If These Walls Could Talk

1996 "Changing times, intimate decisions, and the four walls that hold their secrets."
6.9| 1h37m| R| en
Details

A powerful, intimate portrait of three women living in the same house during different eras who all face unplanned pregnancies. The vignettes follow a recently widowed nurse struggling to take control of her life in the early 50s, a mother of four balancing raising a family and maintaining a career in the 70s, and a student making a difficult decision with the help of one woman that will change the course of both their lives in the 90s.

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Reviews

TrueJoshNight Truly Dreadful Film
SpuffyWeb Sadly Over-hyped
GarnettTeenage The film was still a fun one that will make you laugh and have you leaving the theater feeling like you just stole something valuable and got away with it.
AutCuddly Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,
Irishchatter Honestly this movie was pretty crappy the way it's not in proper order as the second movie was!So in the first story, we see Demi Moore's character as a 1950's nurse and is wanting to terminate the baby because it seemed to be that she slept with her dead husbands brother. However I didn't realise that was the case at all as the storyline was going too quick for me. Then she gets a creepy sick doctor that didn't disinfect the equipment and just left her there losing a large amount of blood. The screen fades and raises like a million questions in your head. I was wondering the whole night did she die or did someone save her? This had given me a headache a and I felt really unsatisfied that it didn't show what happened.Anyways the second story wasn't as depressing but wasn't that great. The mother of 4 Barbara realises she's pregnant but doesn't want the baby since she has enough rascals in the house lol. I mean at the end when she decided to keep the baby, I thought to myself like shouldn't she talk more about this to her husband instead of arguing with him a lot. Like c'mon this story was meant to be set in the 70's not 50's so why was she hiding on wanting to get rid of the baby!To the third story, we see a young girl Christine finding out she's preggers by Craig T Nelsons sugar daddy character and disses him. Then she is arguing with Jada Pinketts character because she believes if Christine aborts the baby, she would go to hell. They go to the health clinic and are introduced by Cher's character who will be aborting Christines babies. Then this is where the storyline became stupid and awful. The young fella we had met earlier on became a psycho killing Cher's character, injuring another doctor and Christine. Then the scene fades, what kind of story was that??!! Why weren't even the police involved??The stories were rubbish, I don't know why this won 3 golden globes and the sequel only one?! This is one of the worst films I have ever seen in my life!
secondtake If These Walls Could Talk (1996)Three half hour movies with three distinct casts (each featuring a superstar) and each tied together by occurring in the same house, each twenty years apart. In each episode, a woman needs an abortion, and with great realism and sometimes great drama, they deal with the problem in terms of the era they were born into. The first is the best, and features Demi Moore as a woman in 1952, when abortion is not only illegal but utterly shameful to consider for most people. But Moore's character is a sympathetic one, and if you feel she should "just have the baby" as some in the movie do, she could only do so at great sacrifice (if losing your job, your friends, and your current life by having a baby and giving it away is a sacrifice). She eventually tries to get a fly-by-night provider.The second episode is also really strong, and has a vivid, realistic depiction of a 1974 household. This is when abortion has been made emphatically legal by Roe v. Wade, and so the mother of four played by Sissy Spacek finds herself pregnant. The issue then becomes whether or not have a legal abortion. Her husband and others (including a feminist teenage daughter) advise and pressure her. It's now become a legitimate "choice" in the true "pro choice" sense of the word.The third episode is a dud. That's not to say it's dull. But the first two segments were filled with internal, intimate dilemmas and decisions. They depict contemporary life and make real the problem women faced in those terms. Here the "family" is a pair of college-aged roommates, one of who can't act. The other is pregnant and goes to the local woman's clinic to check it out (and possibly have the procedure). Outside are some protesters. So far so good—this is the more recent 1996 reality, and it fills out the set. But the mood shifts to politics and social circumstance, and to sensation. Furthermore, the star actress is not the one who is pregnant, but the clinic doctor, played by Cher (who also co-directed this segment). It seems far too gratuitous, and since it comes at the end of the movie, it undermines the subtle power of the first two thirds.Still, overall, director/writer Nancy Savoca deserves a bow. She takes on a tough issue and more or less tells it like it is. Her stance is clear—she's for women's rights, and not sympathetic to the protesters and naysayers—but she deals with both sides fairly. (I'm sure an anti-choice viewer might disagree here.) And Demi Moore gets credit for pushing the whole idea for years beforehand. The usual studios wouldn't touch it with a ten foot pole, and it took a youthful HBO to give it a run.The movie taken whole is, in a way, pro life. That is, it's for what is "best" in the normal sense, the same sense that my mother was pro choice and chose to have me.
fayr I find it bizarre that the comments on this film seem to think that the movie is pro-choice. In the first part the protagonist (Demi Moore) dies of a botched abortion. In the second part, the protagonist (Sissy Spacek) decides not to have an abortion. And in the third part, the protagonist (Anne Heche) is in the middle of having an abortion when her doctor is shot. Slightly traumatic. In fact the impression I get from the movie is that the two protagonists that decide to have an abortion are punished.Still, I guess if others have got a pro-abortion message and I got an anti-abortion message (yes I use pro-abortion and anti-abortion deliberately... let's call a spade a spade), then I think it's a movie well made. To be able to illustrate the dichotomy and confusion of any woman attempting to make a decision about this, and for viewers to take home different messages from it, would indicate that it's a job well-done.The movie is confronting, and disturbing.
LittleMidg If you ever thought a woman's right to choose was an easy one, this will take care of that. Unexpected pregnancy can be from carelessness of course, but it can also be from fallible birth control, boyfriends who lie, and people you were with against your will. This is three distinct movies in one on the same topic of a woman trying to chose to have, or not have, an unexpected baby. Each one is set in a different decade. I had to turn the volume down and close my eyes at times. Not for gruesomeness but the way you close your eyes when someone is about to hit that awful note in the Star Spangled Banner. You feel the pain of their attempt at something difficult. You don't just watch this movie, you feel it.Men are not portrayed as multi-dimentional as the women are, but they are not the villian either. They are included yet they can never fully understand. You see the suffering the women go through in their own head, how difficult it is, the wavering in their decisions. They have equal fear of having an abortion, having a baby, and having the people around them know of their predicament.