BootDigest Such a frustrating disappointment

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

DipitySkillful an ambitious but ultimately ineffective debut endeavor.

filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

drjgardner This is the first American film about the North Africa campaign and the last film Henry Fonda made before reporting for the war. In fact he had tried to report earlier but studio head Zanuck had him deferred until this film was made."The Immortal Sergeant" tells the oft-told tale of a group of soldiers at risk trying to survive. The first version I can recall was "the Lost Patrol" a 1929 British silent film remade in 1934 by John Ford. Those films were based on the 1927 novel "Patrol" and the basic theme has been repeated since (e.g., 'The Thirteen", "Sahara", "Last of the Comanches", "Kokoda").This 1943 film is an American propaganda film using the British fighting in Africa for the setting. Though this is obviously a studio film, the camera work is pretty good and some of the action sequences look good.The cast is rich with 40s stars like Henry Fonda, Thomas Mitchell, Maureen O'Hara, and Reginald Gardiner. But they are merely going through the motions and there is nothing here you haven't seen before.My favorite WW 2 fighting films made between 1942 and 1944 include "Wake Island" (1942), "Bataan" (1943) which also had Mitchell, "The Fighting Sullivans" (1944), "Flying Tigers" (1942), "Guadalcanal Diary" (1943), "The North Star" (1943), "The Rats of Tobruk" (1944), and "Thirty Seconds Over Tokyo" (1944).There are a plethora of non-fighting WW 2 films that are worthy of mention – "Casablanca" (1942), "Lifeboat" (1944), "Hangmen Also Die" (1943), and "Five Graves to Cairo" (1943).

DrPhilmreview Henry Fonda walks through this disappointing film about a corporal who learns to be a man and "fight for what he wants" after his squad's sergeant (Thomas Mitchell) is killed and he has to take over the squad in the Libyan desert. The tensionless war scenes are broken up by dull flashbacks of Fonda's relationship with Maureen O'Hara, who he treats as kind of a gal pal because he's just too shy or unsure of himself to go for despite the fact she is obviously hungering for him (only because there's a British fop also after her. Maureen had to be hungering for John Wayne to show up as a Yank so she could blow off both of these losers).The direction is pedestrian and the script would have been thrown away by Wayne or Stewart. I particularly enjoyed seeing the soldiers walk through the desert in the daytime in foul weather gear while its hot and they're dying of thirst. Yes, it gets cold in the desert at night. But this wasn't at night!

Michael O'Keefe Average war drama based on a John Brophy novel. The immortal sergeant is British Sgt. Kelly(Thomas Mitchell)in charge of a 14-man patrol in the desert of WWII Libya. Kelly is tough, but compassionate and held in high regard by the men in his unit. The group becomes smaller as only six survive an air attack in the open desert. Kelly's corporal is Colin Spence(Henry Fonda), a shy and laid back Canadian with enough military smarts to impress the sergeant in picking him as his replacement. The fatigued patrol comes face to face with a Nazi tank and after a harsh confrontation Spence is forced to step up and take the place of their fallen leader.The photography for this war drama is very good for the mid-40's. Black & White film sets the mood and feel of the movie well. The action is broken up with Spence's flashback reminiscing of the girl he left behind, the beautiful Maureen O'Hara. Also in the cast: Reginald Gardner, Allyn Joslyn, Melville Cooper, Morton Lowry, John Banner and a small role for Peter Lawford.

edwagreen Henry Fonda looks just like he appeared in 1940's "The Grapes of Wrath."This is quite a good film detailing several soldiers caught in Africa during World War 11 and how they eventually overcome their perils.Thomas Mitchell, as the old-time sergeant is a standout here. There is able support by Allyn Joslyn, Reginald Gardiner and others.Maureen O'Hara is used mainly in flashbacks here as Fonda thinks back of his past while trying to lead his men to freedom.The ending seems rushed up as Fonda wakes up in the hospital and is told how they got out of their predicament.