AutCuddly Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

Helloturia I have absolutely never seen anything like this movie before. You have to see this movie.

filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Phillida Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

tynesider This picture begins with a group of Swedish characters embarking on a train journey to Berlin. We are soon introduced to the dark humour that is a main feature of the film, and then the simple plot is introduced, two lovers intending to murder the man's wife. Shades of Double Indemnity in that it's to be done on a train. A writer and critic who is also travelling, has encounters with his fellow passengers, especially a wounded soldier, whose injuries he gradually adds to in a series of accidental and increasingly bizarre mishaps. The other characters range from the fairly normal to the frankly weird, from the train conductor to the male couple and the two nuns, but the writer who blunders his way through the film causing mayhem is the central figure, and his encounters with the soldier will amuse or not depending on your taste in comedy and how seriously you take life.The murder plot is woven into the comedy nicely and the murderous couple become increasingly desperate as their plans seem to be failing. The B and W photography is crisp and as the train moves on the plot moves on with it at a nice pace. The postscript is quite clever too.Monsieur Hulot meets Hitchcock?

swedhawk Outside Sweden you are not expected have seen this movie. Happy you. The cast includes several actors that are important part of modern the Swedish movie history. And still.. Seems like Peter Dalle only had a an idea lasting for about 20 minutes. Robert Gustafson is totally misused in this movie, trying to copy a younger Gösta Ekman. Ekman, by the way, is the only actor fulfilling the expectations. Credit that can be given is for the photo, splendid idea using black and white. Music is OK.But over-all it's a waste of god actors and the time of the audience.

Mattias Petersson Audiences should be used by now to Peter Dalles special brand of film-making. One could easily say that he is a man with a rather cruel view of humanity, and this also shows. His sense of humor is not for the weak-hearted and dark as coal. This however is both more accessible and more elaborate than his previous works.Gunnar is a literary critic who wants to change his life. This is just after World War 2 and Gunnar decides to go to Germany where there is work rebuilding the country. He wants to make a difference. He gets on the train to Berlin along with a gallery of other personalities. Some of which have more sinister motives...Seldom have i seen a noir murder story mixed with slapstick-comedy. And i guess this is not for everyone, but in my opinion it works pretty well. Mostly due to solid acting from most of the cast. The murder story is quite interesting, but would perhaps have a had hard time standing by itself. But with the small side-tracks and the humor added the movie moves along quite nicely. Also i have to say that this is one of the nicest-looking Swedish movies i've seen. The technical quality is excellent in Swedish terms.So, no movie is perfect. What is lacking? Well some of the actors, especially Anna Björk and Kristina Törnqvist in the two largest female parts, are quite wooden and unnatural. They could just as well be reading their lines from a piece of paper. Also the slapstick has a rather brutal touch to it sometimes that becomes almost too much. But of course this is a matter of taste and humor.All in all i felt this was a well-made and enjoyable movie from director Peter Dalle. I rate it 6/10 and recommend it.

stensson In December 1945 a train leaves the central station of Stockholm for Berlin. There aren't much left when it arrives. Not of the train and not of some passengers.This is a black comedy directed by Peter Dalle and acted like they used to act in the 40s and also photographed (in b/w) like they used to during that period. The actors must have had lots of fun making it. They aren't much of characters, like they weren't in the 40s, but the story is well narrated and everybody has timing.A deadly black and deadly funny film. See it, if you didn't think the Swedes were capable of humour.