Perry Kate Very very predictable, including the post credit scene !!!

Nonureva Really Surprised!

Tetrady not as good as all the hype

Aubrey Hackett While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

suspiria56 When Meir Zarchi made I Spit On Your Grave in 1978, he would never have comprehended the legacy that his film would eventually generate. Seen as one of the more controversial of the named video nasties, it and the genre it has recently been generating is making waves again.This Argentine roughie must rank as one of the more effective and respectful homages to Zarchi's film. Except that here, experienced micro-budget horror director, Bogliano, takes the genres usual conceits and batters the viewers conscious for the entire duration.Filmed in the stark sunshine of a remote part of Argentina, a group of four young girls drive past a battered and bloody body of another girl. After taking the body to the local police, upon leaving they are followed by a trio of hunters who show little mercy.Anyone who has seen I Spit On Your Grave or, indeed, last year's remake will know the direction the film will turn. The violence is very naturalistic which will repulse the unweary. Add to this a relentless, uneasy soundscape that permeates throughout (think Texas Chainsaw Massacre, 1974) which is both grating and disturbing in equal measure. A brilliant example of effective low budget film making, using subtle sound techniques to off put the viewer, making you forget any budget limitations (there are noticeably a few).The performances from the four leads are pitched perfectly. Bogliano not too indulgent with giving background detail, although a sense of compassion is forced upon us. This is especially true following the brutal ordeal that the group go through. Directly after the violent assault(s), there can be very few scenes as disturbing or powerful in recent memory as the reaction that the group's youngest member conveys, her character completely broken.Whether anybody would want to watch such fare is really an individual choice. But there is no doubt that this is the real deal - a modern grindhouse film without the retro trappings currently being thrown at us. Granted, there are references abound (see who the film acknowledges in its opening credits for further clues), particularly from the original grindhouse movement (Thriller: A Cruel Picture is covered on a number of occasions for instance), but No Morire Sola remains a horrific horror ordeal. A true video nasty.

Krajina24 Having seen this movie, come up as one mean nasty brutal shocker, I was very interested in giving it a chance. I read the positive and quite provoking reviews on IMDb, got my hands no this movie, and really gave it a chance. I really wanted to... What I got in return was the dullest, most outright senseless piece of garbage I cam across in quite a while. Never was one scene interesting or thought through enough to hold my attention longer than 10 sec. Never was one of these so called "characters" (because sincerely that had NOTHING to do with acting), likable enough, for me to care for them the least bit.The scenery, laughable, the screenplay, not to mention, character design, emotional depth of each of the figures, the plot, I will write it again the PLOT, was just not existent! Thankfully due to the state of modern technology we are able to enjoy, i fast forwarded the last 30mins or so, so not more of my life time would be stolen!For those who shall be interested in watching this nonsense, read the weather forecast for the next week, it will thrill you far more than this ever could!

ElijahCSkuggs Looking at the cover of I'll Never Die Alone it seems to come across as some wannabe exploit flick. Which I guess it is, as it doesn't really bring anything new to the sub-genre of rape/revenge exploitation. But what it does do, it does very well.The story is about a gaggle of four femininas going on a lil drive, and they happen to pass a dying girl on the road. The other comment said one of the girls witnessed it. I guess I totally missed that. Anyways, they go back and pick her up, and see the guys who were responsible for her injuries. The baddies eventually meet up with the girls not long after...and you know what kinda things go down next.When it comes down to it the rape/revenge flick is a pretty easy exploit flick to make. Grab some gung-ho actors and actresses, and a good make-up artist. Bingo. But at the same time it's not that easy to make an accomplished one. Which thankfully is what Adrián García Bogliano has done here. With a slow-burn style that tries to suck you into the Argentine wilderness, and long intimate shots of graphic sequences, he instead of making it an overly extreme flick, it ends up becoming more emotional.As I just mentioned, the director enjoys taking long shots of his actresses. And this tends not to work so well sometimes. There were a couple one-shot sequences that lasted for far too long. A shot that felt stylish, eventually started feeling artsy, and then like the director was trying too hard. But the thing is, I'd rather have a director try hard, than not try at all.Because of a cast of pretty good actors (besides the cute flabby girl), a few choice scenes of brutal violence, some sleazy rape, and the director's appealing style, No Morire Sola very easily becomes a recommendable modern exploitation flick that many should enjoy. And one I hope to enjoy more once I see it with subtitles.

Coventry All the puritan movie-critics that once labeled "I Spit on your Grave" as the worst, sickest and most gratuitously exploitative horror movie ever made (I'm looking at you, Mr. Roger Ebert) are warmly advised to stay a million miles away from this Spanish/Argentinean co-production called "I'll Never Die Alone" (lovely title, by the way). Every element that made the aforementioned Rape & Revenge milestone a "class-sick" are intensified several times here, making this one of the most unpleasant, repellent and disturbing cinematic experiences I ever witnessed. We're talking vastly extended and shockingly graphic rape sequences, uncomfortably long moments of silence, aggregating acts of retaliation, a pounding grunt soundtrack and an overall ambiance of nausea. Unless I overlooked a title, this is the first genuine throwback to the most infamous sub genre of horror of the 1970's. With the emphasis nowadays lying on torture-porn flicks and tributes to Grindhouse movies, the department of Rape & Revenge movies somewhat got pushed into oblivion lately. These new torture flicks are quite sick and mega-violent, yet none of them come even close to recreating the gritty atmosphere and level of intensity of such flicks as "House on the Edge of the Park", "Fight for your Life", the original "Last House on the Left" and of course "I spit on your Grave". With "I'll Never Die Alone"; director Adrian Garcia Bogliano impressively brings back the sickest type of 70's exploitation cinema and I'm convinced many fans of the era will welcome this film with wide-open arms. The plot is very basic and straightforward as it should be. Four young girls on a road-trip through the most rural countryside of Argentina witness the murder of another girl by a trio of poachers. As they stop by the nearest police station to get help, the trio's leader also turns out to be a higher ranked authority figure. Immediately after leaving the police station, the girls find themselves pursued by the poachers' jeep. They are barbarically raped and mutilated before the strongest once have a chance to fight back. The rape sequences are particularly excruciating because A) they are shot integrally and B) because the four lead girls appear to be incredibly young. They honestly don't look a day older as 18, which makes the shock-impact all the more intense. And either they are all four naturally gifted actresses or they were genuinely terrified during the shooting, as their facial expressions during the rapes and the rage in their eyes seem frighteningly legitimate. The bloody vengeance parts are reasonably grueling as well, including someone getting hammered to death and another bastard getting strangled by barbwire. The unsteady cinematography and raw editing may appear amateurish and low budget like, but it actually just epitomizes the raunchy tone of the film. If you are sick and tired of the nowadays exaggeratedly hyped torture flicks like "Hostel" and the numerous "Saw" sequels, try and get your dirty little hands on this authentic hardcore-to-the-bone exploitation effort.