the same actor who played Frankie Flowers the gay, sadistic assassin in "Traffic." He is an entirely different being - a star to watch. Spader mesmerizes by virtue of his edgy intelligence. He can ask for a drink of water and you are compelled to wonder about what he really wants. Portia De Rossi gives a gutsy performance as Daniels US government adversary, though it took me a while to get used to her playing a true hard ass. No Ally McBeal here.The writing was first rate. Maybe the bottom line best thing about the movie. I don't know who the writing team is - Colin Green and Robert Ozn - they don't have any other credits - I looked them up on imdb. It's kind of the best of old-school, 70s writing meets 21st century dialogue and pacing. I could picture these guys writing "The French Connection" as well as "Desperado." I do wonder, though, if the Ozn part of the team is the same (or related?) Ozn from the band Ebn-Ozn.It's by far the best thing Rowdy Herrington's ever directed. Miles above his Bruce Willis action flick - can't remember the name off the top of my head. He's very good with street action, makes it ring true without any tricks, never amping you up with manipulations or pyrotechnics. There's a moment where a union activist gets knee-capped, and I could feel the hammer drop.
Cinematography and production values are filled with foreboding and dark secrets. At times, it's almost claustrophobic and creepy and then suddenly - there's sunlight.The only thing I'll give a 'fair' grade to was the music. It was sound design styled synth stuff, and for a film set in Tijuana, it didn't work for me. It wasn't bad, just the wrong color.